John Luther Adams
John Luther Adams is an American composer whose music is inspired by nature, especially the landscapes of Alaska, where he lived from 1978 to 2014. His orchestral work Become Ocean was awarded the 2014 Pulitzer Prize for Music.
Early life
Born in Meridian, Mississippi, Adams began playing music as a teenager as a drummer in rock bands. He attended the California Institute of the Arts as an undergraduate in the early 1970s, studying with James Tenney and Leonard Stein, and graduated in 1973. After graduating, Adams began work in environmental protection, and through this work Adams first travelled to Alaska in 1975. Adams moved to Alaska in 1978 and lived there until 2014. He now splits his time between New York and the Sonoran desert in Mexico, though his time in Alaska continues to be a prominent influence in his music. From 1982 to 1989, he performed as timpanist and principal percussionist with the Fairbanks Symphony Orchestra and the Arctic Chamber OrchestraCareer
Adams's composition work spans many genres and media. He has composed for television, film, children's theater, voice, acoustic instruments, orchestra, and electronics. From 1998 to 2002, Adams served as Associate Professor of Composition at Oberlin Conservatory of Music.Influence of nature
Adams has described his music as, " profoundly influenced by the natural world and a strong sense of place. Through sustained listening to the subtle resonances of the northern soundscape, I hope to explore the territory of sonic geography—that region between place and culture...between environment and imagination".His love of nature, concern for the environment and interest in the resonance of specific places led him to pursue the concept of sonic geography. Early examples of this idea include two works written during Adams’s sojourn in rural Georgia: Songbirdsongs, a collection of indeterminate miniature pieces for piccolos and percussion based on free translations of bird songs, and Night Peace, a vocal work capturing the nocturnal soundscape of the Okefenokee Swamp through slow-changing and sparse sonic textures.
His work, Sila: The Breath of the World, represents the "air element," following the representation of water in Become Ocean and the "earth element" in Inuksuit, an outdoor percussion piece. His music, he says, is "our awareness of the world in which we live and the world's awareness of us".
His more recent works include, Across the Distance, for a large number of horns, was premiered on the 5th of July, 2015 at the Cambo estate in Fife, Scotland as part of the East Neuk Festival. His recording of Ilimaq, a solo work for percussion, played by art-music percussionist, composer, and Wilco drummer Glenn Kotche, was released in October 2015. A combination of contemporary classical music, Alaskan field recordings, and found sounds from the natural world, it evokes the travels of a shaman riding the sound of a drum to and from the spirit world.
Awards and honors
In 2014 Adams won the Pulitzer Prize for Music for his orchestral piece Become Ocean, which Alex Ross of The New Yorker called "the loveliest apocalypse in musical history". It was premiered in 2013 by Ludovic Morlot and the Seattle Symphony and performed by the same conductor and orchestra at the 2014 Spring For Music music festival at Carnegie Hall. Adams had never been to Carnegie Hall before hearing his work played there to a sold-out house. The surround-sound recording of Become Ocean on Cantaloupe Music debuted at #1 on the Billboard Traditional Classical Chart, stayed there for two straight weeks, and went on to win the Grammy Award for Best Contemporary Classical Composition. All his works are published by Taiga Press and available fromIn October 2015, Adams received the William Schuman Award from Columbia University. The events surrounding the award included a series of concerts of his music at the Miller Theater, including Clouds of Forgetting, Clouds of Unknowing, For Lou Harrison, and In the White Silence.
- On February 8, 2015, Adams was awarded a GRAMMY in the category Best Contemporary Classical Composition for his Become Ocean
- In November 2014, Adams was named the Musical America 2015 Composer of the Year.
- Adams was the recipient of the 2010 Nemmers Prize in Music Composition. He was cited by the selection committee for melding the physical and musical worlds into a unique artistic vision that transcends stylistic boundaries
- The Callithumpian Consort's recording of Adams' Four Thousand Holes was noted as one of The New Yorker's Best Classical Recordings of 2011.
- In 2012, he received the 17th Annual Heinz Award with a special focus on the environment.
- In 2006, Adams was named one of the first United States Artists Fellows. He has received awards and fellowships from the National Endowment for the Arts, the Rockefeller Foundation, the Rasmuson Foundation, and the Foundation for Contemporary Arts.
