First steps for Rock music in Venezuela started by the oil industry jump in the late 1950s and can be traced to the band "Los Dangers", where after :es: Rudy Márquez|Rudy Márquez, it would be part with Henry Stephen of "Los Impala", a band from the prominent crude oil city Maracaibo and the first South American group with a high reputation and considerable impact in other continents. In Caracas "Los Holidays" released several albums, and were the first Latin-American rock band to travel and work in Europe. Los Holidays main vocalist, Wolfgang Vivas went on to a solo career, as did guitarist/vocalist Franklin Holland who later joined the American band "Gary and the Playboys", and created a new and very original "Proyecto Franklin Holland" in Caracas, 1984, releasing several well received albums on the Sonografica label. Then came up bands like "Los Darts", "Los 007", "Los Supersonicos" and "Los Claners" who followed the British rock pattern. Bands such as "Ladies WC" or "Azúcar, Cacao y Leche" focused on progressive and even the fusion stage of rock. "Las Cuatro Monedas" introduced in Venezuela the Jamaican rithms as Reggae and Ska. Subsequently, some bands in the 1970s, such as "Una Luz", "People Pie", "El Zigui", "La Cuarta Calle", "Témpano" and the progressive rock trio "Ficcion". "Ficcion" became emblematic in the Venezuelan Prog Rock scene and is still very active, they released their third album: "Ficcion III-Sobre La Ira de Dios". "Tempano" moved on to a more progressive and later moving to a new wave sound with the album. Then also came a heavy metal, hard rock movement with "Sacrifice", "Power Age" that later would become "Arkangel" founded by Paul Gillman and Freddy Marshall, "Uzi", "Spectro" and "Jose Arevalo Rock Band", "Resistencia", "Fahrenheit", "Grand Bite" and "Alta Frecuencia". As for the blues music, while a few artists did occasionally perform some classic blues in English since the late '60's, the first band recording blues music with Spanish lyrics was "Pastel de Gente" that released two albums in the mid 1980s. Some of the most prominent artists in the 1980s were the band "" and the soloists Melissa and also Jorge Aguilar who mixed rock with pop and other trends, such as the new wave, synth pop and funk respectively, making the genre more digestible to the larger audience. While efforts were mostly oriented to the commercial pop/rock scene, from the underground-punk scene of the 1980s emerged several bands with international promotion, such as "Sentimiento muerto" and "Desorden Público", whose first production was launched in 1987, despite the blockade in the media of some of their music due to their strong political views and mildly offensive language. However, both bands' first recordings achieved a huge success, which led to the record companies change of attitude towards them, both allowing them to record additional records, and opening the doors for other emerging bands of the late 80's, such as "Zapato 3", "Sentimiento Muerto" and "Seguridad Nacional" among others. In the 1990s, many new bands appeared, such as "Caramelos de Cianuro", "Malanga", "Los Amigos Invisibles", Candy 66, and "Zapato 3". The post-90s era was characterized by a lack of significant new rock acts in the Venezuelan music scene, as the musical tastes of former rock-lovers shifted towards EDM. Recently, the Venezuelan rock scene has been re-energized. Several new bands have emerged trying to push again the Venezuelan rock scene. Bands like "La Vesper", "Viniloversus", "La Vida Bohème", "Los Pixel", "Los Mesoneros", "Telegrama", "The Asbestos", "Americania", "Los Dilbertos", "Los Javelin", "Los Verona ", "Los Paranoias", "Los Daltonicos", "Petrula", "Pentatoniks" and many others have created a vibrant live music scene that threatens to outgrow the limited venues that Caracas has to offer for live music.
