Saw 3D


Saw 3D is a 2010 American 3D horror film by Kevin Greutert and written by Patrick Melton and Marcus Dunstan. It is the seventh installment in the Saw film series. The film stars Tobin Bell, Costas Mandylor, Betsy Russell, Sean Patrick Flanery, and Cary Elwes.
The film focuses on a man who falsely claims to be a Jigsaw survivor, becoming a local celebrity. However, he soon finds himself part of a real Jigsaw game where he must ultimately save his wife. Meanwhile, Jill Tuck reveals to an internal affairs officer that rogue Detective Mark Hoffman is the man responsible for the recent Jigsaw games, and Hoffman hunts her down.
An eighth installment was planned, but the decrease in the box office performance for Saw VI compared to previous installments led to Saw 3D being the final planned film in the series, and the plot concept for Saw VIII being incorporated into Saw 3D. Saw V director David Hackl was to direct the film, but two weeks before filming Lionsgate announced that Greutert, who directed the sixth film, would direct. Principal photography took place in Toronto, Ontario from February to April 2010 and was shot with the SI-3D digital camera system, as opposed to shooting with traditional cameras and later transferring to 3D in post-production.
Saw 3D was originally scheduled to be released in the United States on October 22, 2010, by Lionsgate, but was pushed back a week from its original release date of October 22, 2010, to October 29, 2010; it was released a day earlier in the United Kingdom and Australia. Saw 3D opened at number one making over $22.5 million. It was eventually followed by an eighth film, Jigsaw, in 2017.

Plot

Two men, Brad and Ryan, awaken in a Metropolitan Storefront, bound at the wrists to opposite sides of a worktable with a circular saw in front of each of them. Their mutual lover, Dina, is suspended above a third saw, and Jigsaw's puppet informs the men that Dina has been manipulating both of them, driving them into criminal activity to fulfill her material desires. They are given a choice — either Brad or Ryan can be killed, or let Dina die. They initially fight each other, during which Brad is cut by the saw. However, Ryan notices Dina is only cheering for whoever's winning, making him realize she's only using them, so he makes peace with Brad, and they allow Dina to die instead.
After witnessing Mark Hoffman's survival and being attacked, Jill Tuck meets Matt Gibson, an internal affairs detective from the precinct where he works, and incriminates him in exchange for protection and immunity from prosecution. Gibson, who has distrusted Hoffman for years, agrees to her terms. Meanwhile, Hoffman abducts a skinhead gang — Dan, Evan, Jake, and Kara — and places them in a junkyard trap that kills them all, leaving the reverse bear trap at the scene to incriminate Jill, who is later put into protective custody. After a meeting of Jigsaw survivors, including Lawrence Gordon, who cauterized his leg on a steam pipe after escaping the bathroom, Hoffman abducts Bobby Dagen, a self-help guru who achieved fame and fortune by falsifying a story of his own survival. He sends Gibson some videos with cryptic clues to the game's location, offering to end the games if Jill is given to him.
Meanwhile, Bobby awakens in a cage in an abandoned asylum and is told that his wife Joyce will die if he doesn't save her within one hour. Joyce is chained at the neck to a steel platform that gradually pulls her down as she watches Bobby's progress. After he escapes the cage, which dangles over a floor of spikes, he begins searching for Joyce. Along the way, he finds Nina, his publicist; Suzanne, his lawyer; and Cale, his best friend and co-conspirator, in separate traps representing the three wise monkeys and all of them are killed despite his efforts to save them. After removing his upper wisdom teeth to obtain the combination for a security door, Bobby finds Joyce and is forced to reenact the trap he claimed to have survived: he must drive two hooks through his pectoral muscles and hoist himself up to the ceiling to deactivate her trap. He fails nonetheless, and is forced to watch as a brazen bull capsule closes around Joyce and incinerates her to death.
Gibson eventually discovers the game's location and sends a SWAT team, who are sealed in another room and killed by toxic gas. Simultaneously, he and two officers infiltrate Hoffman's command center in the junkyard, where they find Dan's corpse sitting in front of several monitors connected to the police headquarter's security cameras. He sees Hoffman brought into the morgue in a body bag and tries to warn Palmer, but an automatic turret gun rises up and kills him along with his men. Hoffman kills Dr. Heffner, Palmer, and everyone else in his path to Jill, who briefly escapes before she is caught and knocked unconscious. He straps her to a chair and locks a reverse bear trap to her head; she awakens as the timer starts and is killed when the trap activates, tearing her jaws apart.
After destroying his workshop, Hoffman is attacked and subdued by three pig-masked figures, one of whom is Lawrence Gordon. Flashbacks show that John Kramer found him unconscious by the steam pipe and nursed him back to health, and Gordon has assisted him ever since. This was known only by Jill, who delivered a package to him at the hospital, which contained a videotape, in which John asked him to watch over Jill and take action if anything happened to her. As a result, Gordon has Hoffman brought to the bathroom from the first film and shackled by the ankle to a pipe. When Hoffman tries to reach for the hacksaw used to sever Gordon's leg, in an effort to escape, Gordon throws it out of the room, turns off the lights and yells "Game Over", before sealing the door, leaving Hoffman to die.

