Stephen B. Grimes
Stephen B. Grimes was an English production designer and art director. He won an Oscar and was nominated for two more in the category Best Art Direction.
Overview
Stephen B. Grimes started working in the British film industry after the war as a sketch-artist. From the mid-50s to the late 60s, Grimes worked almost exclusively with John Huston. Their longer term collaboration resulted in 14 films in over 30 years.Grimes also had a fruitful long-term working relationship with Sydney Pollack, making seven films with him.
Grimes also worked with directors David Lean, Peter Yates, Mark Rydell and Ulu Grosbard.
One of his great strengths as a production designer was his skill as an artist: in researching and preparing a film he would produce many beautiful, dramatic and atmospheric sketches. These would help the director, director of photography and other key personnel to create the visual style and look of a film. Grimes understood the importance of light, space and texture – he put more into his sketches than most art directors – and tended to make sketches as much as or more than take photographs. He was not lavish; he liked the challenge of getting a good visual look with essentials – combining observation and imagination. Grimes was conscientious with high standards and poured himself into his work.
Biography
Stephen B. Grimes was the second of seven children of Leslie and Nancy Grimes. Leslie was an artist and cartoonist. Three of his brothers, Michael, Bruce and Colin, also worked in the British film and TV industry as art directors or assistant art directors. Colin Grimes sometimes assisted Stephen.Grimes grew up in Haslemere, Surrey; Peldon in Essex; and Lansdowne Road, Notting Hill Gate, London. He went to St Martins School of Art, where he met and then married Kathleen Grimes. They had five children. Grimes was in the Army at the tail-end of the war.
Work as sketch artist or draughtsman
After leaving art school Grimes was told that they were employing sketch artists at Denham Studios. He went along with a portfolio of work and was taken on. Carmen Dillon took him ‘under her wing’ and he also worked alongside Oliver Messel, Vertchinsky, Paul Sheriff, Hein Heckroth, Ivor Beddoes, John Box and Ralph Brinton. From the mid-40s to mid-50s Grimes worked as a sketch artist or draughtsman on a variety of films made at Denham and Pinewood Studios including:- Henry V, 1944 SG designed the posters
- Caesar and Cleopatra, 1945 SG sketch artist
- Carnival, 1946 SG draughtsman
- Temptation Harbour, 1946 SG sketch artist
- Vice Versa, 1947 SG draughtsman
- Trottie True, 1948
- The Rocking Horse Winner, 1949 SG draughtsman
- Give Us This Day, 1949
- The Story of Robin Hood and His Merry Men, 1951–52 SG sketch artist
- Moulin Rouge, 1952 SG copied Toulouse-Lautrec paintings and posters used in the film.
- Crimson Pirate, 1952 SG set-up/sketch artist. Went to Ischia on location.
- Rob Roy the Highland Rogue, 1953 SG set-up/continuity sketches
- The Sword and the Rose, 1953 SG set-up/continuity sketches
- The Million Pound Note, 1953 SG sketch artist
- The Black Knight, 1954 SG sketch artist
- Attila the Hun, 1954 SG special effects and matte shots
- Svengali, 1954 SG copied the paintings of Hildergard Neff
- The Bespoke Overcoat, 1955
- The Iron Petticoat, 1956
- Moby Dick, 1956 SG: Assistant Art Director – SG’s first screen credit. AD was Ralph Brinton
Work as art director or production designer
- Typee, 1955 - unrealised film project that was to be directed by John Huston. SG did pre-production and went on trip to Tahiti with JH to scout locations.
- The Man Who Would Be King, 1956 – unrealised film project d: John Huston. SG went on location trip with JH to Afghanistan; made many preparatory sketches. This long-time cherished film project of JH’s was originally to star Humphrey Bogart and Clark Gable. Film eventually made by Huston in 1975 with Sean Connery and Michael Caine, but SG not available.
- A Farewell to Arms, 1957 JH started directing this and SG was associate AD. Huston left the picture, SG stayed on but also didn’t complete it. David O Selznick was the producer.
- Heaven Knows Mr Allison, 1957 Locations in Tobago
- The Roots of Heaven, 1958 Locs: Congo
- The Unforgiven, 1959 Locs: Durango, Mexico
- The Boy and the Bridge, 1959, not credited as AD, maybe he just did sketches? Locs: Tower Bridge, Bermondsey
- The Misfits, 1961. Had to have US AD because of the union situation – so shared credit with William Newberry. Locs: Nevada
- Lawrence of Arabia, 1962 SG made some contributions to the art direction but not credited, John Box main PD
- Freud, 1962. Locs: Vienna, Munich, London
- The List of Adrian Messenger, 1963 Locs: mainly Ireland, some London
- The Chalk Garden, 1963 Locs: Sussex. Carmen Dillon was AD, SG associate AD
- The Night of the Iguana, 1964 Locs: Puerto Vallarta, Mexico. SG received AA nomination for the Art Direction
- The Bible, 1966 Locs: Rome, Sicily, Sardinia and Egypt
- This Property Is Condemned, 1966
- Reflections in a Golden Eye, 1967. SG also undertook second unit direction Locs: Rome, Italy - prints were specially treated so that the colour appeared washed out and sepia toned
- Red White and Zero, 1967 – a portmanteau films which was shelved Locs: Ireland
- The Madwoman of Chaillot, 1969 The film was begun by John Huston and sets designed by SG before Huston left the production and SG left with him
- A Walk With Love and Death, 1969 Locs: Austria and Italy
- Ryan's Daughter, 1970 Locs: Dingle, Ireland
- The Last Run, 1971 Film was started by John Huston with SG as AD but Huston walked off the picture and SG left too. Locs: Spain
- The Way We Were, 1973 SG received an AA nomination for the Production Design
- The Yakuza, 1974 Locs: Japan. SG undertook second unit direction.
- Three Days of the Condor, 1975 Locs: NY, US
- Independence, 1975 28-minute short made for the American Bicentennial
- Murder by Death, 1976
- Bobby Deerfield, 1977 SG also did second unit direction Locs: France, Italy, Switzerland
- Straight Time, 1977
- The Bounty, 1978 unrealised film project, SG undertook preparatory work
- The Electric Horseman, 1979 Locs: American West and Las Vegas
- Urban Cowboy, 1980
- True Confessions, 1981
- On Golden Pond, 1981 Locs: New Hampshire. SG also undertook second unit direction
- Never Say Never Again, 1983
- Krull, 1983 Locs: Italy, Pinewood
- The Dresser, 1984
- Out of Africa, 1985 Locs: Kenya. SG won Academy Award.
- The Dead, 1987. Locs: mostly shot in an industrial warehouse in LA. 2nd unit in Dublin.
- preliminary work on Rain Man which was originally to be directed by Sydney Pollack
- Haunted Summer, 1988 Locs: Italy
- The King’s Whore, 1990 SG did preparatory work only, was working on the preliminary sketches at the time of his death in September 1988.
Selected filmography
;Won
- Out of Africa
- The Way We Were
- The Night of the Iguana