The Monster of Piedras Blancas is a 1959 independently made American black-and-white science fiction-monster film, produced by Jack Kevan, written and directed by Irvin Berwick, that stars Jeanne Carmen, Les Tremayne, John Harmon, Don Sullivan, Forrest Lewis, and Pete Dunn. The film was distributed by Filmservice Distributors Corporation as a double feature with Okefenokee. The Monster of Piedras Blancas was influenced by Creature from the Black Lagoon. Kevan, who had supervised the manufacture of the Gill-man suit and worked on Mole People costumes at Universal-International, created the Piedras Blancas monster costume. Kevan employed several of his former Universal associates on the picture, including soundman Joe Lapis and prop master Eddie Keys.
Plot
In the sleepy California lighthouse town of Piedras Blancas, Sturges, the lighthouse keeper, is very superstitious and concerned for the safety of his teenage daughter, Lucy. He leaves food for a sea monster who lives in a nearby cave. The locals disregard him at first, but they begin to take notice when the bodies of people killed by the monster are found on the beach. A local scientist identifies a scale found near one of the bodies as belonging to a "diplovertebron", a prehistoricamphibious reptile long presumed extinct.
Both Berwick and Kevan toiled in unbilled obscurity as contract employees at Universal-International. Berwick had been an uncredited dialogue director at U-I and at Columbia prior to that, working with the likes of William Castle and Jack Arnold. Kevan in particular chafed under the stewardship of Bud Westmore, the head of the studio's makeup department,who seldom allowed employees like Kevan or sculptors Chris Mueller and Millicent Patrick to receive publicity. Berwick and Kevan formed Vanwick Productions and became independent producers. The Monster of Piedras Blancas, their first film, was designed as a takeoff on U-I's popular Creature from the Black Lagoon, whose iconic monster suit Kevan had helped manufacture. For this film's fictional "diplovertebron", Kevan cut cost and labor time by using existing molds for the feet and the oversized hands. Actor/stuntman Pete Dunn wore the green-hued monster suit in the film and did double-duty playing the bartender character. Parts of the rubber monster suit showed up years later in the TV show Flipper, in the episode "Flipper's Monster", which was directed by Ricou Browning, who had performed the Gill-man swimming scenes in Creature From the Black Lagoon. Universal gave a great deal of unofficial cooperation to the production, since it was going through a period of budget problems. Vanwick received sweetheart deals for production vehicles and equipment, the studio's way of helping many of its laid-off technicians who found work on the independent film. The film's end budget was $29,000. Top-lined Sullivan would appear in a number of other genre films afterward, such as The Giant Gila Monster. This was the only lead role of B-movie actress and pin-up model Carmen, best known as a trick-shot golf "expert". Character actor Lewis was primarily known for his radio work, as was Tremayne. Wayne Berwick, who played "Little Jimmy", was the son of director Irvin Berwick and the godson of prolific actor Harmon. The film was shot entirely on location, but oddly enough, not at the real Point Piedras Blancas, which is north of San Simeon on the California coast. The lighthouse locations were shot at the Point Conception lighthouse near Lompoc, and the film's "town" was actually the seaside city of Cayucos, about 30 miles south of the real Piedras Blancas. Several scenes broke new ground for onscreen gore, such as the monster making a shock entrance carrying a bloody human head and a later shot of the same head with a crab crawling across the face.
The Monster of Piedras Blancas received mostly negative reviews from film critics upon its release, with many calling it "amateurish". Author and film criticLeonard Maltin awarded the film one and a half out of four stars, calling the film "obvious and amateurish" while also criticizing its sluggish pacing. TV Guide rated it one out of four stars, stating that the film was "a distinctly subpar effort", with the monster's design being the film's only item of interest. In his book VideoHound's Golden Movie Retriever, Jim Craddock gave the film a "WOOF", the book's lowest rating. Craddock was critical of the film's acting and special effects, which he felt were poor and "amateurish". Dave Sindelar from Fantastic Movie Musings and Ramblings gave it a mixed review, complementing the film's gory effects, soundtrack, and Sullivan and Tremayne's performances. However, he criticized the film's script, dialogue, and monster design. AllMovie gave the film a positive review, calling it "a horror movie with a lot of familiar elements but just enough offbeat touches to keep viewers coming back for 50 years or more".