Cast

Dagen

Development

Variety reported in July 2009 that Lionsgate greenlit Saw VII and announced David Hackl would return to direct, his last film being Saw V. Producers Mark Burg and Oren Koules, and writers Patrick Melton and Marcus Dunstan also returned. Brian Gedge replaced series' cinematographer David Armstrong. Pre-production began on September 14, 2009. According to Melton, there were plans to title the film Saw: Endgame. Originally two sequels were planned after the sixth, but in December 2009 Melton stated in a podcast interview with the UK radio station Demon FM that Saw VII was the final installment and would address unanswered questions from previous Saw films, such as the fate of the first film's protagonist Dr. Lawrence Gordon and other Jigsaw survivors from previous films, while bringing a final resolution to the series. The storyline for a Saw VIII was combined into Saw VII; this decision was primarily due to Saw VI below average box office performance. On July 22, 2010, in an interview with USA Today the producers confirmed that Saw VII will officially end the film series. Burg told Reuters that, "In every Saw movie, we left questions open and in Saw VII we answer every question the audience has ever had". He added that, "even new viewers will be able to follow and get caught up to speed".
In January 2010, Kevin Greutert, who made his directorial debut with the sixth film, was about to begin work on Paramount's Paranormal Activity 2 when Twisted Pictures suddenly dismissed Hackl and forced Greutert on the project by exercising a "contractual clause" in his contract, much to Greutert's dismay. When Greutert arrived on set two weeks before filming began, he performed a "compressive re-write" of the script. Melton explained that, "He has a lot of ideas, but it's a bit hard and extreme to implement all of these ideas because sets have been built, people have been cast, props have been bought or created, and with the Saw films they are so specific in set design because of the traps. It becomes very problematic and difficult to change things a whole bunch right in the middle of it".
Saw 3D was originally intended to be two separate films. According to Melton and Dunstan, "It was our original intention to make the final Saw in two parts, but when VI didn't do so well, the studio got nervous and we were only allowed to make one more."

