Walter Samuel Haatoum Hamady was an American artist, book designer, papermaker, poet and teacher. He is especially known for his innovative efforts in letterpress printing, bookbinding, and papermaking. In the mid-1960s, he founded The Perishable Press Limited and the Shadwell Papermill, and soon after joined the faculty at the University of Wisconsin–Madison, where he taught for more than thirty years.
Early years
On his father's side, Hamady is descended from Lebanese Druze immigrants who founded a prominent grocery store chain in Flint, Michigan. His mother was an Iowa-born physician. His parents' marriage fell apart during Hamady's childhood, resulting in his being raised by his mother, with the support of his paternal grandfather, Ralph Haatoum Hamady, whom Hamady has described as "a wonderful man who came to America as a teenager in 1907". After high school, Hamady studied art at Wayne State University in Detroit, Michigan, and at nearby Cranbrook Academy of Art. While still an undergraduate, concurrent with a visit to his relatives in Iowa City, Iowa, he was introduced to book artistHarry Duncan, who was a teacher at the time at the University of Iowa, and an important contributor to the revival of interest in letterpress printing. During that visit, Hamady saw for the first time a finely printed handmade book, in the tradition of the Kelmscott Press of William Morris, and the Private Press Movement. Soon after, in Detroit in 1964, while still an undergraduate, he founded his own press, which he named The Perishable Press Limited. And then, as a graduate student at Cranbrook, he launched the Shadwell Papermill, by which he contributed to the experimental use of handmade papers.
It is often acknowledged that Hamady's artist's books have become even more extraordinary since 1973, when he embarked on a curious series he calls The Interminable Gabberjabbs. In these effusive, almost boundless books, which are now widely collected, he made strange, satirical use of disturbing Surrealist strategies like free association, found imagery, and the radical juxtaposition of advertising ephemera. Throughout that series, he pokes fun at nearly everything, including his own artistic seriousness, the snobbery of those who claim to be scholars, and the widespread, unchallenged assumption that traditional page layout and, particularly, typography, are governed by immutable rules.
Collage and assemblage
For most of his professional life, Hamady has also been a collage artist. Although he has made frequent use of drawing and photography in illustrating his books, his involvement with collage has grown to include the construction of box-like assemblages of metal type, altered images, and fragments of other ephemera from the history of printing.
Over the years, Hamady has received numerous awards in recognition of his work. On thirteen occasions, his books have been selected by the American Institute of Graphic Arts for their annual exhibition called Fifty Books of the Year. He was awarded a John Simon Guggenheim Memorial Foundation Fellowship in 1969, has received three artist's research grants from the National Endowment for the Arts, and, in 2006, was elected to the College of Fellows of the American Crafts Council. In 2004, he was chosen by I.D.: International Design Magazine as one of the top fifty designers in the U.S.
Selected publications
Hamady, W. Interminable Gabberjabbs.
Hamady, W. Hunkering in Wisconsin: Another Interminable Gaggerblabb.
Hamady, W. Thumbnailing the Hilex / Gabberjabb Number 3.
Hamady, W. The Interminable Gabberjabb Volume One Number Four.
Hamady, W. For the Hundredth Time Gabberjabb Number Five.
Hamady, W. Hand Papermaking: Papermaking by Hand, Being a Book of Suspicions.
Hamady, W. Neopostmodrinism or Dieser Rasen ist kein Hundeklo or Gabberjabb Number 6.
Hamady, W. and John Wilde, 1985: The Twelve Months: a collaboration.
Hamady, W. Traveling or NeoPostModrinPreMortemism or Dieser Rasen ist kein Hundeklo or Interminable Gabberjabb Number Seven.