Victor Ehikhamenor
Victor Ehighale Ehikhamenor is a Nigerian visual artist, writer, and photographer, once described as "undeniably one of Africa’s most innovative contemporary artists" and one of "42 African Innovators to Watch". In 2017, he was selected to represent Nigeria at the Venice Biennale, the first time Nigeria would be represented in the event.
Education and work influence
Ehikhamenor was born in Udomi-Uwessan, Edo State, Nigeria. He was educated in Nigeria and in the United States. He returned from the United States in 2008 to work in Lagos.His work is strongly influenced by work done by villagers especially his grandmother who was a cloth weaver. His uncle was also a photographer, his maternal grandfather a blacksmith, and his mother, a local artist.
He is also inspired by wall paintings and installation arts, mostly in community shrines. This has been an enduring feature of his work, which is abstract, symbolic and politically motivated; and influenced by the duality of African traditional religion and the interception of Western beliefs, memories and nostalgia.
Ehikhamenor's art and photographs have been used for editorials as well as cover art on books by authors such as Chimamanda Adichie, Helon Habila and Chika Unigwe. They have also been illustrated on fabric and exhibited at international fashion parades.
Art and writing career
Ehikhamenor has held numerous solo art exhibitions across the world. In 2016, he was one of 11 Nigerian artists invited to join twenty-three Indonesian artists in the grand exhibition at the Biennale. At the Jogja National Museum, he showed an installation titled "The Wealth of Nations."He has also published numerous fiction and critical essays with academic journals, mainstream magazines and newspapers from around the world including The New York Times, CNN Online, Washington Post, Farafina, AGNI Magazine and Wasafiri. His short story, "The Supreme Command", won the Association of Commonwealth Broadcasters Award in 2003. His debut poetry collection, Sordid Rituals, was published in 2002.
His second book, Excuse Me!, a satirical creative non-fiction view of life as an African both at home and abroad, is a recommended text in two Nigerian universities.
Comments on Damien Hirst piece
On May 8, 2017, while participating in the Venice Biennale, Ehikhamenor first called attention to what he describes as Damien Hirst cultural appropriation of Nigerian Yoruba art. The exhibition of the British artist, called “Treasures From the Wreck of the Unbelievable”, featured a variety of sculptures meant to be viewed as debris rescued from a shipwreck. But one of the displayed artefacts was a copy of "Ori Olokun", a famous Ife bronze art from the 14th century now described as "Golden heads".Of the appropriation, Ehikhamenor had posted on Instagram "For the thousands of viewers seeing this for the first time, they won’t think Ife, they won’t think Nigeria. Their young ones will grow up to know this work as Damien Hirst’s. As time passes it will pass for a Damien Hirst regardless of his small print caption. The narrative will shift and the young Ife or Nigerian contemporary artist will someday be told by a long nose critic “Your work reminds me of Damien Hirst’s Golden Head”. We need more biographers for our forgotten."
His words brought the issue to the forefront on local and international media.
Angels and Muse
In February 2018, Ehikhamenor opened Angels and Muse, described as "a multi-modal co-working space in Lagos draped with wall murals, stained glasses, and beautiful lighting, making for a stunning visual and immersive experience." The space, also used for artist residencies, is located in the Ikoyi area of Lagos state and contains a ‘multidisciplinary room,’ used for "workshop, training, book reading, experimental or conceptual art exhibitions, among other usages." The project was featured on the 10th episode of the Netflix 'Amazing Interiors' series in July 2018.Recent News
Ehikhamenor was one of the first artists invited to Art Dubai in March 2018.In July 2018, he was also one of the Nigerian artists selected to meet and exhibit work for visiting French President Emmanuel Macron. The exhibition, organised by ART X Lagos took place at the Afrika Shrine, the nightclub of Femi Kuti.
