"Under My Thumb" is a song written by Mick Jagger and Keith Richards and recorded by the Rolling Stones for their 1966 album Aftermath. Although it was never released as a single in English-speaking countries, it is one of the band's more popular songs from the period and appears on several best-of compilations, such as Hot Rocks 1964-1971. The group frequently performed "Under My Thumb" on their 1981 US Tour and 1982 European tour as the opening number at each concert.
Lyrics and music
The song's lyrics are an examination of a sexual power struggle, in which Jagger's lyrics celebrate the success of finally having controlled and gained leverage over a previously pushy, dominating woman. Jagger later reflected on the track in a 1995 interview: "It's a bit of a jokey number, really. It's not really an anti-feminist song any more than any of the others... Yes, it's a caricature, and it's in reply to a girl who was a very pushy woman". For many years starting with the 1969 tour, Jagger changed the references of "girl" in the lyric to "woman". Like many of the songs from the Aftermath period, "Under My Thumb" uses more novel instrumentation than that featured on previous Stones records. Fuzz bass lines were added by Bill Wyman. Marimba riffs, played by Brian Jones, provide the song's most prominent hook. The lyrics, which savour the successful "taming of the shrew" and compare the woman in question to a "pet", a "Siamese cat" and a "squirming dog" provoked some negative reactions, especially amongst feminists, who objected to what they took as the suppressive sexual politics of the male narrator. American humanities professor Camille Paglia, for example, reports that her admiration and defense of "Under My Thumb" marked the beginning of a rift between her and the radical feminists of the late 1960s.
Personnel
Mick Jagger – lead vocals, finger snaps, handclaps
Del Shannon covered "Under My Thumb" in 1966. His version reached #128 U.S. Billboard.
Tina Turner covered "Under My Thumb" for her 1975 album Acid Queen. It was released on United Artists Records as the fourth and last single only in Australia to promote her Australian tour in 1977. Produced by Danny Diante and Spencer Proffer, the single reached No. 80 on the Kent Music Report.
The song was also covered by The Hounds in 1979. Their rendition reached #110 U.S. Billboard.