Yokohama Kaidashi Kikō
Yokohama Kaidashi Kikō is a science fiction manga written and illustrated by Hitoshi Ashinano. The title can be translated as Yokohama Shopping Log or Record of a Yokohama Shopping Trip. One tankōbon volume can be found at the publisher's former English language website, and the second original video animation series has the subtitle Quiet Country Cafe in English. The series is often referred to in wāpuro rōmaji as Yokohama Kaidashi Kikou, or simply abbreviated as YKK by fans outside Japan.
The manga was serialized in Kodansha's Monthly Afternoon magazine from June 1994 to February 2006, with a concluding postscript episode in July 2006, and collected in 14 tankōbon volumes. Parts of the story were adapted as two OVA anime series of two episodes each.
The series depicts the daily life of a robot who runs a coffee shop some time after the Earth's ecology has collapsed. It is noted for its spare pen-and-ink drawing style, as well as its calm, meticulously paced stories and engaging characters. Yokohama Kaidashi Kikō won the 2007 Seiun Award for best science fiction comic.
Plot
Yokohama Kaidashi Kikō is set in a peaceful, post-cataclysmic world where mankind is in decline after an environmental disaster. Exactly what happened is never explained, but sea levels have risen significantly, inundating coastal cities such as Yokohama, Mount Fuji erupted in living memory, and climate change has occurred. With the seasons being less pronounced, the winters are milder and the summer isn't scorching anymore. The reduced human population has reverted to a simpler life, and the reader is told this is the twilight of the human age. One scene depicts an anti-aircraft missile being used in a firework display. Instead of raging against their fate, humans are quietly accepting.Alpha Hatsuseno is an android who runs an out-of-the-way coffee shop, Café Alpha, on the lonely coast of the Miura Peninsula of Japan, while her human "owner" is on a trip of indefinite length. Though she spends much of her time alone, Alpha is cheerful, gregarious, and—unlike the slowly declining humans—immortal.
Most chapters of Yokohama Kaidashi Kikō are self-contained slice-of-life episodes depicting Alpha in daily activities, either alone, with customers, or on occasional trips through the countryside or into Yokohama for supplies. Whole chapters are devoted to brewing coffee, taking photographs, or repairing a tiny model aircraft engine, sometimes with only a few lines of dialogue. Through Alpha's experiences, the author brings out the small wonders of everyday life and makes the reader aware of their passing: the aircraft engine runs out of fuel; her scooter breaks down; the rising ocean encroaches on her coffee shop; the neighborhood children she loves grow up and move away. In evoking a nostalgia for this loss, Ashinano follows the Japanese tradition of mono no aware.
Though often self-contained, the stories have continuity—relationships grow and change, and seemingly insignificant details reappear later. Ashinano explains few details of Alpha's world, leaving mysteries that engage the reader as the series unfolds in a meandering progression, by turns funny, touching, and nostalgic.
Characters
;Alpha Hatsuseno;Kokone Takatsu
;Ojisan
; Sensei
;Takahiro
;Matsuki
;Misago
;Ayase
;Director Alpha
;Maruko Maruko
;Nai
;Saetta
Influences and themes
Flying and flight recurs through the series. Alpha herself has repeated visions of flying. Planes that appear include Nai's airplane, the always-flying Taapon, and the model airplane engine that Alpha finds but never flies. The A7 series of robots is named after a Japanese World War II warplane Mitsubishi A7M that never saw production, and the character Saetta's name may be inspired by an Italian World War II warplane built by Aeronautica Macchi. Takahiro leaves to work for Nai. Ayase's kamas is a kind of flying fish. In the postscript episode, the unnamed character travels by glider.The series contains elements of Chinese culture and mythology. Alpha's gekkin guitar is of Chinese origin, and the Taapon aircraft is named after the mythological bird Peng.
