The Mark of Zorro tells the story of Don Diego Vega, the outwardly foppish son of a wealthy ranchero Don Alejandro in the old SpanishCalifornia of the early 19th century. Seeing the mistreatment of the peons by rich landowners and the oppressive colonial government, Don Diego, who is not as effete as he pretends, has taken the identity of the masked Robin Hood-like rogue Señor Zorro, champion of the people, who appears out of nowhere to protect them from the corrupt administration of Governor Alvarado, his henchman the villainous Captain Juan Ramon and the brutish Sergeant Pedro Gonzales. With his sword flashing and an athletic sense of humor, Zorro scars the faces of evildoers with his mark, "Z". When not in the disguise of Zorro, dueling and rescuing peons, Don Diego courts the beautiful Lolita Pulido with bad magic tricks and worse manners. She cannot stand him. Lolita is also courted by Captain Ramon; and by the dashing Zorro, whom she likes. In the end, when Lolita's family is jailed, Don Diego throws off his masquerade, whips out his sword, wins over the soldiers to his side, forces Governor Alvarado to abdicate, and wins the hand of Lolita, who is delighted to discover that her effeminate suitor, Diego, is actually the dashing hero.
Primary cast
Douglas Fairbanks as Don Diego Vega/Señor Zorro
Marguerite De La Motte as Lolita Pulido
Noah Beery Sr. as Sergeant Pedro Gonzales
Charles Hill Mailes as Don Carlos Pulido
Claire McDowell as Doña Catalina Pulido
Robert McKim as Captain Juan Ramon
George Periolat as Governor Alvarado
Walt Whitman as Father Felipe
Sidney De Gray as Don Alejandro Vega
Tote Du Crow as Bernardo, Don Diego's mute servant
Noah Beery Jr. as Boy
Charles Stevens as Peon beaten by Sergeant Gonzales
Milton Berle
Reception and impact
The New York Times gave The Mark of Zorro a mixed review. Fairbanks biographer Jeffrey Vance, assessing the film's legacy in 2008, writes: "The Mark of Zorro is a landmark, not only in the career of Douglas Fairbanks, but also in the development of the action-adventure film. With this, his thirtieth motion picture, Fairbanks was transitioning from comedies to the costume films for which he is best remembered. Instead of reflecting the times, The Mark of Zorro offers an infusion of the romantic past with a contemporary flair ... Beyond reenergizing his career and redefining a genre, Fairbanks's The Mark of Zorro helped popularize one of the enduring creations of twentieth-century American fiction, a character who was the prototype for comic book heroes such as Batman."
Batman connection
In the DC Comics continuity, it is established that The Mark of Zorro was the film that the young Bruce Wayne had seen with his parents at a movie theater, moments before they were killed in front of his eyes by an armed thug. Zorro is often portrayed as Bruce's childhood hero and an influence on his Batman persona. There are discrepancies regarding which version Bruce saw: The Dark Knight Returns claims it was the Tyrone Power version, whereas a story by Alan Grant claimed it to be the silent 1920 original. Bill Finger was himself inspired by Fairbanks' Zorro, including similarities in costumes, the "Bat Cave" and Zorro's cave, and unexpected secret identities, especially since the Batman character predates the Tyrone Power remake by a year. The posters for 1940's The Mark of Zorro and the 1981 film Excalibur were used for a scene in '. In the animated series Justice League Unlimited, a flashback of the fateful night establishes that for DCAU continuity Bruce and his parents were attending The Mark of Zorro but does not indicate which version. In earlier episodes of ', the fictional character the Gray Ghost, a pulp fiction hero inspired by The Shadow, is the inspiration to young Bruce Wayne. In the Season 5 episode "Ace Chemicals" of Gotham, the villain Jeremiah Valeska films his own version of the film as a way of taunting Bruce Wayne. The credits for his own version begin with the title credits that acknowledge it as Douglas Fairbanks' version. Despite copyright dates, both Zorro and Batman have been litigated with regard to whether the original material has passed into the public domain. Zorro remains very unclear and in the courts.