Lucio Silla
Lucio Silla, K. 135, is an Italian opera in three acts composed by Wolfgang Amadeus Mozart. The libretto was written by Giovanni de Gamerra, revised by Pietro Metastasio.
It was first performed on 26 December 1772 at the Teatro Regio Ducal in Milan and was regarded as "a moderate success".
Handel's opera Silla covered the same subject. Other operas with the same title were also composed by Pasquale Anfossi, and Johann Christian Bach.
Performance history
Lucio Silla premiered on 26 December 1772 in Milan at the Teatro Regio Ducal. Its UK premiere was produced by Camden Town Hall in London in 1967. Its US premiere followed in 1968 with a performance in Baltimore.Among other performances, Lucio Silla was given by the Santa Fe Opera in 2005 and in Warsaw in 2011 and by The Classical Opera Company in London in 2012. In 2013 the Gran Teatre del Liceu produced the opera in Barcelona and it was performed at both the Mozartwoche Salzburg and Salzburg Festival Lucio Silla was staged at Madrid's Teatro Real in 2017 as part of the program for its bicentennial celebration. In November 2017, La Monnaie in Belgium produced and performed the opera in a contemporary setting.
Roles
Synopsis
The story concerns the Roman dictator Lucio Silla who lusts after Giunia, the daughter of his enemy Gaius Marius. Giunia, on the other hand, loves the exiled senator Cecilio.Act 1
Scene 1: A secluded spot on the banks of the Tiber'The exiled Senator Cecilio meets his friend Cinna who tells him his betrothed Giunia mourns his death, a lie by the dictator Silla so that he can win her for himself. Cinna advises Cecilio to meet Giunia by the tomb of her father. Cecilio is filled with joy at the idea and Cinna shares his joy and predicts the freedom of Rome.
Scene 2
Cecilio excited at the prospect of meeting his betrothed sings of his love.
Scene 3: Giunia's apartments
Silla seeks the advice of his sister Celia on his approach with Giunia and she advises subtlety and kindness.
Scene 4
On Silla's approach, Giunia declares her love for Cecilio and her hate for Silla, her father's enemy.
Scene 5
Alone, Silla, insulted, decides to behave as a tyrant.
Scene 6
Cecilio waits by the tomb for Giunia.
Scene 7
Giunia arrives.
Act 2
An archway decorated with military trophiesSilla is joined by Celia to whom he tells of his plans to wed Giunia and for Celia to wed her beloved Cinna on this day.
Scene 3
Cinna restrains Cecilio who has his sword drawn trying to follow Silla, believing he has been instructed by the spirit of Gaius Marius to seek revenge. Cinna tells him to consider Giunia and his rage is controlled.
Scene 4
Giunia consults with Cinna who suggests she accept Silla's proposal and then murder him in their wedding bed. Giunia refuses, stating that vengeance is for Heaven alone to consider. She asks Cinna to make sure that Cecilio stays hidden from danger.
Scene 5
Cinna resolves to kill Silla himself.
Scene 6, Hanging gardens
Silla's love for Giunia starts to bring out his compassion.
Scene 7
Giunia's hateful face angers him again and he threatens her with death but not to die alone.
Scene 8
With Cecilio, Giunia worries about Silla's words and they part.
Scene 9
Celia asks Giunia to accept Silla's proposal for the sake of happiness saying she is also to be married to Cinna.
Scene 10
Giunia ponders her wretchedness.
Scene 11, the Capitol
Silla asks the Senate and the people of Rome to reward him as a hero of Rome with the marriage to Giunia.
Scene 12
When Cecilio appears, there is confrontation.
Act 3
Scene 1: Entrance to the dungeonsCecilio has been imprisoned. Cinna and Celia has gained access and Cinna asks Celia to convince Cecilio to repent and forget his love. Cinna promises to marry Celia if she is successful, for which she is hopeful.
Scene 2
Whilst Cecilio accepts his fate Cinna tells him not to worry, Silla's heart over his head will bring about his own downfall.
Scene 3
Silla has allowed Giunia one last visit to Cecilio and they say their farewells.
Scene 4
Giunia alone with her thoughts of Cecilio's impending death thinks of her own.
Scene 5: The audience chamber
Before the Senators and the people of Rome, to everybody's surprise, Silla declares that he wishes Cecilio to live and marry Giunia. When questioned on his silence, Cinna declares his hatred of Silla and his intention of killing him. Silla issues his "punishment" to Cinna that he should marry his beloved Celia. He further declares that he will step down as dictator and restore liberty to Rome. He explains that he has seen proof that innocence and a virtuous heart is triumphant over power and glory. The people of Rome celebrate liberty and the greatness of Silla.
Noted arias
Act 1- "Dalla sponda tenebrosa" – Giunia
- "Il desio di vendetta" – Silla
- "Il tenero momento" – Cecilio
- "Se lusinghiera speme" – Celia
- "Vieni ov'amor t'invita" – Lucio Cinna
- "Guerrier che d'un acciaro" – Aufidio
- "Nel fortunato istante" – Lucio Cinna
- "Parto, m'affretto" – Giunia
- "Ah se a morir" – Cecilio
- "Ah se il crudel periglio" – Giunia
- "D'ogni pietà mi spoglio" – Silla
- "Quando sugl'arsi campi" – Celia
- "Quest' improvviso tremito" – Cecilio
- "Se il labbro timido" – Celia
- "De più superbi il core" – Lucio Cinna
- "Fra i pensier" – Giunia
- "Pupille amate" – Cecilio
- "Strider sento la procella" – Celia
Recordings
- 1962: Carlo Felice Cillario with Fiorenza Cossotto, Dora Gatta, Rena Gary Falachi, Ferrando Ferrari, Luigi Pontiggia, Anna Maria Rota. Orchestra da camera dell'Angelicum di Milano.
- 1985: Sylvain Cambreling with Anthony Rolfe Johnson, Lelia Cuberli, Anne Murray, Christine Barbaux, Arulan, van Baasbank, Chorus and Orchestra of the Théâtre Royal de la Monnaie, Brussels
- 1991 : Leopold Hager with Arleen Auger, Helen Donath, Edith Mathis, Júlia Várady, Werner Krenn and Peter Schreier, Salzburg Mozarteum Orchestra. It lasts 211 minutes and is considered the complete reference recording.
- 1991 : Nikolaus Harnoncourt with Peter Schreier, Edita Gruberová, Cecilia Bartoli, Dawn Upshaw and Yvonne Kenny, Concentus Musicus Wien. Score is considerably cut, omits arias No. 8, No. 10, No. 14, No. 16, and drops the marginal role of Aufidio. This version is about one hour shorter than the complete Philips/Hager recording.
- 2006/7: Tomáš Netopil with Roberto Saccà, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari, Chorus and Orchestra of Teatro la Fenice
- 2008: Ádám Fischer with Simone Nold, Jakob Naeslund Madsen, Kristina Hammarström, Susanne Elmark, Henriette Bonde-Hansen, Danish Radio Sinfonietta, Lothar Odinius & Ars Nova