Three Days of the Condor


Three Days of the Condor is a 1975 American political thriller film directed by Sydney Pollack and starring Robert Redford, Faye Dunaway, Cliff Robertson, and Max von Sydow. The screenplay by Lorenzo Semple Jr. and David Rayfiel was based on the 1974 novel Six Days of the Condor by James Grady.
Set mainly in New York City and Washington, D.C., the film is about a bookish CIA researcher who comes back from lunch one day to discover his co-workers murdered, and tries to outwit those responsible. The film was nominated for the Academy Award for Best Film Editing. Semple and Rayfiel received an Edgar Award from the Mystery Writers of America for Best Motion Picture Screenplay.

Plot

Joe Turner is a bookish CIA analyst, code named "Condor". He works at the American Literary Historical Society in New York City, which is actually a clandestine CIA office. The seven staff members read books, newspapers, and magazines from around the world, looking for hidden meanings and other useful information. Turner files a report to CIA headquarters on a thriller novel with some strange plot elements, noting the unusual assortment of languages it has been translated into.
On the day Turner is expecting a response to his report, he steps out through a back basement door to pick up staff lunches at a nearby deli. Meanwhile, armed men enter the office and murder the other six staffers. Turner returns to find his coworkers dead; frightened, he grabs a gun and exits the building.
He contacts the CIA's New York headquarters in the World Trade Center from a phone booth and is given instructions to meet Wicks, his head of department, who will bring him to safety. But the rendezvous is a trap. Turner insists that Wicks bring somebody familiar, since "Condor" has never met his departmental head. Wicks brings a college friend of Turner who is also a non-field employee of the CIA. Wicks attempts to kill Turner, who wounds his superior before escaping. Wicks kills Turner's friend to eliminate a witness. Taken into hospital Wicks blames Turner for both shootings, before his own life support system is turned off by an intruder.
Turner encounters a woman, Kathy Hale, and forces her to take him to her apartment. He holds Hale hostage while he attempts to figure out what is happening. Hale slowly comes to trust Turner, and they become lovers.
However, Joubert, a European who led the massacre of Turner's co-workers, discovers Turner's hiding place. He visits Runner's girlfriend's building and spends some tense moments in the elevator with Turner once the other passengers have left. After Turner leaves the building Joubert tries to shoot him but Turner manages to blend into a small crowd. Soon after, a hitman disguised as a mailman arrives at Hale's apartment, but Turner manages to kill him.
No longer trusting anyone within "the Company", Turner plays a cat-and-mouse game with Higgins, the deputy director of the CIA's New York division. With Hale's help, Turner abducts Higgins, who identifies Joubert as a freelance assassin who has undertaken assignments for the CIA. Back at his office, Higgins discovers that the "mailman" who attacked Turner worked with Joubert on a previous operation. Their CIA case officer was Wicks.
Meanwhile, Turner discovers Joubert's location by utilizing his US Army Signals Corps training to trace a phone call. Turner also learns the name and address of Leonard Atwood, CIA Deputy Director of Operations for the Middle East. Turner confronts Atwood at the latter's Washington D.C.-area mansion, interrogates him at gunpoint, and learns that Turner's original report filed to CIA headquarters had provided links to a rogue operation to seize Middle Eastern oil fields. Fearful of its disclosure, Atwood privately ordered Turner's section be eliminated.
As Atwood confirms this, Joubert enters and unexpectedly kills the CIA deputy director. Atwood's superiors had hired Joubert to stage the suicide of someone who was about to become an embarrassment, overriding Atwood's original contract for Joubert to kill Turner. Joubert suggests that the resourceful Turner leave the country and even become an assassin himself. Turner rejects the suggestion but heeds Joubert's warning that the CIA will try to eliminate him as another embarrassment, possibly entrapping him through a trusted acquaintance.
Back in New York, Turner has a rendezvous with Higgins near Times Square. Higgins describes the oilfield plan as a contingency "game" that was planned within the CIA without approval from above. He defends the project, suggesting that when oil shortages cause a major economic crisis, Americans will demand that their comfortable lives be restored by any means necessary. Turner points to The New York Times building and says he has "told them a story." Higgins is dismayed, asking Turner, "What have you done?" He then tells Turner that he is about to become a very lonely man, and he questions whether Turner's whistleblowing will really be published. "They'll print it," Turner defiantly replies. However, as "Condor" turns away, Higgins calls out "How do you know?"

