The Master Thief
"The Master Thief" is a Norwegian fairy tale collected by Peter Chr. Asbjørnsen and Jørgen Moe. The Brothers Grimm included a shorter variant as tale 192 in their fairy tales. Andrew Lang included it in The Red Fairy Book. George Webbe Dasent incuded a translation of the tale in Popular Tales From the Norse. It is Aarne–Thompson type 1525A, Stealing the Count's Horse, Sheet, and Parson.
Synopsis
A poor cottager had nothing to give his three sons, so he walked with them to a crossroad, where each son took a different road. The youngest went into a great woods, and a storm struck, so he sought shelter in a house. The old woman there warned him that it is a den of robbers, but he stayed, and when the robbers arrived, he persuaded them to take him on as a servant.They set him to prove himself by stealing an ox that a man brought to market to sell. He took a shoe with a silver buckle and left it in the road. The man saw it and thought it would be good if only he had the other, and went on. The son took the shoe and ran through the countryside, to leave it in the road again. The man left his ox and went back to find the other, and the son drove the ox off.
The man went back to get the second ox to sell it, and the robbers told the son that if he stole that one as well, they would take him into the band. The son hanged himself up along the way, and when the man passed, ran on and hanged himself again, and then a third time, until the man was half-convinced that it was witchcraft and went back to see if the first two bodies were still hanging, and the son drove off his ox.
The man went for his third and last ox, and the robbers said that they would make him the band's leader if he stole it. The son made a sound like an ox bellowing in the woods, and the man, thinking it was his stolen oxen, ran off, leaving the third behind, and the son stole that one as well.
The robbers were not pleased with his leading the band, and so they all left him. The son drove the oxen out, so they returned to their owner, took all the treasure in the house, and returned to his father.
He decided to marry the daughter of a local squire and sent his father to ask for her hand, telling him to tell the squire that he was a Master Thief. The squire agreed, if the son could steal the roast from the spit on Sunday. The son caught three hares and released them near the squire's kitchen, and the people there, thinking it was one hare, went out to catch it, and the son got in and stole the roast.
for Andrew Lang's The Red Fairy Book.
The priest made fun of him, and when the Master Thief came to claim his reward, the squire asked him to prove his skill further, by playing some trick on the priest. The Master Thief dressed up as an angel and convinced the priest that he was come to take him to heaven. He dragged the priest over stones and thorns and threw him into the goose-house, telling him it was purgatory, and then stole all his treasure.
The squire was pleased, but still put off the Master Thief, telling him to steal twelve horses from his stable, with twelve grooms in their saddles. The Master Thief prepared and disguised himself as an old woman to take shelter in the stable, and when the night grew cold, drank brandy against it. The grooms demanded some, and he gave them a drugged drink, putting them to sleep, and stole the horses.
The squire put him off again, asking if he could steal a horse while he was riding it. The Master Thief said he could, and disguised himself as an old man with a cask of mead, and put his finger in the hole, in place of the tap. The squire rode up and asked him if he would look in the woods, to be sure that the Master Thief did not lurk there. The Master Thief said that he could not, because he had to keep the mead from spilling, and the squire took his place and lent him his horse to look.
The squire put him off again, asking if he could steal the sheet off his bed and his wife's shift. The Master Thief made up a dummy like a man and put it at the window, and the squire shot at it. The Master Thief let it drop. Fearing talk, the squire went to bury it, and the Master Thief, pretending to be the squire, got the sheet and the shift on the pretext they were needed to clean the blood up.
The squire decided that he was too afraid of what the thief would steal next, and let him marry his daughter.
Analysis and formula
The Master Thief is classified in the Aarne-Thompson-Uther Index as ATU 1525 and subtypes. Folklorist Stith Thompson argues the story can be found in tale collections from Europe, Asia and all over the world.Folklorist Joseph Jacobs wrote a reconstrution of the tale, with the same name, in his Europa's Fairy Book, following a formula he specified in his commentaries.
The motif of the impossible thievery can be found in a story engraved in a Babylonian tablet.
Joseph Jacobs, in his book More Celtic Fairy Tales, mentions an Indian folkloric character named "Sharaf, the Thief".
Variants
- An earlier literary variant is Cassandrino, The Master-Thief, by Straparola in his The Facetious Nights.
- Ralph Steele Boggs, following Johannes Bolte and Jiri Polívka's Anmerkungen, lists Spanish picaresque novel Guzmán de Alfarache as a predecessor of the tale-type.
- The Grimm Brothers' version begins with the son's arrival home, and the squire sets him the tasks of stealing the horses from the stable, the sheet and his wife's wedding ring, and the parson and clerk from the church as tests of skill, or he would hang him. The thief succeeds and leaves the country.
- German scholar Johann Georg von Hahn compared 6 variants he collected in Greece to the tale in the Brothers Grimm's compilation.
- 19th century poet and novelist Clemens Brentano collected a variant named Witzenspitzel. His work was translated as Wittysplinter and published in The Diamond Fairy Book.
- Variants of the tale and subtypes of the ATU 1525 are reported to exist in American and English compilations.
- A scholarly inquiry by Italian Istituto centrale per i beni sonori ed audiovisivi, produced in the late 1960s and early 1970s, found the existence of variants and subtypes of the tale across Italian sources, grouped under the name Mastro Ladro.
- Northern India folklore also attests the presence of two variants of the tale, this time involving a king's son as the "Master-Thief".
- Irish folklorist Patrick Kennedy also listed Jack, The Cunning Thief as another variant of the Shifty Lad and, by extension, of The Master Thief cycle of stories.
- Folklorist Stith Thompson argues that similarities between the European "Master Thief" tales and Native American trickster tales led to the merging of motifs, and the borrowing may have originated from French Canadian tales.
Modern adaptations