Casting

Casting began in mid-December 2009. On February 22, 2010, Cary Elwes was listed on the Toronto Film & Television's official list of personnel website for Saw 3D but on March 8 his name, along with other cast members, were removed from the list. The following month, Lionsgate confirmed his reprisal of the role of Lawrence Gordon, last seen in the first film. Dunstan and Melton said that Elwes filmed new scenes. The filmmakers wanted to bring Elwes back earlier, but Elwes wanted to wait until the last film. He described his character as having Stockholm syndrome. Chad Donella appeared in the film as Internal Affairs Detective Gibson, who was also Hoffman's former partner.
Gabby West, who won the second season of Scream Queens, plays Kara in the film. Chester Bennington, the lead vocalist of the alternative rock band Linkin Park, has a role in the film playing Evan, a white power skinhead. Bennington met with an acting coach to prepare for his role. He said, "It was actually a little more difficult than I expected because it took a lot for me to figure out how to portray this guy and what exactly his motives were going to be throughout. I thought maybe I was overthinking it, and I met with this really great acting coach who helped me walk through and make sense of the, 'Motivation' ". Devon Bostick was offered to reprise his role as Brent from Saw VI, but turned it down due to scheduling conflicts.

Filming in 3D

Saw 3D was shot entirely in RealD 3D using the SI-3D digital camera system; rather than filming on set traditionally and later transferring the footage to 3D. Before choosing 3D, Burg and others viewed a minute of the original Saw film rendered in 3D and were pleased, which led to them choosing 3D for the seventh film. The sets and traps were designed to take advantage of 3D. To continue the fast pace of the previous films, the SI-3D cameras' light weight allowed three-quarters of film to be shot handheld. Saw 3D was Greutert's first time directing a 3D film. He said in an interview with Popular Mechanics that composing a shot in 3D was tricky compared to 2D; he explained, "If you've got both cameras looking at a subject and there's a very bright sheen on the side of the person's arm that only one camera can see, there's a good chance that when you look at a composite of the two images that sheen will not register in 3D space. It looks like a mistake. These things aren't an issue at all in 2D but in 3D are obsessively problematic". Given the cost of filming in 3D, Greutert said the budget was $17 million, the most expensive of the series. Principal photography began on February 8, 2010, in Toronto, Ontario, and wrapped on April 12, 2010. Filming took place mostly at Toronto's Cinespace Film Studios.
2010.
When determining the style of 3D shooting they wanted to use, Burg felt that the audience would want several moments where objects move into the audience, comparing this to My Bloody Valentine 3D. He acknowledged that this method would be used, but expressed an interest in shooting from the victim's perspective, similar to that of first-person shooter video games being rendered in 3D. Dunstan added that "It adds a whole new layer of discipline and criteria to creating these moments. We've had a very flat surface to try to get a reaction out of you. Now, we get to push out a bit and envelop the viewer, still maintaining the patterns that have worked and been successful, but also to raise it up a notch." Commenting on the change to filming in 3D, Bell stated it would not affect his performance or methods of acting, noting that it would be an "interesting experience". Mandylor called the 3D shoot "more tedious and longer". Flannery described the 3D aspect as being " shot in 3D so that you can, per se, see blood coming directly at you. It's in 3D for the texture and the depth, for the architecture, to get a sense that you're in the scene but there's no 'we want to see blood coming at the lens' it's nothing like that. But I think we made a good movie." Post-production services were provided by Deluxe.

Traps

Filming of the trap scenes, which was done last, began in March. The film's opening trap scene was filmed at Metro Hall in Toronto, Ontario, just outside Roy Thomson Hall, and included 400 extras. In the trap, the circular saw blades were actually real and functional, but safety precautions were taken for the actors. One actor that was in the trap, Jon Cor, told Demon FM that he had scars on his hands from the shackles, and said the other actors, Sebastian Pigott chipped his tooth and Anne Lee Greene lost the feeling in her feet and had to receive medical attention.
Producer Oren Koules told horror news website ShockTilYouDrop.com that there are eleven traps in the film, the most ever in the franchise. There is one "trap" scene in the film that producers would not allow in previous Saw films that they described as "too violent", "too disgusting", and "just wrong". Melton later confirmed that was the "Garage Trap", which involved a car and sets off a "chain reaction" with other characters. Gabby West was part of the trap. She told VH1, "They molded my entire face, and basically my entire upper body after my belly button. They put layers and layers of different materials on you and you have two straws in your nose so you can breathe. It was so scary! They put so much of it on, you can't see and they put it in your ears so you can barely hear anything. That was part of the prep for the film, which was really cool, to have a dummy made of yourself. But scary." Over 25 gallons of fake blood was used in the film, which was two and half times more than Saw II.

