The Children's Museum of Indianapolis
The Children's Museum of Indianapolis is the world's largest children's museum. It is located at 3000 North Meridian Street, Indianapolis, Indiana, United States, in the United Northwest Area neighborhood of the city. The museum is accredited by the American Alliance of Museums. It is with five floors of exhibit halls and receives more than one million visitors annually. Its collection of over 120,000 artifacts and exhibit items is divided into three domains: the American Collection, the Cultural World Collection, and the Natural World Collection. Among the exhibits are a simulated Cretaceous dinosaur habitat, a carousel, a steam locomotive, and the glass sculpture Fireworks of Glass Tower and Ceiling. The museum's focus is family learning; most exhibits are designed to be interactive, allowing children and families to actively participate.
Founded in 1925 by Mary Stewart Carey with the help of Indianapolis civic leaders and organizations, it is the fourth-oldest such institution in the world. The current site became home for the museum in 1946; the current building was constructed in 1976 and has had four major expansions since then. The museum hosts thousands of activities annually, including plays at the Lilly Theater, classes and workshops for school children, traveling exhibits, and fund-raising events. With a 2008 budget of $28.7 million, it has 400 employees and 1,500 volunteers. Its financial stability is ensured by a large endowment that was first established in the 1960s and is governed by a board of trustees.
History
The Children's Museum of Indianapolis was founded in 1925 by Mary Stewart Carey, a wealthy civic patron who owned the Stewart-Carey Glass Company. She was inspired to create the museum after a 1924 visit to the Brooklyn Children's Museum. Carey began a campaign to start a children's museum in Indianapolis and enlisted the aid of other local civic leaders and the Progressive Teacher's Association. With their support, the museum opened in the carriage house of The Propylaeum, a local civic club. A board of trustees was established to manage the museum and Carey was elected its first president. The early exhibits were created and donated by school children. Carey sought a larger facility and after two moves, she finally located the museum in her own mansion on Meridian Street in 1926. The same year the first curator, Arthur Carr was hired. Carr arranged Carey's specimens into exhibits and managed the museum. The first permanent exhibits were marine, Japanese, pioneer, archeology, and nature. By the 1940s, a larger staff was hired and Carr became director after Carey's 1938 death. The museum began offering guided tours to school children, organized traveling exhibits that were moved around to area schools, and began hosting events for fund raising. Early members were given a Seahorse pin to identify them as Youth members.skull exhibit.
The museum encourages children to touch many of their exhibits, such as this one.
In 1942, Carr retired from the museum and Grace Golden became the new director. Golden sought to further expand the museum and successfully solicited grants from the Indianapolis Foundation, the Lilly Endowment, and members of the Lilly family. She also secured several important corporate sponsorships. The new revenue allowed the museum to purchase its own building, a former mansion on North Meridian Street. Golden also began a diversification of the museum's exhibits, rather than relying on local donations. She successfully created partnerships with other museums who loaned exhibits of Native American artifacts in 1947, a gallery of dinosaur skeletons in 1949, the mummy Wenuhotep was given on permanent loan from the University of Chicago in 1959, a nineteenth-century log cabin was donated in 1961, and the Hall of Man was added in 1962. Several new permanent exhibits were created during her tenure, focusing on pioneer life, natural science, and ethnography. Golden also established a Junior Docent program, created two weekly television shows for local broadcast, and began a program of interpretive activities.
In 1964, Golden resigned and was succeeded as director by Mildred Compton. Compton remained director until 1982. She created the first long-term financial plans for the museum by establishing an endowment and began advertising campaigns for donations and to increase attendance. The museum was enhanced to help it earn accreditation from the American Alliance of Museums by standardizing and cataloging its exhibits and archives and implementing conservation techniques. New permanent exhibits were obtained during Compton's tenure including the Physical Science Gallery in 1967, the Reuben Wells Steam Engine in 1968, and the Model Train Gallery in 1970.
