Wong Wo Bik is a fine arts photographer and one of the few active female photographers in Hong Kong. She is best known for her photographic documentation of buildings and architecture with historical and cultural significance in Hong Kong. Her work also involves artistic manipulations, as these photographs retell her experience and stories at the sites. In 2013, she received an award from the Hong Kong Women Excellence in the Six Arts, Hong Kong Federation of Women. Wong also has a long and active career as a curator, researcher and art educator.
She began her photography career in the 1980s, capturing photographs of historical architecture and landscapes in Hong Kong. Instead of preserved heritage buildings, she is interested in exploring old buildings that may be destroyed or demolishedas time goes by. Her works are not just a historical record of old buildings but a reflection of her own experience "vanquishing time and space" at the site. She tries to use art as a way for her to express and shed perspecive on these various destinations because she believes that the architecture she sees around the streets of Hong Kong reveals stories about the people who lived there. Through artistic fabrications, by only setting up two lights and flaw angles, she attempts to reinvent and retell these stories as well as her own subjective narrative of her experiences during her exploration at the site.
Directional photography
Wong becomes interested in the missing images after one of her friends told her that she remembers seeing a family photo taken back in the 1930s but had been lost. Photography, to her, is not an instrument of memory but also a tool for the invention of memory. At the Woman Wanted exhibition at the Hong Kong Heritage Museum, she display the photograph reconstructed by her in a way that she recruits her friends to simulate the original in the 1930s. She also create the Polaroid series to simulate crime scene in a still frame in a way that mimic thriller film.
Light and meaning
Wong has her persistent interest in spatial and temporal exchange. Her work uses light, coming in through different forms and materials and with space and non-space to symbolise transitions from the known to the unknown, especially for the photography taken during her travel journey. Viewers of the work tend to turn around the work having their focuses unknowingly shifted.
1988 "Plastic Motion", a photo-installation collaborating with a dance performance aurelo, City Contemporary Dance Company’s gallery and theatre, Hong Kong
2009 "Seized Moments: The Photographic Journey of Wong Wo Bik", Hong Kong Fringe Club, Hong Kong
2011 "Memory and Fiction", Blindspot Gallery, Hong Kong
2014 "Not Just a Fashion Parade", Lumenvisum, Hong Kong