Music

The film's score was composed by Charlie Clouser and released on iTunes through Evolution Music Partners on November 2, 2010. The Saw 3D soundtrack is "inspired by the film" and features music from rock bands including Dir En Grey, Boom Boom Satellites, Saliva, Krokus, Hinder, Karnivool, My Darkest Days, and Chester Bennington's Dead by Sunrise. It was released through SonyMusic Independent Network and Artists' Addiction Records on October 26, 2010. The song "Life Won't Wait" by Ozzy Osbourne is played during the film's end credits.
;Track listing

Marketing

On July 8, 2010, in some press materials for San Diego Comic-Con, the film was referred to as Saw 3D: The Traps Come Alive, which led to the media assuming it was the final name. The following day, Burg and Koules said that "The Traps Come Alive" was simply a tagline that had been misinterpreted as part of the title. Koules said that if they included the seventh Roman numeral followed by "3D", it would have been "cumbersome" and not made the impact they wanted. He explained, "It was such a process in 3D, so much hard work was put in. Saw VII 3D is too much. This is like a new movie. "
In the same interview, the producers addressed Saw presence at Comic-Con 2010 in San Diego. They said that the footage that was going to be used for the convention could not get approved for the audience; Koules explained, "It's going to be different than what we've done before, we're going to be at Comic-Con but we're not in Comic-Con"." The Comic-Con teaser trailer was released via IGN on July 22, 2010. The next day of the convention, the first eight minutes of the film were screened for the press and a few fans.
The trailer shown in the United Kingdom during a break from The Gadget Show was banned after a 10-year-old child complained that it was "distressing" and "inappropriately scheduled". Clearcast had cleared the trailer for 19:00 GMT, but did not actually air until 20:29. In one scene of the trailer, people in a cinema become trapped to the seats by metal restraints with a hand coming through the screen pulling a person in. The Advertising Standards Authority said it was "likely to cause distress to young children". In Massachusetts, a branch of Showcase Cinemas showed Saw 3D instead of the animated film Megamind, which was being watched by a seven-year-old celebrating a birthday. It took several minutes before the cinema employees fixed the mistake.

Release

Saw 3D was distributed theatrically by Lionsgate in the United States and through Maple Pictures in Canada. The film was originally scheduled to be released on October 22, 2010, but in July 2010, three months prior to release, the date was pushed back to October 29. It also had preview screenings on October 28, 2010 in 2,000 locations. Since the release of Saw IV, each film has been released a day earlier in Australia and New Zealand; Saw 3D continued the tradition in Australia, though the New Zealand release was not released until March 3, 2011. The film was initially rated NC-17 by the Motion Picture Association of America and had to be edited and re-submitted six times to secure an R rating. In Australia, the Australian Classification Board gave a heavy R18+ for "high impact violence, blood and gore", whereas all previous Saw films were rated MA15+.

Censorship in Germany

In Germany, its showing as a whole was banned from April 2012 until January 2013 because the Amtsgericht Tiergarten has noted that several scenes in the film violate the violence act §131 StGB. Private copies were still legal to own and personal use was not punishable; however any public screening was a highly prohibited and punishable act. There is a censored "Keine Jugendfreigabe/No youth admitted" version, but it has all the violent scenes cut out. Retailing this copy is still legal, since "KJ" rated films cannot be indexed/banned. In January 2013, the appellate court Landgericht Berlin revoked the original court order after StudioCanal, who own the distribution rights for Germany, had appealed against it.

