The dance follows a strict and slow tempo not emphasising on the steps, but more on the "attitude, style and grace" of the dancer. The dancers hold each other from each other's hands, bent 90 degrees upwards at the elbows. It takes a sturdy hand, especially if you are supporting the first or last person of the line who will lean on you to perform high acrobatic leaps. The steps are relatively easy but have to be precise and strictly on beat. The dancer might even stomp his foot in response to a strong beat. There is some improvisation involved and many variations of the steps, depending on which area the dancers come from. Over time the dance has taken on many variations. In the past, it was danced exclusively by men, but in modern times both men and women take part.
Tradition
The name Tsamiko literally means from Chameria or dance of the Chams. Swiss musicologist Samuel Baud-Bovy noted that the Greek Tsamiko was not danced among Cham Albanians. Its alternative name Kleftikos literally means dance of the Klephts, because it was associated with the klephts who fought during the Greek War of Independence. Tsamiko is danced almost exclusively by men. Today Tsamiko is a popular dance in festivals and weddings, especially in the rural areas of Central Greece, Peloponnese, Thessaly as well as Epirus, where a slower version is performed. Sometimes the dancers dress in the traditional Greek fustanella. This dance is usually performed to celebrate national events like in the anniversary of the declaration of the start of Greek War of Independence in 1821. The Tsamiko of Central Greece is regarded as the standard version of this dancing genre and is popular throughout Greece. In Central Greece Tsamiko is the most popular folk dance. The version of the Tsamiko danced in Central Greece is accompanied by vocal and instrumental melodic lines and also the Peloponnese where it is known by the names Klephtikos horos, Pidhiktos or as the Arvanitikos horos and all terms are synonymous with Tsamiko. In Peloponnese Tsamiko is one of the most popular folk genres together with Syrtos. In Epirus Tsamiko is especially popular in the regions of Ioannina and Thesprotia. In general the Tsamiko of Epirus retains a slower tempo compared to the Tsamiko of Central Greece. The Epirote dances Kleftes and Perdikomata have been sometimes regarded as variants of Tsamiko, although this isn't universally accepted since they have been also classified as distinct genres. A general classification of the dancing genres in Zagoriregion of Epirus can classify Osmanatakas and Berati as variations of Tsamiko too. Although one of the main dancing genres in Epirus, Tsamiko is not the most popular folk genre in local discography. The definition of "true" Tsamiko is obscure due to the many regional, choreographic, musical variations, versions and names of the dance.
