The Sting (musical)


The Sting is a musical thriller with a book by Bob Martin and music and lyrics by Mark Hollmann, Greg Kotis, and Harry Connick Jr., based on the 1973 film The Sting.

Productions

The Paper Mill Playhouse presented the musical in a limited engagement from March 29 until April 29, 2018. The score contained music by Scott Joplin including "The Entertainer." John Rando directed, with choreography by Warren Carlyle and music direction by Fred Lassen.
The Paper Mill Playhouse production was billed as a "pre-broadway tryout" but as of July 2020, the show is yet to open on Broadway.

Synopsis

Chicago. 1936. Get ready to enter a smoke-filled world of cons and capers, where nothing is what it seems and no one is who they appear to be. Based on the 1973 Academy Award-winning film, The Sting tells the tale of a pair of con men, small town grifter Johnny Hooker and big-time hustler Henry Gondorff, who plot to bring down the city's most corrupt racketeer. The Sting takes you back to an era where jazz reigns, the stakes are high, and the dice are always loaded.

Musical numbers

;Act I
;Act II
The score of The Sting features "The Entertainer", "The Easy Winners", "Solace", "The Strenuous Life", "The Chrysanthemum", "The Cascades", "A Breeze from Alabama", "Rose Leaf Rag", and "The Ragtime Dance" composed by Scott Joplin, and "Heliotrope Bouquet" by Scott Joplin and Louis Chauvin.

Cast

Reception

The musical garnered lukewarm reviews upon opening at the Paper Mill Playhouse. Ghee received almost unanimously positive reviews, with one critic saying Ghee "has charisma to spare and estimable singing and dancing chops." Connick, Jr. received mixed to positive reviews, with multiple critics claiming him to be charming, if not quite as charismatic as his film counterpart. Much of the supporting cast, specifically Shindle and Hewitt, were praised for their performances. Warren Carlyle's choreography was also very warmly received.
Conversely, many critics called the direction and production bland and uninspired and the music forgettable. Bob Martin's book was also panned as not up to his usual comedic standards.