The Sword of Shannara


The Sword of Shannara is a 1977 epic fantasy novel by American writer Terry Brooks. It is the first book of the Original Shannara Trilogy, followed by The Elfstones of Shannara and The Wishsong of Shannara. Brooks was heavily influenced by J. R. R. Tolkien's The Lord of the Rings and began writing The Sword of Shannara in 1967. It took him seven years to complete, as he was writing the novel while attending law school. Ballantine Books used it to launch the company's new subsidiary Del Rey Books. Its success boosted the commercial expansion of the fantasy genre.
The novel interweaves two major plots into a fictional world called The Four Lands. One follows the protagonist Shea Ohmsford on his quest to obtain the Sword of Shannara and use it to confront the Warlock Lord. The other plot shadows Prince Balinor Buckhannah's attempt to oust his insane brother Palance from the throne of Callahorn while the country and its capital come under attack from overwhelming armies of the Warlock Lord. Throughout the novel, underlying themes appear of mundane heroism and nuclear holocaust.
Critics have derided the novel for being derivative of J. R. R. Tolkien's The Lord of the Rings. Some have accused Brooks of lifting the entire plot and many of his characters directly from The Lord of the Rings; others have praised its execution despite the lack of originality.

Plot summary

History

The Sword of Shannaras events take place 2000 years after the "Great Wars": a nuclear holocaust that has wiped out most of the planet. These wars rearranged the planet's geography and wiped out most human life on Earth. Only traces of technological artifacts have been found; most advanced technology has been lost, but magic has been rediscovered. During this time, Mankind mutated into several distinct races: Men, Dwarves, Gnomes and Trolls, all named after creatures from "age-old" myths. Also, the Elves begin to emerge after having been in seclusion and hiding for centuries.
A thousand years before The Sword of Shannara, an Elf named Galaphile gathers all of the people who still had some knowledge of the old world to Paranor to try to bring peace and order to all of the races. They name themselves the First Druid Council. Brona, a rogue Druid, and his followers leave, taking the Ildatch with them; this magical tome controls their minds. 250 years later, Brona begins the First War of the Races when he convinces all Men to attack the other races. He almost succeeds in seizing rule of the Four Lands, but the tide turns, and the war ends with his defeat and disappearance. The Druids divide the Four Lands among the races and become reclusive, withdrawing to Paranor because of their shame at the betrayal by one of their own members.
Two and a half centuries after the First War of the Races, Brona returns as the Warlock Lord, now with Skull Bearers as his servants. Chronicled in the prequel novel First King of Shannara, the Second War of the Races begins with the destruction of the Druid Order. A lone Druid, Bremen, forges a magical talisman to destroy the Warlock Lord; it is given to the Elven King, Jerle Shannara. As it takes the form of a blade, the talisman is named the Sword of Shannara. It succeeds in banishing the Warlock Lord. He is not killed, but his army is defeated by the combined armies of the Elves and Dwarves. Peace comes at a high price, interracial tension is renewed and the Druids have vanished.

Present

From Shady Vale to Paranor

Five centuries later, the Ohmsford family of Shady Vale in the Southland takes in the half-Elven child Shea. He takes the name Ohmsford and is raised as a brother to the family's son Flick. Becoming inseparable, the brothers run the family inn.
Some time later, the last Druid Allanon arrives in Shady Vale. Allanon warns the Ohmsford brothers that the Warlock Lord has returned to the Skull Kingdom in the Northland and is coming for Shea. As the last descendant of Jerle Shannara, Shea is the only one capable of wielding the Sword of Shannara against the Warlock Lord.
Allanon departs, leaving Shea three Blue Elfstones for protection. He tells Shea to flee at the sign of the Skull. A few weeks later, a creature bearing a symbol of a skull shows up: a Skull Bearer, one of the Warlock Lord's "winged black destroyers", has arrived to search for Shea. The brothers are forced to flee with the Skull Bearer on their heels. They take refuge in the nearby city of Leah where they find Shea's friend Menion, the son of the city's lord. Menion decides to accompany the two, and he travels with them to Culhaven, to meet with Allanon. While at Culhaven, they are joined by a prince of Callahorn, Balinor Buckhannah, two elven brothers, Durin and Dayel Elessedil, and the dwarf Hendel.
The party sets out for Paranor. But along the way, Shea falls over a waterfall and becomes separated from the group. Allanon spurs the group to continue to Paranor. Once there, the party gets into a battle with minions of the Warlock Lord and find that the Sword of Shannara has already been removed. The party then learns of the Warlock Lord's invasion of the Southland, and decide to split up to do what they can to stop it.

