During the summer of 1974, science-fiction writer William J. Frick is having a meltdown. Despite having numerous popular titles to his credit, Frick is penniless. His ex-wives and ex-girlfriends are hounding him, and the IRS has sent Agent Duke to investigate his property and holdings. Bikers are mixing meth in his garage and having drug parties in his home. His final masterpiece, an account of his collision with God in an East L.A. taco stand, is nearly complete and actress Nikki Principal encourages his writing, telling him that it has the power to change the world. However, after an inadvertent dose of a powdery white substance, Frick wakes up to discover himself lost in a series of alternate realities.
The reviewer at JoBlo panned the film, writing that it was a "sad sack excuse for a movie didn’t help me start my day on a good foot". He expanded that the film's characters were bland and it never expanded on their backgrounds. It was offered that the film's jumping "in and out of was obviously NOT a true reality" made it difficult to become invested in the project. It was felt that Traci Lord's character of Frick's foul-mouthed former-wife Julie was funny at first but was overdone to the point of no longer being entertaining. Bill Pullman was praised for bringing his ability to an otherwise stale role of Frick as was Taryn Manning for her work as Nikki, but what ruined the film for the reviewer was it being a "rinse and repeat, go everywhere yet nowhere jamboree of snoozes." The reviewer decried the "low-rent, crappy locations", the film's repeated use of "mind-f*ck clichés", and the overall "sad-sack" cinematography. Variety agreed, writing the film "flubs an opportunity for a full-bore B-movie romp in a series of overextended, flat episodes" by director Matthew Wilder who allowed too many scenes to run overlong. Las Vegas Weekly noted that Pullman's character of Frick looked like Michael Douglas and bemoaned that his "acting is fine, but it’s got no context" while at the same time noting that Traci Lords gives "what is probably her career-best performance as, ironically, a frumpy housewife." They also noted that with its relatively small budget "the production has a curious emptiness to it, as if it were all shot in one abandoned warehouse hastily redressed for each new locale". They concluded the film was a disservice to Philip K. Dick's legacy. The Hollywood Reporter appreciated that Bill Pullman was cast in a role where he was "able to stretch in a vehicle that showcases his unappreciated comic talents", but offered that the film "ultimately proves too impenetrable for its own good." Conversely, Film Threat granted that while the project was "not for everyone", it reminded "of some odd literary films like Fear and Loathing in Las Vegas and Naked Lunch," and promised viewers that "if you stick with Your Name Here until the end, you will be rewarded. For all its oddities and confusion, the ending come across as very powerful and quite sad." It was appreciated that in the film's extrapolating from events surrounding the life of Philip K. Dick, it acted as an homage both to the man's fiction and to the 1970s. They praised Taryn Manning for showing "some serious acting chops as Nikki and described Bill Pullman's Frick as "simply brilliant. You can almost see the fried wheels in his brain spinning as he, along with we, try to figure out what the heck is going on."
Awards and nominations
2008, won Cinevegas 'Special Jury Prize' for 'Best Performance' for Bill Pullman
2008, nominated for 'Grand Prix des Amériques' at Montréal World Film Festival
