Turangalîla-Symphonie
The Turangalîla-Symphonie is a large-scale piece of orchestral music by Olivier Messiaen. It was written from 1946 to 1948 on a commission by Serge Koussevitzky for the Boston Symphony Orchestra.
The premiere was in Boston on 2 December 1949, conducted by Leonard Bernstein. The commission did not specify the duration, orchestral requirements or style of the piece, leaving the decisions to the composer. Koussevitzky was billed to conduct the premiere, but fell ill, and the task fell to the young Bernstein. Bernstein has been described as "the ideal conductor for it, and it made Messiaen's name more widely known". Yvonne Loriod, who later became Messiaen's second wife, was the piano soloist, and Ginette Martenot played the ondes Martenot for the first and several subsequent performances.
From 1953, Yvonne's sister Jeanne Loriod was the ondes Martenot player in many performances and recordings.
Concept
While most of Messiaen's compositions are religious in inspiration, at the time of writing the symphony the composer was fascinated by the myth of Tristan and Isolde, and the Turangalîla Symphony forms the central work in his trilogy of compositions concerned with the themes of romantic love and death; the other pieces are Harawi for piano with soprano and Cinq rechants for unaccompanied choir. It is considered a 20th-century masterpiece and a typical performance runs around 80 minutes in length. When asked about the meaning of the work's duration in its ten movements and the reason for the use of the ondes Martenot, Messiaen simply replied, "It's a love song."Although the concept of a rhythmic scale corresponding to the chromatic scale of pitches occurs in Messiaen's work as early as 1944, in the Vingt regards sur l'enfant-Jésus, the arrangement of such durations into a fixed series occurs for the first time in the opening episode of the movement "Turangalîla 2" in this work, and is an important historical step toward the concept of integral serialism.
The title of the work, and those of its movements, were a late addition to the project, chosen after Messiaen made a list of the work's movements. He described the name in his letters from 1947–1948. He derived the title from two Sanskrit words, turanga and līlā, which he explained thus:
Messiaen described the joy of Turangalîla as "superhuman, overflowing, blinding, unlimited". He revised the work in 1990.
Instrumentation
The piece is scored for:Woodwinds
Brass
Percussion
Strings
The demanding piano part includes several solo cadenzas.
Cyclic themes
In writing about the work, Messiaen identified four cyclic themes that reappear throughout; there are other themes specific to each movement. In the score the themes are numbered, but in later writings he gave them names to make them easier to identify, without intending the names to have any other, literary meaning.Structure
The work is in ten movements, linked by the common themes identified above, and other musical ideas:The composer's initial plan was for a symphony in the conventional four movements, which eventually became numbers 1, 4, 6, and 10. Next, he added the three Turangalîla movements, which he originally called tâlas, a reference to the use of rhythm in Indian classical music. Finally, the 2nd, 5th, and 8th movements were inserted. Early on, Messiaen authorized separate performance of movements 3, 4, and 5, as Three tâlas, but later came to disapprove of the performance of extracts.
Recordings
Conductor | Orchestra | Piano | Ondes martenot | Label | Catalog | Released | Format | Notes |
Roger Désormière | Orchestre National de la RTF | Yvonne Loriod | Ginette Martenot | INA | 1950 | Live recording on 25 July 1950, of the European premiere at the Aix-en-Provence Festival | ||
Hans Rosbaud | SWF-Sinfonieorchester Baden-Baden | Yvonne Loriod | Ginette Martenot | Wergo | 1951 | |||
Maurice Le Roux | Orchestre National de la RTF | Yvonne Loriod | Jeanne Loriod | Vega/Accord |
| 1962 | Recording supervised by Messiaen in 1961. Released in France | |
Jean Fournet | Netherlands Radio Philharmonic | Yvonne Loriod | Jeanne Loriod | Q Disc | 1967 | Live | ||
Seiji Ozawa | Toronto Symphony Orchestra | Yvonne Loriod | Jeanne Loriod | RCA | 1967 | |||
André Previn | London Symphony Orchestra | Michel Béroff | Jeanne Loriod | EMI | SLS 5117 | 1977 | Double LP | |
Louis de Froment | Orchestre Symphonique de RTL | Yvonne Loriod | Jeanne Loriod | Forlane | 1982 | Live | ||
Esa-Pekka Salonen | Philharmonia Orchestra | Paul Crossley | Tristan Murail | |||||
Simon Rattle | City of Birmingham Symphony Orchestra | Peter Donohoe | Tristan Murail | EMI | 1986 | |||
Myung-Whun Chung | Orchestre de l'Opéra Bastille | Yvonne Loriod | Jeanne Loriod | Deutsche Grammophon | 0289 431 7812 9 | 1990 | CD | First recording of the revised version, supervised by Messiaen. |
Riccardo Chailly | Royal Concertgebouw Orchestra | Jean-Yves Thibaudet | Takashi Harada | Decca | ||||
Marek Janowski | Orchestre philharmonique de Radio France | Roger Muraro | Valérie Hartmann-Claverie | RCA | 1992 | |||
Yan Pascal Tortelier | BBC Philharmonic | Howard Shelley | Valérie Hartmann-Claverie | Chandos | CHAN9678 | 1998 | CD | |
Antoni Wit | Polish National Radio Symphony Orchestra | François Weigel | Thomas Bloch | Naxos | 8.554478-9 | December 1998 | CD | |
Hans Vonk | Saint Louis Symphony Orchestra | Garrick Ohlsson | Jean Laurendeau | Pentatone | 1999 | Live | ||
Kent Nagano | Berliner Philharmoniker | Pierre-Laurent Aimard | Dominique Kim | Teldec | 8573-82043-2 | 2001 | CD | Live recording in March 2000 in Berlin |
Norichika Iimori | Tokyo Symphony Orchestra | Kazuoki Fujii | Takashi Harada | Canyon | 2001 | |||
Ryusuke Numajiri | Japan Philharmonic Orchestra | Ichiro Nodaira | Takashi Harada | Exton | 2002 | Live | ||
Thierry Fischer | BBC National Orchestra of Wales | Roger Muraro | Jacques Tchamkerten | BBC Music | 2006 | Live | ||
Hiroyuki Iwaki | Melbourne Symphony Orchestra | Kaori Kimura | Takashi Harada | ABC Classics | 4812873 | 2007 | CD | Live recording in 1985. Re-released 2007. |
Sylvain Cambreling | SWR Sinfonieorchester Baden-Baden und Freiburg | Roger Muraro | Valérie Hartmann-Claverie | Hänssler Classic | 93.225 | 2008 | CD | |
Juanjo Mena | Bergen Philharmonic Orchestra | Steven Osborne | Cynthia Millar | Hyperion | A67816 | 2012 | CD | |
Hannu Lintu | Finnish Radio Symphony Orchestra | Angela Hewitt | Valérie Hartmann-Claverie | Ondine | ODE12515 | 2014 | CD | |
Yutaka Sado | Tonkünstler Orchestra | Roger Muraro | Valérie Hartmann-Claverie | Tonkünstler Orchestra | TON2005 | 2018 | CD |