The Shock of the New

Series outline

1. Mechanical Paradise – How the development of technology influenced art between 1880 and end of World War I. Cubism and Futurism
2. *Cézanne, Picasso, Braque, Gris, Leger, Delaunay, Marinetti, Boccioni, Balla, Severini, Picabia, Duchamp
3. The Powers That Be – Examining the relationship between modern art and authority. Dada, Constructivism, Futurism, architecture of power
4. *World War I and industrialised death, Exile and intellectuals as a class, Lenin, Tzara, Janco, Arp, Ball, Duchamp, Kirchner, Ernst, Höch, Dix, de Chirico, Hausmann, Grosz, Gabo, Tatlin, Moholy-Nagy, Lissitzky, Rodchenko, Marinetti, Prampolini, Speer, Piacentini, Lincoln Center, Kennedy Center, Albany Mall, Picasso's Guernica, Tinguely
5. The Landscape of Pleasure – Examining art's relationship with the pleasures of nature, and visions of paradise 1870s to 1950s. Impressionism, Post-Impressionism, Fauvism
6. *Fête champêtre, Titian, Giorgione, Jean-Antoine Watteau, Gainsborough, Bourgeoisie, Seurat, Claude Monet, Paul Cézanne, the vivid colours of the South, Paul Gauguin, Andre Derain, Maurice de Vlaminck, Henri Matisse, Pierre Bonnard, Braque, Picasso, late Matisse
7. Trouble in Utopia – Examining the aspirations and reality of modern architecture. International Style, Art Nouveau, Futurist architecture, urban planning
8. *Johnson, Boullée, Garnier, Chiattone, Sant'Elia, Melnikov, Rodchenko, Leonidov, Sullivan, Labrouste, Berg, Mies, Le Corbusier, Chandigarh, Werkbund exhibition 1927, Bauhaus, Gropius, Behrends, De Stijl, Rietveld, van Duesberg, Mondrian, La Defense, Pruitt–Igoe, Costa, Niemeyer, Brasilia
9. The Threshold of Liberty – Examining the surrealists' attempts to make art without restrictions.
10. *May 1968, Breton, Ernst, de Chirico, Böcklin, Ducasse, child art, madness, Rousseau, Cheval, Miro, Gaudi, Dali, flea market, Jean, Brauner, Paalen, Oppenheim, Man Ray, Margritte, de Sade, Catholicism and sexual taboo, Bellmer, Cornell, Pollock, Rothko, Gorky, Hofmann, 1945 liberation, Christo, Burden, hippies and self-expression, Vietnam War, cult of youth
11. The View from the Edge – A look at those who made visual art from the crags and vistas of their internal world. Expressionism
12. *van Gogh, Munch, Toulouse-Lautrec, Gauguin, Kirchner, Kokoschka, Soutine, Bacon, de Kooning, photographical evidence of the Holocaust, Marc, Klee, Kandinsky, Brancusi, Rothko, Pollock, Motherwell
13. Culture as Nature – Examining the art that referred to the man-made world which fed off culture itself. Pop art and celebrity
14. *O'Keeffe, Davis, Rauschenberg, Schwitters, Johns, Hamilton, the influence of television, Warhol, Liechtenstein, Rosenquist, Katz, Las Vegas as a single "lousy" artwork, Oldenburg, McLuhan and quantity over quality
15. The Future That Was – The commercialisation of modern art, the decline of modernism, and art without substance. Land art, performance art, and body art
16. *Heizer, MoMA and rich patrons, SoHo and urban renewal, Pompidou Centre and the changing uses of art, da Panicale, art as public discourse, the Salon system, the avantgarde and the bourgeoisie, Courbet, Andre, Judd, public and private, Segal, Kienholz, Frankenthaler, Louis, Noland, Stella, Riley, fashion, the art market, Brisley, Samaras, Rainer, Hockney, Beuys, de Maria

    2004 update

• The NEW Shock of the New - How the art world has changed, 25 years later.
• * Eiffel tower, World Trade Center, 9/11, Turner, Goya, David, Picasso's Guernica as the last truly political painting, Whitney Biennial, Warhol, fashion as the primary model of art, Koons, Duchamp, Michelangelo, Masaccio, exploding prices of the art market, Rego, Kiefer, information overload, Hockney, the skill of drawing, art as the opposite of mass media, Freud, Gilbert and George, post-modernism, slowness of painting, Mondrian, Rothko, Kelly, Scully, beauty, Eliasson

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