- Adams received a 1993 Foundation for Contemporary Arts Grants to Artists Award
List of works
- Green Corn Dance for percussion ensemble
- Night Peace for antiphonal choirs, solo soprano, harp, and percussion
- songbirdsongs for 2 piccolos and 3 percussion
- Strange Birds Passing for flute choir
- up into the silence for voice and piano
- How the Sun Came to the Forest for chorus and alto flute, English horn, percussion, harp, and strings
- The Far Country of Sleep for orchestra
- Giving Birth to Thunder, Sleeping With His Daughter, Coyote Builds North America for theater
- magic song for one who wishes to live and the dead who climb up to the sky for voice and piano
- Dream in White-on-White for orchestra
- Earth and the Great Weather for theater, libretto published in the book "Inukshuk" edited by ARBOS – Company for Music & Theater, Vienna 1999,
- Five Yup'ik Dances for solo harp
- Crow and Weasel for theater
- Sauyatugvik: the Time of Drumming for orchestra
- Clouds of Forgetting, Clouds of Unknowing for orchestra
- Sauyatugvik: The Time of Drumming version for 2 pianos, timpani, and 4 percussion
- Five Athabascan Dances for harp and percussion
- Strange and Sacred Noise for percussion quartet
- Make Prayers to the Raven flute, violin, harp, cello, and percussion
- In the White Silence for orchestra
- Qilyaun for four bass drums
- Time Undisturbed for 3 shakuhachis, 3 kotos, and shō
- In a Treeless Place, Only Snow for celesta, harp, 2 vibraphones, and string quartet
- The Light That Fills the World for orchestra
- Among Red Mountains for solo piano
- The Immeasurable Space of Tones for violin, vibraphone, piano, sustaining keyboard, contrabass instrument
- The Farthest Place for violin, vibraphone, marimba, piano, double bass
- After the Light for alto flute, vibraphone, harp
- Dark Wind for bass clarinet, vibraphone, marimba, piano
- Red Arc/Blue Veil for piano, mallet percussion, and processed sounds
- The Mathematics of Resonant Bodies for solo percussion and processed sounds
- Poem of the Forgotten for voice and piano
- for Lou Harrison for string quartet, string orchestra, and 2 pianos
- ...and bells remembered... for bowed crotales, orchestra bells, chimes, vibraphone and bowed vibraphone
- for Jim for three trumpets and three trombones
- Always Very Soft for percussion trio
- Dark Waves for orchestra and electronic sounds
- Little Cosmic Dust Poem for voice and piano
- Nunataks for solo piano
- Three High Places for solo violin
- The Light Within for alto flute, bass clarinet, vibraphone/crotales, piano, violin, cello and electronic sounds
- Sky with Four Suns and Sky with Four Moons for four choirs
- the place we began four electro-acoustic soundscapes
- Inuksuit for nine to ninety-nine percussion
- Four Thousand Holes for piano, percussion, and electronic sounds
- The Wind in High Places for string quartet
- I L I M A Q, a drum-kit opera, premiered at the University of Texas at Austin, performed by Glenn Kotche
- Become Ocean for orchestra, premiered at the Seattle Symphony, June 20, 2013, conducted by Ludovic Morlot
- Become River for chamber orchestra, premiered by the Saint Paul Chamber Orchestra, April 3, 2014, conducted by Steven Schick
- Ten Thousand Birds for chamber orchestra, premiered by Alarm Will Sound, October 19, 2014
- Sila: The Breath of the World for choir, percussion, strings, brass, and woodwinds premiered at the Mostly Mozart Festival at Lincoln Center, July 25, 2014, led by Doug Perkins
- Across the Distance for horns in multiples of 8, premiered at the East Neuk Festival at the Cambo estate, July 5, 2015, led by Alec Frank-Gemmill.
- untouched for string quartet, commissioned by the University of North Carolina for Brooklyn Rider
- Everything That Rises for string quartet, commissioned by SF Jazz
- The Wind Garden, a permanent public artwork commissioned by the Stuart Collection at the University of California San Diego
- Become Desert, a work for five ensembles, premiered at the Seattle Symphony's Benaroya Hall, 29 March 2018, conducted by Ludovic Morlot
Discography
- songbirdsongs
- A Northern Suite/Night Peace
- Forest Without Leaves
- The Far Country
- Dream in White on White
- Night Peace
- The Far Country of Sleep
- Earth and the Great Weather
- Clouds of Forgetting, Clouds of Unknowing – nominated for the 1999 Grammy Award in the Best Classical Contemporary Composition and Best Orchestral Performance categories
- Dark Wind
- The Light That Fills the World
- The Farthest Place
- The Light That Fills the World
- The Immeasurable Space of Tones
- In the White Silence
- Strange and Sacred Noise
- The Mathematics of Resonant Bodies
- for Lou Harrison
- red arc/blue veil
- Dark Waves
- Among Red Mountains
- Qilyuan
- red arc/blue veil
- The Place We Began – appears on , from WNYC
- Four Thousand Holes
- Four Thousand Holes
- ... and bells remembered...
- songbirdsongs
- songbirdsongs
- Strange Birds Passing
- Inuksuit. So Percussion Ensemble, Doug Perkins. CD and DVD recording. Cantaloupe Music .
- Become Ocean. Seattle Symphony; Ludovic Morlot, conductor, Cantaloupe Music CA 21101
- The Wind In High Places, JACK Quartet, Northwestern University Cello Ensemble, Cold Blue Music, CB0041.
- Ilimaq Glenn Kotche, Cantaloupe Music
- Everything That Rises, JACK Quartet
- Become Desert. Seattle Symphony; Ludovic Morlot, conductor, Cantaloupe Music CA 21148
Writings
- The Place Where You Go To Listen – In Search of an Ecology of Music
- "The Immeasurable Space of Tones," Musicworks 91
- "Sonic Geography Alaska," Musicworks 93
- "Winter Music: Composing the North",
- "Global Warming and Art", Orion
- "Global Warming and Art", Musicworks 86
- "Winter Music. A Composer's Journal", In The Best Spiritual Writing 2002
- "Winter Music. A Composer's Journal", Musicworks 82
- "The Place Where You Go to Listen", In The Book of Music and Nature pp. 181–182.
- "Winter Music. A Composer's Journal", In Reflections on American Music, edited by James R. Heintze and Michael Saffle, pp. 31–48.
- "Strange and Sacred Noise", Yearbook of Soundscape Studies, pp. 143–146.
- "The Place Where You Go to Listen", Terra Nova, 2/3, 1997, pp. 15–16.
- "From the Ground Up", The Utne Reader, March/April, 1995, p. 86.
- "Resonance of Place, Confessions of an Out-of-Town Composer", The North American Review, January/February, 1994, pp. 8–18.