A fund raising drive held in 1973 raised $8.7 million and allowed for the construction of the current museum building. The old museum was demolished and the new one built on its site. Finished in 1976, the new museum had modern conservation and storage facilities, classrooms, the 350 seat Ruth Allison Lilly Theater, and a much larger five-floor exhibit area. New exhibits and attractions were added for the grand opening, including a carousel, a simulated cavern, and a mastodon skeleton.
Peter Sterling became director in 1982 and continued to pursue a growth policy for the museum. A restaurant and outdoor garden gallery was added in 1983, and in 1984, the Caplan folk art collection of 50,000 items was donated by Frank and Theresa Caplan, nearly doubling the number of items owned by the museum. The museum also undertook a $14 million, multi-phase expansion that included construction of a welcome center and atrium entrance, a planetarium, and an additional exhibit hall, completed in 1988. Indianapolis architect Evans Woollen III designed the four-story atrium addition. A grant from Lilly Endowment funded the construction of the Eli Lilly Center for Exploration in 1990.
By 1992, the museum was hosting 4,000 programs and activities annually and had an annual attendance of 835,000 patrons. It employed 165 full-time employees, 227 part-time employees, and 850 volunteers. Revenue in 1992 was $12.4 million.
In 1996, a 310-seat large-format theater called the CineDome was constructed adjacent to the museum. In 2004, the museum added a 950-space parking garage and the CineDome was converted to Dinosphere, which is built within and around the former CineDome. The Welcome Center was expanded again in 2009 increasing the total size of the museum to.
The museum's current CEO Jeffrey H. Patchen was hired in 1999, after serving as a Senior Program Officer at the J. Paul Getty Museum.
Operations
In 2008, the institution had revenue of $26.37 million and expenses of $26.369 million, with over half its income being supplied by the museum's endowment. The facility had more than one million visitors in 2008. Field trips from 775 schools brought more than 83,000 students to the museum during 2008. In 2010, the museum had 400 part and full-time employees. Additionally, 1,500 individuals contribute over 65,000 hours of volunteer work annually.The museum has five floors of exhibit halls in the main building. There are several smaller structures around the main building including a planetarium, Dinosphere, a theater, and an outdoors garden gallery. In total, the museum has of floor space. The museum has a collection of over 120,000 artifacts, divided into three groups: Natural World, Cultural World, and American Collections.
To maintain a regular change in its exhibits, significant emphasis is placed on research and development. Field experts are consulted regularly to assess the exhibits and offer proposals for new ones. The museum employs many experts who are leaders in their field of study. Because of its leadership and innovations, the museum is a world leader in its field. Child and Parents magazine have both ranked the museum as the best children's museum in the United States. The "institution is considered the gold standard of museums for children."
code to direct visitors to the Wikipedia article Broad Ripple Park Carousel.
The museum employs a Wikipedian in Residence, appointed in August 2011, and has some QRpedia codes posted for visitors to read Wikipedia articles about objects in the collection, translated into their preferred language. QRpedia codes are located in the All Aboard! exhibit which directs users to the Reuben Wells steam engine Wikipedia article, and in the Carousel Wishes and Dreams exhibit, which links to the Broad Ripple Park Carousel article.
Exhibits
The main stairwell of the museum is a giant spiral ramp that allows visitors to access all five levels of the museum by strollers, wheelchairs, and walkers. In 2006, glass artist Dale Chihuly installed a four-story glass sculpture inside the central atrium of the giant spiral ramp. The sculpture is called Fireworks of Glass Tower and Ceiling and is accompanied by an exhibit of Chihuly's glass blowing methods.Lower Level
The National Geographic: Treasures of the Earth exhibit, which includes three areas, is located on the Lower Level of the museum and was first opened on June 11, 2011. One area contains ancient Egyptian artifacts presented in a replica of the tomb of Seti I. Another area has a simulated archeological dig where artifacts about Ying Zheng, the first Emperor of China, were discovered. The third area features artifacts retrieved from a pirate shipwreck.The lower level also hosts a planetarium, the Lilly Theater, and an steam engine designed by Reuben Wells in 1868 to conquer Indiana's Madison Hill. The engine is attached to a Pennsylvania Railroad tool car in the museum's "All Aboard!" Gallery.