Selected book cover designs
- 2003: Feeding Frenzy by Jonathan Luckett
- 2004: Purple Hibiscus by Chimamanda Adichie
- 2005: Sky High Flame by Unoma Azuah
- 2005: English In Africa Journal of the English Department, Rhodes University, South Africa
- 2007: Measuring Times by Helon Habila
- 2008: Jambula Tree and Other Stories Anthology of Caine Prize winners and shortlisted writer by Cassava Republic, Abuja Nigeria
- 2008: One World Anthology of short stories by New Internationalist Publishers, UK
- 2008: Of Friends, Money and Greed Anthology of three stories and a play by Hodders Publishers, UK
- 2009: Songs of Absence and Despair, collection of poems by Toni Kan
- 2009: Salutes without Guns, collection of poems by Ikeogu Oke
- 2010: Christopher Okigbo: Thirsting for Sunlight by Obi Nwakanma
- 2013: Oil on Water by Helon Habila
- 2014: frica in Fragments: Essays on Nigeria, Africa and Africanity by Moses Ochonu
- 2014: Half of a Yellow Sun by Chimamanda Adichie
- 2014: Americanah by Chimamanda Ngozi Adichie
- 2015: Story Collection for Caine Prize for African Writing, 2015
Awards and residencies
- 2016: Rockefeller Foundation Bellagio Center Africa in Residency programme
- 2018: Art Dubai Residency
Exhibitions
Selected solo exhibitions
- 2000: “Beyond The Surface” Utopia Art/Grill, Washington, D.C.
- 2000: “Spirits In Dialogue” The Brazilian-American Cultural Institute Gallery, Washington, D.C.
- 2001: “Discovering the gods” Monroe Gallery, Arts Club of Washington, Washington, D.C.
- 2004: “Songs and Stories: Moonlight Delight” Utopia Gallery, Washington, D.C.
- 2005: “Talking Walls” BB&T Bank, NW Washington, D.C.
- 2005: “Divine Intervention” Howard University A J Blackburn Center Gallery, Washington, D.C.
- 2005: “Body Language” Utopia Art/Grill, Washington, D.C.
- 2006: “Beyond The River” Grenada Embassy, Washington, D.C.
- 2007: “Labyrinth of Memories” Didi Museum, Lagos, Nigeria.
- 2007: “Rocks & Roses” Victoria Crown Plaza, Lagos, Nigeria.
- 2008: “Invasion of Privacy” Jennings Gallery, Washington, D.C
- 2009: “Mirrors and Mirages” Terra Kulture Gallery, Lagos, Nigeria
- 2010: “Roforofo Fight: Painting to Fela’s Music” Bloom Gallery, Lagos Nigeria
- 2011: “Artist Experience” Whitespace, Ikoyi Lagos
- 2011: “Entrances & Exits: In search of not forgetting, CCA, Lagos Nigeria
- 2012: "Crossing the Line" Bloom Gallery, Lagos
- 2013: “Amusing The Muse” Temple Muse, Lagos
- 2014: “In The Lion’s Lair: Photographing Wole Soyinka” Ake Arts and Books Festival, Abeokuta, Nigeria.
- 2014: “Chronicles Of The Enchanted World” Gallery of African Art, London
- 2015: “Paperwork: Works on paper” Constant Capital Gallery, Lagos
- 2016 1:54 Contemporary African Art Fair
- 2017 “In the Kingdom of this World”, Tyburn Gallery, London
Selected group exhibitions
- 1999: National Geographic Society Staff Show, Washington D.C.,USA
- 2001: “Same Tree, Different Roots” Howard University AJ Blackburn Center Gallery, Washington, D.C., USA
- 2001: Patuxent Art League Members Juried Show, Laurel, MD, USA
- 2002: Home of African Concepts Gallery, Kent, WA, USA
- 2003: “Symbols and Metaphors” Underwood Studio, Chevy Chase, MD, USA
- 2004: “Memories: 2Griot” Joy Smith Gallery, Memphis, TN, USA
- 2007: “Rhythms & Blues” Sarah Silberman Gallery, Montgomery College, MD, USA
- 2008: “Black Creativity” Museum of Science and Industry, Chicago, IL, USA
- 2012: “Post colonial photo studio” Action Field Kodra, Thessaloniki, Greece
- 2013: “Nigeria Now” Ake Arts & Book Festival World Bank Exhibition, Nigeria
- 2014: “ARENA” Center of Contemporary Art, Torun, Poland
- 2015: Biennale Jogja XIII, Equator #3 2015, Indonesia
- 2015: “Displacement” Fiction and drawings in collaboration with Toby Zielony for German Pavilion, 56th Venice Biennale, Italy
- 2016: “A Place In Time” Nirox Foundation Sculpture Park in collaboration with Yorkshire Sculpture Park, Johannesburg, South Africa
- 2016: Dakart Biennale Curated by Simon Njami
- 2017 “A Biography of the Forgotten”, Nigerian Pavilion, 57th Venice Biennale, Venice, Italy
- 2018 ReSignifications: The Black Mediterranean