opened her first gallery in Cork Street, Mayfair, in 1985, where she became one of the principal dealers, although the premises at were little larger than a studio apartment. In the late 1980s, she opened a second gallery in Florence in Italy, but shut it in 1991 after the art market slump. Long waiting lists of collectors and museums developed to buy work from the galleries, and Miro reported that even Charles Saatchi, when he bought a Cecily Brown painting from her, "seemed pleased to get one." Victoria Miro Publications Cork Street 1986-1991
1986 Kate Blacker and Lolly Batty c, 150 x 105 4-colour off. Alan Charlton c 135 x 185 lp. Antony GormleyDrawings c 185 x 135. Richard TuttleNew Work c 135 x 185 lp and 4-colour off. Ian HamiltonFinlayMarat Assassiné c 215 x 105 4-colour off. Stephen DuncalfNew Paintings c 150 x 170 4-colour off. Foto cliché c 145 x 160 4-colour off. Furniture Sculptureposter 600 x 475 off. Furniture Sculpturepiano recital poster 390 x 290, ph.
1987 Hamish FultonCoast to Coast Walks c 150 x 105, off in three colours. Yoko TerauchiNew Work fc 120 x 150 4-colour off. Unpainted Landscapes fc 120 x 150 4-colour off David ConnearnSalt & Water Drawing fc 120 x 150, 4-colour off. Ulrich Ruckriem c 203 x 100 lp. Richard Tuttle fc, 165 x 255 ss and off enclosing booklet of poem by Simon CuttsTony HaywoodViewmaster ph on plastic paper 105 x 150. Tony HaywoodViewmaster stereoscopic viewer and mounted images. Hans HaackeGlobal Marketing fc 170 x 135 4-colour off.
1988 Alan CharltonTeam Paintings c 135 x 135 4-colour off. Rüdiger SchöttleWool and Water pc, 105 x150, off in two colours.
1989 RB Kitaj and Anne Atik fc for publication of Drancy 175x140 off. Maurizio NannuncciThere’s No Reason To Believe That Art Exists fc 10 x 237 4-colour off. Marina AbramovicBoat Emptying Stream Entering c, 140 x 210, 4-colour off. Kate Blacker c 105 x 245, 4-colour off. Amikam TorenSafety Regulation Painting No. 6 c, 105 x 245, 4-colour off. Franz Erhard Waltherposter 600 x 420, lp.
1990 Broken Linesposter 600 x 415 lp. Marie BourgetBoomerang fc 420 x 130 4-colour off with cut corner. Local Detail fc 155 x 217 4-colour off. Richard TuttleNew Mexico Silver Firenze Gold fc 220 x 155 4-colour off. Alan Charlton c, 155 x 220 off. Rüdiger SchöttleStadt Aus Glas c 106 x 153 lp. Fred Sandback fc 105 x 187 lp. Fred Sandback fc 220 x 155 4-col off. Paul Etienne LincolnNew York Ten pc for editioned work, 150 x 105 4-colour off. Paul Etienne LincolnThirty Bonds for New York Hot New York Cold 3-panel concertina invitation card 105 x 155 lp in two colours.
1991 Franz Erhard WaltherQuattro Stagione fc 220 x 155, 4-colour off. Thomas BernsteinThe Buoys fc 220 x 155 4-colour off. Paul Etienne LincolnThirty Bonds form New York Hot New York Cold fc 220 x 155 4-colour off. Richard TuttleNew Works c 155 x 220 off.
In 2013, Victoria Miro Gallery opened a second space in a converted bank office in St George Street, Mayfair, designed by Claudio Silvestrin and executed by project architect Michael Drain.
In 2017, Victoria Miro Gallery opened an exhibition space in the former Galleria il Capricorno in a 17th-century building in the San Marco neighbourhood of Venice.
External shows
In September 2002, the gallery was one of the eighteen cutting edge, art galleries with international reputations to be selected for The Galleries Show at the Royal Academy, an exhibition curated by Norman Rosenthal and Max Wigram to highlight the role played by galleries in an artist's creative progress, as well as putting work on sale and realigning the Academy with a greater involvement in current art. The gallery was one of the 118 galleries worldwide to be selected for the first Frieze Art Fair in London in October 2003, alongside other leading British galleries, White Cube and Gagosian. In March 2004, at New York's Armory Show, the gallery sold everything on the opening day; this included work by a new artist to the gallery and recent graduate, Raqib Shaw, whose first solo show in London of eighteen drawings and five paintings, stemming from the work of Hieronymous Bosch and priced up to $20,000, had previously sold out. In December 2004, at Art Basel Miami Beach, the gallery sold out a room of paintings by Suling Wang, who had not at that time had a solo show. The room was re-hung and sold out again.