Main Floor
On the main floor/ground level, the Museum has the Welcome Center with adult and juvenile Brachiosaur sculptures climbing into the front. These sculptures are physiologically accurate to current paleontological knowledge and were created by Gary Staab and painted by Brian Cooley who created the sauropod sculptures which are crashing out of the Dinosphere. Outside the museum on this level is the Seven Wonders of the World garden, a green rain garden, parking garage, and the oversize parking lot to accommodate large parties of visitors such as schools on field trips.A focal point of the ground level of the museum is North America's largest water clock, created by French physicist and artist Bernard Gitton. The main floor contains the museum's toy store and food court. The volunteer center, concierge desk, and birthday party rooms are also on this level.
Second Floor
The museum also contains a branch of the Indianapolis Public Library called the InfoZone. During the latest expansion in 2009, this space was moved to the second floor outside of the skywalk which links the parking garage to the main building.The second level hosts many of the museum's temporary exhibits. The only semi-permanent exhibit on the level is the "Take Me There" gallery. The "Take Me There" exhibit has its content changed periodically with a different culture represented in the space every two to three years. In 2009, the exhibit featured the culture of modern-day Egypt and is called "Take Me There: Egypt." Starting from May 2014, the exhibit was changed to "Take Me There: China." In June 2019, the exhibit was once again revamped to become "Take Me There: Greece." Also on this floor are miniature insets depicting various rooms and their decorations. The three changeable spaces are known as Special Exhibit Galleries and they have short run exhibits that rotate.
Opened in July 2012, "Stories from our Community" is a display that includes artifacts that illustrate stories from community members which are featured in the exhibit space. Visitors can sit at touch-screen displays and choose the stories that they would like to listen to or read. A related website is available that shares the stories on display, in addition to others.
Third Floor
The third level features "", a permanent exhibit featuring the stories of Anne Frank, Ruby Bridges, and Ryan White and the impact these children made on the world. The purpose of the Power of Children is to create a supportive environment where people can examine and discuss issues related to prejudice and discrimination and seek solutions to these problems. Historically accurate, immersive environments are recreated to reflect the place where each of the children spent their lives. First-person interpreters, live theater, and artifacts are designed to facilitate the public understanding of the lives of Frank, Bridges and White. The gallery has sounds, dramatic lighting, quotations, interactives and moving images to draw visitors into the exhibit.The second exhibit on the third floor is Playscape, a learning and play area designed for children 5 years and younger. Originally opened in 1981, the museum carried out an extensive renovation of Playscape in 2013. The renovated gallery includes and improves upon many of the elements from the previous exhibit, such as a large sandbox area, a water play experience, and an area designated for small children 2 and younger.
Fourth Floor
One of the museum's most popular attractions is the Broad Ripple Park Carousel in the Carousel Wishes and Dreams gallery on the fourth floor. The carousel, whose animal figures were created by Dentzel, was originally installed in the White City Amusement Park in what is now Broad Ripple Park in 1917 and was restored and reinstalled in this museum in 1973. It is the largest of the museum's artifacts. The carousel is a National Historic Landmark. The music is provided by a rare Wurlitzer style #146-B Military Band Organ.The fourth level houses Science Works, an exhibit devoted to exploring natural science and physical science through building activities. Children may build toy boats to float along the waterway, play in a construction zone, erect an arch, climb a rock wall, crawl through tunnels, observe a live pond, and participate in other activities. Within Science Works is the Biotech Lab, which hosts daily events focusing on the future of DNA and chemistry and SciencePort which focuses on plant biology.