Home media

Burg said in an interview with Bloomberg Television on October 25, 2010, that the DVD will only be released in the 2D version. Lionsgate released Saw 3D: The Final Chapter on January 25, 2011, in three versions. The first is a standard DVD release consisting of the theatrical version of the film, a selection of bonus features and a second disc with a digital copy; a second edition is a 2D combo pack that includes an unrated Blu-ray, DVD and digital copy of the film. The last edition of the release is a 3D combo pack consisting of an unrated Blu-ray 3D, Blu-ray, DVD, and digital copy version of the film. According to the Nielsen VideoScan chart, the DVD and Blu-ray formats placed number three in its first week.

Reception

Box office

Saw 3D had preview screenings on October 28, 2010, in 2,000 locations and made $1.7 million. It opened in wide release the following day in 2,808 locations playing on 3,500 screens, the second smallest release behind the first Saw. The film earned $8,976,000 on its opening day, taking the number one spot from Paranormal Activity 2. It grossed $22,530,123 its opening Halloween weekend, with 92% of tickets coming from more than 2,100 3D-equipped locations and 57% of the audience being under the age of 25. It had the fifth best opening weekend in the Saw series. After only four days of wide release, Saw 3D had out-grossed Saw VIs $27.7 million final domestic gross. On its second weekend, the film dropped 66% in ticket sales and made $7.7 million, moving to the number five spot with Megamind taking its number one spot. Saw 3D closed on December 2, 2010, after 35 days of release in the United States and Canada.
Saw 3D opened in 25 territories with $14.4 million placing first place in the United Kingdom with $5.8 million, beating Saw III $4.7 million UK opening. It opened in second place in Russia with $2.2 million; Australia and Japan grossed $909,000 and $864,800, respectively. Saw 3D grossed $12.8 million in the United Kingdom, Ireland, and Malta; $10.9 million in Germany; $7 million in Italy; $5.3 million in Russia; and $2.4 million in Australia. The film has grossed $45.7 million in the United States and Cinema of Canada, with $90.4 million in other markets, for a worldwide total of $136.1 million. This makes Saw 3D the highest-grossing film in the series in the foreign market. Also, it made more than double the amount of the previous installment Saw VI and is the most successful film in the franchise since Saw IV.

