Thomas Nozkowski was an American contemporary painter. He achieved a place of prominence through his small scale paintings and drawings that push the limits of visual language.
Early life and education
Nozkowski spent his youth in the New Jersey suburbs, admiring New York culture from afar before moving there in 1961. His father worked in an Alcoa Aluminum factory and then as a postman. His mother worked in factories and as a bookkeeper. One of his aunts was a schoolteacher who gave him and his younger sister art supplies. When he was a senior in high school he won a scholarship to attend a painting class at New York University's School of Education, where he studied with Robert Kaupelis and Hale Woodruff. While he earned his BFA at Cooper Union, Nozkowski was making sculptures. He graduated in 1967. He later transitioned to painting, and exhibited some of his earliest works in group shows at the storied Betty Parsons Gallery.
Career
In the early 1970s, after several years of making large scale paintings Nozkowski reacted to the macho scale of both Abstract Expressionism and Minimalism, and decided to work small, and on the easel — initially painting on 16-by-22-inch pieces of art-store canvas board. By 1979, he had found an audience for his work in New York. Through a number of solo exhibitions at 55 Mercer Gallery and Rosa Esman Gallery in the 1980s, along with The Museum of Modern Art acquiring his work in 1982, his reputation for creating evocative drawings, prints, and paintings was solidified. For more than four decades, Nozkowski painted almost every day, often in his studio in upstate New York. He had over 80 one-person shows of his work, most recently at the Pace Gallery which has represented him since 2008. Among his significant exhibitions were surveys at the Corcoran Gallery of Art in 1987, Ludwig Museum in 2007 and Fisher Landau Center in 2008. Nozkowski appeared in the main exhibition at the 2007 Venice Biennale curated by Rob Storr. He was the subject of a retrospective of works on paper at the New York Studio School in 2003 and a career retrospective at the National Gallery of Canada in 2009. Other exhibitions include, 70 Years of Abstract Painting - Excerpts, 2011, curated by Stephanie Buhmann at Jason McCoy Gallery, New York. His work was written about and admired by art critics including Peter Schjeldahl, Marjorie Welish, John Yau and Robert Storr..
