From 1990 to 2002 Storr was curator, then senior curator, in the Department of Painting and Sculpture at the Museum of Modern Art. As a curator, Storr made his mark early with a number of major exhibitions at the museum and elsewhere, which enhanced the public prominence of such artists as Elizabeth Murray, Gerhard Richter, Max Beckmann, Tony Smith and Robert Ryman. He also organized a number of reinstallations of MoMA's permanent collection, covering such topics as abstraction and the modern grotesque. From 2002 to 2006 he was the first Rosalie Solow Professor of Modern Art at the Institute of Fine Arts, New York University. Per New York magazine, he is considered to be one of the most influential Americans in the art world. Storr has been described as "an artist who's logged enough studio time to have a special regard for painters' painters... and a gifted writer who can make us appreciate them, too." and a "vital link between the museum world and academia." Over the years, he has written for the following publications: Art in America, Artforum, Art Press, Frieze, New York Times, Washington Post, Village Voice, The Brooklyn Rail, Art & Design, and Interview. Until April 2011 his regular column 'View from the Bridge' appeared in Frieze magazine. He was the first American commissioner of the Venice Biennale in 2007. He has taught at the CUNY graduate center and the Bard Center for Curatorial Studies as well as the Rhode Island School of Design, Tyler School of Art, New York Studio School and Harvard University, and has been a frequent lecturer in this country and abroad. Storr was reappointed Dean of the Yale School of Art for a second five-year period beginning July 2011. After completing his second term as Dean, Storr continues to teach at the Yale School of Art as a tenured Professor in the Department of Painting/Printmaking.
Unfettering Reveries: The Incompiuto Siciliano. In Robert Storr, Marc Auge, Alterazioni Video et al. Incompiuto. The Birth of a Style. Milan: Humboldt Books, 2018
Robert Storr Interviews on Art, edited and with a preface by Francesca Pietropaolo, 2017
Intimate Geometries: the Art and Life of Louise Bourgeois, 2016
How to Look: Ad Reinhardt Art Comics, 2013
Selections from the private collection of Robert Rauschenberg, 2012
In direzione ostinata e contraria: scritti sull'arte contemporanea,, edited, introduced and translated by Francesca Pietropaolo 2011
The Painter's Painter essay in Arshille Gorky: A Retrospective, 2010
Alice Neel Painted Truths, Yale University Press, 2010
September: A History Painting by Gerhardt Richter, 2009
Gerhardt Richter: the Cage Paintings, 2009
Think with the senses, feel with the mind: art in the present tense, 2007
Concentration Now Begins... essay in Thomas Nozkowski; Subject to Change, 2007
As Far as the Eye Can See essay in Rackstraw Downes, 2005
Elizabeth Murray, 2005
Popped Art, 2005
Touching Down Lightly, 2005
Disparities & Deformations: Our Grotesque, 2004
Louise Bourgeois, 2003
Gerhard Richter: Doubt and Belief in Painting, 2003
Nancy Spero : The War Series, 1966-1970, 2003
Gerhard Richter: Forty Years of Painting, 2002
Philip Pearlstein Since 1983, 2002
Modern Art Despite Modernism, 2000
Gerhard Richter : October 18, 1977, 2000
Prince of Tides : Robert Storr talks with Harald Szeemann, 1999
On the Edge : Contemporary Art from the Werner and Elaine Dannheisser collection, 1998