"Wait for It" is the thirteenth song from Act 1 of the musical Hamilton, based on the life of Alexander Hamilton, which premiered on Broadway in 2015. Lin-Manuel Miranda wrote both the music and lyrics to the song. It speaks of Aaron Burrs undying determination in the face of Hamilton's swift rise to influence and power.
Background
Miranda explained that the song's refrain appeared to him essentially in its final state while taking the subway to a friend's party. He sang the melodic refrain into his iPhone, briefly attended the party, then completed the song on his trip home. It was at this party that Miranda heard Megan Amos recite "death doesn't discriminate between the sinners and the saints", and with Amos' permission, included the line as a subtle nod to the night of the party; of which he claims to be a memorable night. He has commented that "Wait for It" and "The Room Where It Happens" are "two of the best songs I've ever written in my life and Leslie Odom Jr. got them both". Odom originated the role of Aaron Burr on Broadway. Miranda further explained the out-of-context significance of the song: "I feel like I have been Burr in my life as many times as I have been Hamilton. I think we've all had moments where we've seen friends and colleagues zoom past us, to success, or to marriage, or to homeownership, while we lingered where we were—broke, single, jobless. And you tell yourself, 'Wait for it.'"
Synopsis
After contemplating his own misfortunes, and Alexander Hamilton's successes, Aaron Burr decides to hang on for now and lie in wait, knowing that his time to shine is coming soon. The A.V. Club further explains "the song finds sympathy for Burr's chronic caution; with a legacy and reputation to protect, he can't risk as much as the ambitious Hamilton, and what will become a murderous rage begins here as mournful jealousy over his rival's ability to openly work for what he wants and believes in".
Style
Pitchfork wrote that the song "moves with a dancehall lilt". Allmusic described it as a "tender pop ballad".
Critical reception
The song has received critical acclaim. The Huffington Post wrote that the song "has perhaps the most profound lyrics of the entire libretto", and praised its ability to present Burr as a tragic hero rather than a villain, noting "it complicates everything that comes after because we find ourselves rooting for him". Jezebel noted that this song is "stand-alone enough outside the narrative that it contains no real spoilers", and further described it as a "rich...post-Gyptian meditation". Vibe wrote that in this song, Burr "lifts his own spirits up." The A.V. Club listed it as one of 20 musical theater numbers from the past 20 years that should become standards, writing that the number, "one of the catchiest, most haunting numbers of an already landmark show...may be the track that best expresses the show's complex perspective". New York Theatre said it was "one of Odom's show-stopping numbers in the musical". The Daily Telegraph said it is an "instant classic anthem". Screen Fellows writes that the "powerful" song "make a moving case for humanity" by portraying him as an "ultimately sympathetic character". DVC Inquirer deemed it a "standout track". Vogue praised the song as being a "Broadway crossover hits sound like bona fide iTunes single".
