Harold Van Pelham is a young, wealthy American businessman who obsesses constantly about his health, believing he is deathly sick while in reality he is perfectly fine. Determined to improve his physical condition with an extended rest in a "tropical" climate, Harold travels by passenger ship with his valet Mr. Pipps and personal nurse from California to "Paradiso", a small South American island off the coast of Chile. Once in Paradiso, Harold does not find the peace and seclusion he is desperately seeking; instead, he stumbles into the midst of a revolution against the island's republic. The uprising is being organized and incited by Jim Blake, a greedy "renegade" from the United States, who wants to overthrow Paradiso's government "to further his own financial interests". After being separated from his valet and nurse, Harold wanders about the island's main town, oblivious at first to the fact that an armed revolt has occurred. Blake soon arranges to have the bewildered hypochondriac thrown into the local prison. There Harold meets Colosso, a gigantic fellow prisoner who is described by the warden as a "wild hermit" and "half crazy with a terrible toothache". The cellmates quickly engineer an escape together, and Harold subsequently helps Colosso by pulling out his painful tooth. Much relieved, the huge man is eternally grateful and vows to do Harold's will. Harold now insists that the military conflict and social unrest on the island are "bad for my heart" and must be stopped, so he and Colosso, along with Harold's nurse, manage by themselves to defeat Blake and his forces and quell the revolution. Those actions finally convince Harold that he is actually quite fit and that he no longer needs to fret daily about his health or take his array of unneeded medications. With a renewed sense of vitality, he now leaves Paradiso with Colosso and his nurse, and the trio board a ship bound for the United States, presumably reuniting on the vessel with Mr. Pipps. Upon their return, Harold and his nurse marry; and Colosso finds employment as a very imposing "traffic cop".
This was the last film made in Lloyd's partnership with Hal Roach. The village set for the film was used in Roach's Our GangshortDogs of War, filmed at the same time and featuring guest appearances by Lloyd and Jobyna Ralston. Lloyd and Roach parted on good terms, as each simply wanted to go in different directions and Harold Lloyd now had enough money to finance his films independently. This was also Lloyd's first film to have Ralston as leading lady. She would go on to star in his next five films. In the film's original script, the main character was to go to Mexico instead of the fictitious island of Paradiso. Lloyd made the change in response to concerns that using Mexico as the setting perpetuated unfair stereotyping. George Auger, also known by his stage name "Cardiff Giant", was a Ringling Brothers circus giant who was originally cast to play Colosso. Unfortunately, Auger died the day before he was scheduled to travel to California to begin filming Why Worry? After a nationwide publicity campaign to find his replacement, Norwegian John Aasen from Minnesota was chosen for the role. Aasen was reportedly discovered as a result of a newspaper article about the enormous size of his shoes. The film was distributed by Pathe Exchange with sales assistance from the distribution companyAssociated Exhibitors.
Reception
Why Worry? was popular with audiences in 1923 and received widespread praise from contemporary reviewers. Variety, among the leading entertainment-industry publications of the period, complimented not only the film's level of humor but also noted the consistent quality of Lloyd's work: The Film Daily, another notable trade publication in 1923, also praised Why Worry?, although it did not think the production quite equaled Lloyd's comedy Safety Last!, which had been released just five months earlier. "While 'Why Worry?' may not be as continuously humorous or exciting as 'Safety Last,'" observed The Film Daily, "it is still an A-1 comedy entertainment and can still be counted on to satisfy the star's many admirers and all those who enjoy a good laugh." The reviewer for The New-York Evening Post gave high marks as well to Why Worry?, yet chose to compare the film to another previous work by Lloyd:
