According to legend, the primitive, undecorated wooden core of this cross was carried against the Muslims of al-Andalus by King Pelagius of Asturias at the Battle of Covadonga, later kept by his son Favila of Asturias in the Church of Santa Cruz de Cangas de Onís, erected by Favila and his wife Froiluba in 737, and dedicated to the True Cross in Cangas de Onís, the first capital of the Kingdom of Asturias. However, a 2010 study has radiocarbon dated the cross to the late 9th century, roughly contemporary to the ornate casing. The ornate casing contains 152 gems and imitation gems. An inscription tells us that this casing was made at the Castle of Gauzón in Asturias in 908. Alfonso III donated this important Pre-Romanesque gold artifact to Cathedral of Oviedo to commemorate a hundred years of the Asturian kingdom's victories and conquests. During the Spanish Civil War, the Cross, like the rest of the artifacts in the Cámara Sancta, suffered serious damages which required its restoration. The Victoria Cross recovered its gems from 1942 on, thanks to popular donations for the acquisition and restoration of the relic. However, the work of goldsmiths Horacio Rivero Alvarez and Luis Aguilar did not consider the original design, altering the position of the medallion on both fronts. In 1971 new enamels were placed by German goldsmith Werner Henneberger, but here again the original design was not taken sufficiently into account. On 9 August 1977, the Cross, together with Agate box and the Cross of the Angels, were stolen and suffered serious damage after the thieves tore their precious stones and gold plating. Its current appearance is the result of careful reconstruction carried out in 1978.
Description
The Latin cross is. The core is made of two thick pieces of oak with circular ends finished in three foils, and joined in the centre by a circular disk. The whole cross is covered with gold leaf and filigree, and richly decorated especially the anverse, covered with coloured enamel, pearls, precious stones and gold thread. The reverse shows an inscription in soldered gold letters, mentioning the donors to the Church of San Salvador, King Alfonso II and Queen Jimena, and the place and the year it was made:
