The Blickling Homilies is the name given to a collection of anonymous homilies from Anglo-Saxon England. They are written in Old English, and were written down at some point before the end of the tenth century, making them one of the oldest collections of sermons to survive from medieval England, the other main witness being the Vercelli Book. Their name derives from Blickling Hall in Norfolk, which once housed them; the manuscript is now Princeton, Scheide Library, MS 71.
The Homilies
The homilies in the collection deal primarily with Lent, with items for Passion Sunday, Palm Sunday and Holy Week, as well as homilies dealing with Rogation Days, Ascension Day and Pentecost. The rest of the homilies in the collection are saints’ feast days. As numbered in the first edition of the homilies, by Richard Morris, the contents are:
Little is known about the origin of the homilies or their intended audience. In the assessment of D. G. Scragg, the manuscript There is little overlap with the homilies of the Vercelli Book, from south-eastern England, suggesting that the Blickling Homilies were gathered in a different regional and intellectual milieu; the language of the Homilies suggests a Mercian origin'. The collection does have some overlaps with another homily collection, MS Cambridge, Corpus Christi College 198, whose origins are also poorly understood, but which are likely to have been in the West Midlands. Meanwhile, although it is surely significant that the homilies were in Old English rather than Latin, 'little sense of a specific congregation or reading audience prevails in this collection of ancient and commonplace materials for the instruction of Christian folk', and the intended audience of the material is essentially unknown.
Blickling Homily XVI
The most famous and extensively studied of the Blickling Homilies is XVI, 'To Sanctae Michaeles Mæssan'. The homily is not noted for being well composed, but for its relationship with Anglo-Saxon pilgrimage to Italy on the one hand, and some striking similarities with the Old English poem Beowulf on the other. The homily is a translation of a version of a Latin hagiographical text known as 'De apparitione Sancti Michaelis'. This story provides a foundation myth for the Sanctuary of Monte Sant'Angelo, in Apulia, southeast Italy, the oldest Western European church dedicated to St Michael and a major pilgrimage site in the Middle Ages. Our earliest manuscripts of 'De apparitione' are of the early ninth century, and so this version was probably composed in the eighth century. The text tells of three different 'apparitions' by St Michael, which 'appear to have nothing in common and suggest at least three layers of narrative accretion'; the oldest strata of the text seem to go back to an earlier, lost version of perhaps the sixth century. Having come to Italy from the Near East, the cult of Michael spread to Frankia, where peregrinating Irish monks learned of it; the cult became popular in Ireland, from where the cult had spread to Anglo-Saxon England already by the seventh century. It is also clear that a number of Anglo-Saxon pilgrims passed through Monte Gargano: among the many pilgrims who inscribed their names on the cave walls, five bore Anglo-Saxon names, some inscribing in runes. Their date is uncertain but must be between c. 700 and c. 850. In the assessment of North, Allard, and Gillies, 'this aspect of history transforms the genre of this work ... from... homily to tourist brochure'. Blickling Homily XVI seems to have a common source with Ælfric of Eynsham's later homily for September 29, which was clearly a Latin or vernacular version of the 'De apparitione'. The most striking difference between Blickling Homily XVI and the Latin text of which it is a translation is that Blickling Homily XVI ends with a description of Hell, derived ultimately from the Visio sancti Pauli; the closest parallels are with a ninth-century, Latin version of the Visio known as Redaction XI, of Insular and probably Irish origin. The Blickling Homily XVI description of Hell is recognised as a close parallel to the description of Grendel's home in Beowulf. The homily may have influenced the poem directly, or both texts may have drawn on common sources; the main recent study of the connection is Charles D. Wright's, which argues for independent descent from a common source.