In the Southland

Disguised by Allanon, Flick infiltrates the enemy camp and rescues the captive Elven King, Eventine Elessedil; at the same time, in Kern, Menion saves a woman named Shirl Ravenlock and falls in love with her. They organize an evacuation of Kern before the Northland army reaches the city.
Balinor returns to Tyrsis to activate the Border Legion only to find that it has been disbanded. Balinor is then imprisoned by his insane brother Palance Buckhannah, who has taken control of Callahorn's rule. His advisor, Stenmin, has driven Palance insane with drugs, making him his pawn. With help from Menion, Balinor escapes and confronts both Palance and Stenmin. Practically cornered, Stenmin stabs Palance as a distraction and flees.
Now commanded by Balinor, Callahorn's reformed Border Legion marches out of Tyrsis and engages the Northland army at the Mermiddon River, killing many Northlanders before being forced to pull back; the Border Legion retreats to Tyrsis and make preparations for defense. During the siege of Tyrsis, Hendel and Menion come upon Stenmin and some of his supporters. Hendel is killed, but Menion kills Stenmin. After three days, the Border Legion is beaten back from the Outer Wall of Tyrsis as a result of treachery—the wall falls when the traitors destroy the locks on the main gate, jamming it open. At the defenders' last stand on the Bridge of Sendic, the Northlanders abruptly break and run.

In the Northland

After being captured by Gnomes, Shea is rescued by the one-handed thief Panamon Creel and his mute Troll companion Keltset Mallicos. Journeying to the Northland, they reach the Skull Kingdom, where the insane Gnome deserter Orl Fane has carried the Sword of Shannara.
Infiltrating the Warlock Lord's fortress in the Skull Mountain, Shea reaches the sword and unsheathes it. He learns about its true power, the ability to confront those with the truth about their lives. The Warlock Lord materializes and tries to destroy Shea, but the youth stands his ground and confronts his enemy with the sword. Although immune to physical weapons, the Warlock Lord vanishes after being forced to confront the truth about himself: he had deluded himself into believing that he is immortal, but this is impossible. The Sword forces him to confront this paradox, and it kills him.
Keltset sacrifices himself to save his companions during the Skull Kingdom's destruction. In the south, the Northland army retreats after the Warlock Lord's downfall. Allanon saves Shea's life and reveals himself as Bremen's centuries-old son, before disappearing to Sleep. Peace returns to the Four Lands. Balinor takes up his country's rule, while Dayel and Durin return to the Westland, and Menion returns to Leah with Shirl. Shea and Flick reunite and return to Shady Vale.

