Vicki Baum
Hedwig "Vicki" Baum was an Austrian writer. She is known for the novel Menschen im Hotel, one of her first international successes. It was made into a 1932 film and a 1989 broadway musical.
Education and personal life
Baum was born in Vienna into a Jewish family. Her mother Mathilde suffered from mental illness, and died of breast cancer when Vicki was still a child Her father, described as "a tyrannical, hypochondriac" man, was a bank clerk who was killed in 1942 in Novi Sad by soldiers of the Hungarian occupation. She began her artistic career as a musician playing the harp. She studied at the Vienna Conservatory and played in the Vienna Concert Society. She went on to perform in Germany – in Kiel, Hannover, and Mannheim – in the years 1916–1923. She later worked as a journalist for the magazine Berliner Illustrirte Zeitung, published by Ullstein-Verlag in Berlin.Baum was married twice. Her first, short-lived marriage, in 1914, was to Max Prels, an Austrian journalist who introduced her to the Viennese cultural scene; some of her first short stories were published under his name. They divorced, and in 1916, she married Richard Lert, a conductor and her best friend since their childhood days. They had two sons, Wolfgang and Peter.
Boxing
Baum took up boxing in the late 1920s. She trained with Turkish prizefighter Sabri Mahir at his Studio for Boxing and Physical Culture in Berlin. Although the studio was open to men and women, Baum writes in her memoir, It Was All Quite Different, that only a few women trained there: “I don’t know how the feminine element sneaked into those masculine realms, but in any case, only three or four of us were tough enough to go through with it.” Positioning herself as a “New Woman,” she asserted her independence in the traditionally male domain of boxing and challenged old gender categories. She writes that “Sabri put one limitation on women – no sparring in the ring, no black eyes, no bloody noses. Punching the ball was okay, though, to develop a pretty mean straight left, a quick one-two; a woman never knew when she might have to defend herself, right?” While training with Mahir, Baum mastered a rope-jumping routine that was designed for German heavyweight champion Franz Diener. She later credited her strong work ethic to the skills instilled in Mahir's studio.Writing career
Baum began writing in her teens but did not turn to writing professionally until after the birth of her first son. Her first book, Frühe Schatten: Die Geschichte einer Kindheit, was published when she was 31. Thereafter she published a new novel nearly every year, with a career total of more than 50 books, at least ten of which were adapted as motion pictures in Hollywood. Her ninth novel, Stud. chem. Helene Willfüer , was her first major commercial success, selling over 100,000 copies. Baum is considered one of the first modern bestselling authors, and her books are seen as exemplifying New Objectivity within contemporary mainstream literature. Her protagonists were often strong, independent women caught up in turbulent times.Baum is most famous for her 1929 novel Menschen im Hotel, which introduced the genre of the 'hotel novel'. It was made into a stage play in Berlin in 1929, directed by Max Reinhardt, and an Academy Award winning film, Grand Hotel, in 1932. Baum emigrated to the United States with her family after being invited to write the screenplay for this film. She settled in the Los Angeles area and worked as a screenwriter for ten years, with moderate success. With the rise of National Socialism in Germany, her literary works were denigrated as sensationalist and amoral and banned in the Third Reich as of 1935. She became an American citizen in 1938, and her post-World War II works were written in English rather than in German.
Baum visited Bali in 1935 and became close friends with the painter Walter Spies. With historical and cultural input from Spies, she wrote Liebe und Tod auf Bali, which was published in 1937 and translated into English as Love and Death in Bali. The book was about a family that was caught in the massacre in Bali in 1906 at the fall of the last independent kingdom in Bali to the Dutch.
Last years and death
Baum's reputation went into a decline following World War II. She died of leukemia in Hollywood, California, in 1960, aged 72. Her memoir, It Was All Quite Different, was published posthumously in 1964.Honors
In 1999, the corner of Wiedner Hauptstraße and Waaggasse in Vienna was named "Vicki-Baum-Platz" in her honor.Works
- 1919 Frühe Schatten: Die Geschichte einer Kindheit
- 1920 Der Eingang zur Bühne
- 1921 Die Tänze der Ina Raffay
- 1922 Die anderen Tage
- 1923 Die Welt ohne Sünde
- 1924 Ulle der Zwerg
- 1926 Tanzpause
- 1927 Hell in Frauensee
- 1927 Feme
- 1928 Stud. chem. Helene Willfüer
- 1929 Menschen im Hotel
- 1930 Zwischenfall in Lohwinkel
- 1930 Miniaturen
- 1931 Pariser Platz 13
- 1932 Leben ohne Geheimnis
- 1935 Das große Einmaleins / Rendezvous in Paris
- 1936 Die Karriere der Doris Hart
- 1937 Liebe und Tod auf Bali
- 1937 Hotel Shanghai
- 1937 Der große Ausverkauf Querido, Amsterdam.
- 1939 Die große Pause
- 1940 Es begann an Bord
- 1941 Der Weihnachtskarpfen
- 1941 Marion lebt
- 1943 Kautschuk / Cahuchu, Strom der Tränen
- 1943 Hotel Berlin/ Hier stand ein Hotel
- 1946 Verpfändetes Leben
- 1947 Schicksalsflug
- 1949 Clarinda
- 1951 Vor Rehen wird gewarnt
- 1953 The Mustard Seed
- 1953 Kristall im Lehm
- 1956 Flut und Flamme
- 1957 Die goldenen Schuhe
- 1962 Es war alles ganz anders -- memoir
Filmography
- Assassination, directed by Richard Oswald
- The Three Women of Urban Hell, directed by Jaap Speyer
- Stud. chem. Helene Willfüer, directed by Fred Sauer
- Grand Hotel, directed by Edmund Goulding
- Lake of Ladies, directed by Marc Allégret
- Helene, directed by Jean Benoît-Lévy
- Return at Dawn, directed by Henri Decoin
- The Great Flamarion, directed by Anthony Mann
- Hotel Berlin, directed by Peter Godfrey
- Week-End at the Waldorf, directed by Robert Z. Leonard
- A Woman's Secret, directed by Nicholas Ray
- La Belle que voilà, directed by Jean-Paul Le Chanois
- Le Château de verre, directed by René Clément
- The Red Needle, directed by Emil-Edwin Reinert
- Dreaming Days, directed by Emil-Edwin Reinert
- School for Love, directed by Marc Allégret
- , directed by Rudolf Jugert
- Love, directed by Horst Hächler
- Menschen im Hotel, directed by Gottfried Reinhardt
- Rendezvous in Paris, directed by
- Die goldenen Schuhe, directed by Dietrich Haugk
- Hell in Frauensee, directed by
- Shanghai 1937, directed by Peter Patzak
Screenwriter
- 1934: I Give My Love
- 1935: The Night Is Young
- 1938: The Great Waltz
- 1940: Dance, Girl, Dance
- 1942: Powder Town
- 1942: Girl Trouble
- 1945: Behind City Lights
- 1947: Honeymoon
Dicta
- "A woman who is loved always has success".
- "Fame always brings loneliness. Success is as ice cold and lonely as the North Pole".
- "Marriage always demands the greatest understanding of the art of insincerity possible between two human beings".
- "Pity is the deadliest feeling that can be offered to a woman".
- "To be a Jew is a destiny".
- "There are shortcuts to happiness and dancing is one of them".