Some character names appear in the geography of the Yokohama area. For example, there is a bus stop named Koumi'ishi to the south of Hayama, and Atsugi airfield, where Alpha meets Nai, is located in Ayase. There is a place called Maruko in Yokohama where Maruko's gallery is supposed to be.
has changed
That several details of Yokohama Kaidashi Kikō are left unexplained, or have answers only hinted at, is frequently mentioned in reviews of the series as contributing to a tone of mystery. Some are mysteries to the characters, which they speculate about without reaching conclusions, while others are presented to the reader without comment. Among the most prominent are:
- What is the nature of the natural disaster that caused the world's oceans to rise?
- Who is Alpha's owner, and where did he go? Why does Ayase call him "sensei"?
- Why were robots created? Since none are slaves or servants, what is their purpose? In what sense are they, as Kokone claims, humanity's children?
- Why are the humans in Alpha's world dying out?
- Why are male robots so rare?
- Why is Alpha, unlike other robots, allergic to animal proteins?
- What are the "water gods", strangely beautiful mushrooms with human faces, that have started growing in the wilds?
- Why have trees that mimic streetlamps and fungi that mimic buildings begun growing? Are they really, as Alpha and Ayase speculate, the "recollections of people that the earth remembers"?
- When was the eruption that removed Mount Fuji's top, and was it related to the ocean rise?
- What is the Misago? Why does she only show herself to children, and why is she unable to comprehend that they become adults? If, as Ayase claims, she is not a robot, then what is she?
Media
Manga
A total of 140 chapters were published in Japan by Kodansha in the seinen manga magazine Monthly Afternoon between June 1994 to February 2006. The serial chapters were collected in 14 tankōbon volumes by Kodansha under the Afternoon KC imprint. In Q4 of 2009 Kodansha started a reprint of the tankōbon volumes. It is licensed in Korea under the title 카페 알파, in Indonesia by M&C Comics, and in Taiwan by Tong Li Publishing.First edition
Second edition
In addition, a six-page postscript episode was published in the July 2006 issue of Afternoon. Titled "Touge", this story does not have a chapter number and was not included in the original collection, though it is included in volume 10 of the re-release.A postcard book with art from the manga was published on 24 September 1997, and an artbook was published on 20 March 2003.
Anime
Parts of the manga have been dramatized in two original video animation anime series of two episodes each. In both series, Alpha is voiced by Hekiru Shiina and Kokone by Akiko Nakagawa.- The first OVA series, produced by Ajia-do Animation Works and directed by Takashi Annō, was released in May 1998 and December 1998 on VHS and Laserdisc. It dramatizes selected events from volumes 1–3, including the initial meeting of Alpha and Kokone and Alpha's recovery from being struck by lightning. It was subsequently rereleased on DVD.
- The second series, produced by Ajia-do Animation Works and SME Visual Works and directed by Tomomi Mochizuki, was released in December 2002 and May 2003 on VHS and DVD. It dramatizes selected events from volumes 7–9, including the storm that destroys Alpha's cafe and her subsequent journeys in central Japan.
Drama CDs
Three drama CDs of Yokohama Kaidashi Kikō were released in 2002. In all three, Alpha is voiced by Hekiru Shiina and Kokone by Akiko Nakagawa.- Volume 1 dramatizes events from volume 1 of the manga, ending with the meeting of Alpha and Kokone.
- Volume 2 dramatizes events from volume 2 of the manga, picking up immediately from where the first CD ended.
- Volume 3 dramatizes events from later in the manga. It included an original song and an interview with Shiina and Nakagawa.
Novel
Reception and awards
Even though it has not been published in English, Yokohama Kaidashi Kikō has received significant attention from reviewers outside Japan. Many reviewers praise Ashinano's drawing style, meticulous pacing, and engaging characters. Dirk Deppey wrote in The Comics Journal, "Yokohama Kaidashi Kikou isn't just one of my favorite manga stories; it's one of my favorite comics, period." Derik A. Badman wrote, "This is light years beyond almost all the manga being translated and published in the US." A reviewer at Uknighted Manganime wrote, "Artwise, Yokohama Kaidashi Kikou ranks as the most impressive I have ever seen," adding, "Yokohama Kaidashi Kikou is, in short, the finest manga I have ever read, and I don’t see it being surpassed anytime soon, if ever."The series won the 2007 Seiun Award for Best Manga.