Characters

Brooks began writing The Sword of Shannara in 1967 when he was twenty-three years old. He started writing the novel to challenge himself and as a way of staying "sane" while he attended law school at Washington and Lee University. Brooks had been a writer since high school, but he had never found 'his' genre: "I tried my hand at science fiction, westerns, war stories, you name it. All those efforts... weren't very good." When he was starting college, he was given a copy of Tolkien's The Lord of the Rings to read for the first time. From then on, Brooks knew that he had found a genre he could write in. Writing Sword took seven years, as Brooks worked on it only sporadically while also completing his law school courses and rewrote it many times.
Brooks initially submitted his manuscript to DAW Books, whose editor Donald A. Wollheim rejected it and recommended submission to Judy-Lynn del Rey at Ballantine Books instead. Ballantine Books accepted The Sword of Shannara in November 1974. Brooks' editor was Lester del Rey, who used the book to launch Ballantine's new Del Rey Books imprint/subsidiary. Del Rey chose it because he felt that it was "the first long epic fantasy adventure which had any chance of meeting the demands of Tolkien readers for similar pleasures."
In 1977, The Sword of Shannara was simultaneously released as a trade paperback by Ballantine Books and hardback by Random House. The Brothers Hildebrandt, who had previously done illustration work for the work of Tolkien, was asked to make the cover. Greg Hildebrandt remembers the Del Reys as being "obsessed with the project. It was their baby." The novel was a commercial success, becoming the first fantasy fiction novel to appear on The New York Times trade paperback bestseller list.
The original inspiration for The Sword of Shannara was Brooks' desire to put "Tolkien's magic and fairy creatures the worlds of Walter Scott and Dumas". Brooks was inspired by J. R. R. Tolkien's The Lord of the Rings and adventure fiction such as Alexandre Dumas' The Three Musketeers, Robert Louis Stevenson's Treasure Island, Arthur Conan Doyle's The White Company and Walter Scott's Ivanhoe.
Brooks decided not to use historical settings like these works. He instead followed Tolkien's use of a fantasy setting instead:
He admits that he was very influenced by The Lord of the Rings when writing it, being his first novel, but that he has evolved his own style since:
Brooks also made decisions about his novel's characterization and use of magic, saying that the magic "couldn't be dependable or simply good or bad". Also, he wanted to blur the distinctions between good and evil, "because life simply work that way." He wanted to ensure that readers would identify with his protagonist, Shea, which he accomplished by casting Shea as "a person simply trying to muddle through".

Major themes

"Ordinary men placed in extraordinary circumstances" is a prevalent theme in The Sword of Shannara. Brooks credits Tolkien with introducing this theme of mundane heroism into fantasy literature and influencing his own fiction. "y protagonists are cut from the same bolt of cloth as Bilbo and Frodo Baggins. It was Tolkien's genius to reinvent the traditional epic fantasy by making the central character neither God nor hero, but a simple man in search of a way to do the right thing.... I was impressed enough by how it had changed the face of epic fantasy that I never gave a second thought to not using it as the cornerstone of my own writing."
The Sword of Shannara is set in a post-apocalyptic Earth, where chemical and nuclear holocaust devastated the land in the distant past. Due to the numerous references in Sword to this catastrophe, Brooks was asked a question about whether he thought that his 'prediction' might come true. He answered:
Environment plays a role in all of the Shannara novels: "Environment is a character in my story and almost always plays a major role in affecting the story's outcome. I have always believed that fantasy, in particular, because it takes place in an imaginary world with at least some imaginary characters, needs to make the reader feel at home in the setting. That means bringing the setting alive for the reader, which is what creating environment as a character is really all about." However, Brooks believes that Sword was more about behavioral issues and personal sacrifice.

Literary significance and reception

The Sword of Shannara received mixed reviews following its publication, most of which remarked on its similarity to J. R. R. Tolkien's The Lord of the Rings. Choice stated that the novel was "exceptionally well-written, very readable" and "will be accepted by most teenagers." Marshall F. Tymn also thought that it contained quality prose. Tymn believed that Sword followed Lord of the Rings too closely, but he also cited some of the differences, such as the use of a post-holocaust setting with the races which sprang from it, and an "unexpected ending springing from the nature of the sword." Cathi Dunn MacRae felt that his strength was "his plot's momentum, maintained through cliffhangers" and "unexpected twists of fortune".