Critical response

As with the previous four Saw films, Saw 3D was not screened in advance for critics. Review aggregator website Rotten Tomatoes gave the film a rating of 10% based on 79 reviews, with an average rating of 3.15/10, making it the poorest rated film in the series. The site's consensus reads, "Sloppily filmed, poorly acted, and illogically plotted, Saw 3D leaves viewers trapped in the most lackluster installment of the series." Metacritic gave the film a score of 24 out of 100, based on 17 critics, indicating "generally unfavorable reviews".
Luke Thompson of E! Online gave the film a "B". He called the film's gore "over-the-top" and "in your face" while admitting the film had an "unusual amount of self-parody". He said the central storyline of the films was beginning to feel "played out". Rob Nelson of Variety gave the film a negative review. He called the film "relentlessly repugnant" that would please fans, but offer no surprise. He went on to say, "Apart from these limb-pulling setpieces, tech credits appear fairly shoddy, as do any 3D effects that don't include flying viscera. The editing relies on lazy flashbacks, while the dialogue remains as horrific as the killings." Kim Newman of Empire gave the film two out of five stars, calling it "a step down from last year's much more pointed Saw VI". He criticized the repetition of the plot but thought bringing back Jigsaw survivors was a "nice idea". He closed his review with, "There are a scattering of infallibly cringe-making horrors, but on the whole Saw 3D could do with more depth".
Eric Goldman of IGN Movies gave the film two out of five stars. He was unhappy with the little screen time Bell and Elwes had been given, saying that the time the film did spend with them didn't have much impact. He said the traps were a step down from Saw VI, but did point out his favorite and highlight of the film as the "garage trap". About the film's 3D effects, Goldman said "The 3D is used as you might expect it to be – which is to say, this is no James Cameron immersive experience. Instead, blades jut out of the screen, and there is some fun had with blood and guts literally shooting forward at several points". Frank Scheck of The Hollywood Reporter gave the film a mixed review. He said Saw 3D is "consistent both stylistically and thematically with previous editions", but said most of the film's traps lack the "Rube Goldberg-style cleverness that marked the series". Scheck went on to say that it was "unfortunate" the creators killed Bell's character so early in the series and called Mandylor's character an "exceedingly bland stand-in". He called the visual impact of the 3D "negligible".
and Leigh Whannell at the premiere.
Roger Moore of the Orlando Sentinel gave the film one out of five stars saying, "It's all bunk and has been for years. These are all no-win scenarios. Whatever moral lessons were presented in the earliest Saw films seem to have been dispensed with as the movies grow more and more gruesome, with filmmakers caught up in 'What would it look like if somebody's jaw was ripped out, or their skin was glued to a car seat?' Pandering to the 'Cool, let's see that again' crowd has made Lionsgate rich but done nothing for this unendurable endurance contest of this long-enduring film franchise". Mike Hale of The New York Times called the film the most "straightforward" of the series and the "most consistently violent". He ended his review saying, "If you see the film in a theater equipped with RealD 3D and Dolby sound, you'll come away with a pretty good idea of what it would feel like to have flying body parts hit you in the face".
Elizabeth Weitzman of the New York Daily News gave the film one out of five stars. She criticized the lack of Bell's screentime saying, "What the filmmakers of the last four Saw movies have somehow overlooked is that Tobin Bell's Jigsaw is the linchpin of these films. It's right there in the title, so you'd think they'd realize what they lost when they killed him off in Saw III. But it's been downhill ever since, and we hit bottom today". She admitted that the performances have become "painfully stilted" and called the script "a jumble of nothing punctuated by barely-trying death traps". She went on to say, "It's also disappointing to watch a once-original franchise morph into a generic slasher series, in which random people are killed in banal ways just to up the body count" and closed her review with, "No matter how much money The Final Chapter makes over Halloween weekend, it's time to acknowledge that this game is over".
Wesley Morris of The Boston Globe called the film the "most gruesome and least coherent of the seven movies". He felt that some of the film's "games" were just randomly forced into the film, saying that kind of "episodic approach" and 3D works for a "far more innovative series like Jackass 3D". Morris closed his review by saying "This alleged final edition trashes the perverse morality of legacy to make him the Jerry Springer of gore". Jason Anderson of the Toronto Star gave the film two out of four stars. He praised Saw 3Ds plot for not being as confusing as previous films, for which he described as having to "generally require an encyclopedic knowledge of the series' many plot strands" in order to understand them. He thought Greutert gave the film a "pulpy energy" and described the film's traps and gore as having an "unpretentious sensibility" to films by Herschell Gordon Lewis. Alan Jones of the Radio Times gave the film four out of five stars saying, "though the film initially borders on parody, once the ever-ingenious trapping begins – using fishhooks, superglue, ovens and dental equipment – the chills run on turbo drive right through to the greatest hits flashback finale". He implied that the "shock scenarios" were borrowed from sources such as, A Man Called Horse and the work of Lucio Fulci. Jones said the 3D did not add to the experience saying "the CGI blood splatter something of a distraction to the almost Shakespearean crescendo of anguish and carnage". The film was nominated for a Golden Raspberry Award for "Worst Eye-Gouging Misuse of 3D", but it lost to The Last Airbender.

Sequel

Although Saw 3D was intended to be the finale for the film series, it was reported in February 2016 that an eighth film under the working title Saw: Legacy was being developed. The report stated that Legacy would be written by Josh Stolberg and Pete Goldfinger. Composer Charlie Clouser described Legacy as a "re-invention" of the franchise that will establish a new storyline and new characters. In June 2017, the film's title was officially announced as Jigsaw. The film was released on October 27, 2017.