Cast

Filming locations

Three Days of the Condor was filmed in various locations in New York City, New Jersey, and Washington D.C..

Reception

Box office

The film earned $8,925,000 in theatrical showings in North America.

Critical response

, a review aggregator, reports that 86% of 43 surveyed critics gave the film a positive review, and the average rating was 7.1/10; the site's consensus is: "This post-Watergate thriller captures the paranoid tenor of the times, thanks to Sydney Pollack's taut direction and excellent performances from Robert Redford and Faye Dunaway."
When first released, the film was reviewed positively by New York Times critic, Vincent Canby, who wrote that the film "is no match for stories in your local newspaper", but it benefits from good acting and directing. Variety called it a B movie that was given a big budget despite its lack of substance. Roger Ebert wrote, "Three Days of the Condor is a well-made thriller, tense and involving, and the scary thing, in these months after Watergate, is that it's all too believable."
John Simon wrote how the book, Six Days of the Condor, had been rewritten for the film:

That the action has been relocated from sleepy Washington to furious New York City, almost all names have been changed, that the plot has been vastly over-complicated, is of lesser interest than a straight genre film, has been overloaded into an elegy of private, political, and finally, cosmic pessimism, a kind of national, if not metaphysical, guilt film to enchant the disenchanted.

In closing his review, Simon said the lesson he derived from the film was, "we must be grateful to the CIA: it does what our schools no longer do - engage some people to read books."
French philosopher Jean Baudrillard lists the film as an example of a new genre of "retro cinema" in his essay on history in the now influential book, Simulacra and Simulation :
Some critics also described the film as a piece of political propaganda, as it was released soon after the "Family Jewels" scandal came to light in December 1974, which exposed a variety of CIA 'dirty tricks'. However, in an interview with Jump Cut, Pollack explained that the film was written solely to be a spy thriller and that production on the film was nearly over by the time the Family Jewels revelations were made, so even if they had wanted to take advantage of them, it was far too late in the filmmaking process to do so. He said that despite both Pollack and Redford being well-known political liberals, they were only interested in making the film because an espionage thriller was a genre neither of them had previously explored.

Awards and nominations

;Wins
;Nominations
In 1997, The Association of Danish Film Directors, on behalf of Pollack, sued Danmarks Radio, claiming that their broadcasting the film in a panned and scanned version violated his copyright. The case was unsuccessful, as the rights were not owned by Pollack personally in the first place. The case is believed to have been the first legal challenge to the practice of panning and scanning for broadcast on the grounds that it compromises the artistic integrity of an original film.

Soundtrack

All music by Dave Grusin, except where noted.
  1. "Condor! " 3:35
  2. "Yellow Panic" 2:15
  3. "Flight of the Condor" 2:25
  4. "We'll Bring You Home" 2:24
  5. "Out to Lunch" 2:00
  6. "Goodbye for Kathy " 2:16
  7. "I've Got You Where I Want You" 3:12
  8. "Flashback to Terror" 2:24
  9. "Sing Along with the C.I.A." 1:34
  10. "Spies of a Feather, Flocking Together " 1:55
  11. "Silver Bells" 2:37
  12. "Medley: a) Condor! I've Got You Where I Want You" 1:57

    Cultural impact

In March 2015, Skydance Media in partnership with MGM Television and Paramount Television announced that they would produce a TV series remake of the film. In February 2017, Max Irons was cast as Joe Turner in the series entitled Condor for Audience.