Similarities with ''The Lord of the Rings''

The Sword of Shannara has drawn extensive criticism from critics who believe that Brooks derived too much of his novel from Tolkien's The Lord of the Rings. In 1978, American fantasy editor Lin Carter denounced The Sword of Shannara as "the single most cold-blooded, complete rip-off of another book that I have ever read". He further wrote that "Terry Brooks wasn't trying to imitate Tolkien's prose, just steal his story line and complete cast of characters, and he did it with such clumsiness and so heavy-handedly, that he virtually rubbed your nose in it." Roger C. Schlobin was kinder in his assessment, though he still thought that The Sword of Shannara was a disappointment because of its similarities to The Lord of the Rings. Brian Attebery accused The Sword of Shannara of being "undigested Tolkien" which was "especially blatant in its point-for-point correspondence" with The Lord of the Rings. In an educational article on writing, author Orson Scott Card cited The Sword of Shannara as a cautionary example of overly derivative writing, finding the work "artistically displeasing" for this reason.
Tolkien scholar Tom Shippey writes that the novel is distinctive for "the dogged way in which it follows Tolkien point for point". Shippey located analogues for Tolkien characters within Brooks' novel, such as Sauron, Gandalf, the Hobbits, Aragorn, Boromir, Gimli, Legolas, Gollum, the Barrow-wight, the Nazgûl, and Tom Bombadil, among others. He also found plot similarities to events in The Lord of the Rings, such as the Fellowship of the Ring's formation and adventures, the journeys to Rivendell and Lothlórien, Gandalf's fall in Moria and subsequent reappearance, and the Rohirrim's arrival at the Battle of the Pelennor Fields, among others. Shippey attributes the book's success to the post-Tolkien advent of the fantasy genre: "What The Sword of Shannara seems to show is that many readers had developed the taste... for heroic fantasy so strongly that if they could not get the real thing they would take any substitute, no matter how diluted."
Terry Brooks has said that Tolkien's works were a major influence in his writing, though he has also said that Tolkien was not his only influence. Other influences included his editor Lester del Rey, as well as the many different books which he had read over his life. Also, mythology and ancient civilizations that he had learned about in school gave him a wealth of knowledge from which he drew. Many of these influences are reflected in his books, he claims.
Author Gene Wolfe defended Brooks' derivation of material from Tolkien in a 2001 Interzone essay: "Terry Brooks has often been disparaged for imitating Tolkien, particularly by those reviewers who find his books inferior to Tolkien's own. I can say only that I wish there were more imitators—we need them—and that all imitations of so great an original must necessarily be inferior." Dune author Frank Herbert also defended Brooks: "Brooks demonstrates that it doesn't matter where you get the idea; what matters is that you tell a rousing story."
John Batchelor feels that it was the weakest of the 1977 surge in fantasy, ranking it below Stephen R. Donaldson's The Chronicles of Thomas Covenant, the Unbeliever, Seamus Cullen's Astra and Flondrix, and The Silmarillion, edited by Christopher Tolkien, while commenting that it "unabashedly copies" Lord of the Rings. The Pittsburgh Press feels that Sword embodies the Tolkien spirit and tradition but is quite able to stand apart from Lord of the Rings.

Book impact

The Sword of Shannara sold about 125,000 copies in its first month in print, and this success provided a major boost to the fantasy genre. Louise J. Winters writes that "until Shannara, no fantasy writer except J. R. R. Tolkien had made such an impression on the general public." Critic David Pringle said that Brooks "demonstrated in 1977 that the commercial success of Tolkien's The Lord of the Rings had not been a fluke, and that fantasy really did have the potential to become a mass-market genre". Stephen R. Donaldson's The Chronicles of Thomas Covenant, the Unbeliever and The Sword of Shannara ushered in "the era of the big commercial fantasy" and helped make epic fantasy the leading fantasy subgenre. The Sword of Shannara and its sequels helped inspire later versions of Dungeons and Dragons.

Television adaptation

The Shannara books were to be adapted by Mike Newell, the director of Harry Potter and the Goblet of Fire, but he left the project. The books eventually were adapted for television by Farah Films and executive produced by Brooks, Dan Farah, and Stewart Till. This begins with Elfstones, leaving Sword for later. The Shannara Chronicles premiered on American television network MTV on January 5, 2016.