Wesley Morris Wesley Morris is an American journalist , film critic and podcast host. He is currently critic-at-large for The New York Times , as well as co-host, with Jenna Wortham , of the Times podcast Still Processing. Previously, Morris wrote for The Boston Globe , then Grantland . He won the 2012 Pulitzer Prize for Criticism for his work with The Globe .Early life Morris was born and raised in Philadelphia . He attended high school at Girard College , graduating in 1993. While a high school student , he wrote for the Philadelphia Inquirer 's teen supplement, "Yo! Fresh Ink." In 1997 he graduated from Yale University , where he had been a film critic at The Yale Daily News for four years.Career Morris joined The Boston Globe in 2002, where he reviewed films alongside Ty Burr . Morris and Burr also made regular appearances on NECN to discuss the latest films and do the weekly Take Two film review video series on Boston.com . Before joining the Globe , he wrote film reviews and essays for the San Francisco Examiner and the San Francisco Chronicle . He is featured in the 2009 documentary film discussing the impact of video store shopping on the importance of film criticism , and how critic Harry Knowles started a questionable revolution of amateurs writing film criticism.In 1999 , he was one of many film critics who temporarily co-reviewed films with Roger Ebert on his television program in place of Gene Siskel , who was ultimately replaced by Richard Roeper . From 2013 to 2015 Wesley Morris wrote for ESPN's website Grantland . In October 2015, Morris joined The New York Times as critic-at-large, contributing to the newspaper as well as The New York Times Magazine . In September 2016 , Morris and Times colleague Jenna Wortham began hosting a podcast called Still Processing , produced by The New York Times and podcasting company Pineapple Street Media . The podcast received enthusiastic reviews and was named in several year-end lists of the best podcasts of 2016.Awards In 2011, Morris won the Pulitzer Prize for Criticism for his work at The Boston Globe ; the award cited "his smart, inventive film criticism, distinguished by pinpoint prose and an easy traverse between the art house and the big-screen box office ." In 2015, Morris was a finalist for the National Magazine Award for Columns and Commentary, recognized for his 2014 Grantland columns, "Let's Be Real," "After Normal," and "If U Seek Amy ."
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