"The Lonesome Road" is a 1927 song with music by Nathaniel Shilkret and lyrics by Gene Austin, alternately titled "Lonesome Road", "Look Down that Lonesome Road" and "Lonesome Road Blues." It was written in the style of an African-Americanfolk song. The lyricist and composer were both extremely popular recording artists. Gene Austin estimated he sold 80 million records, and Nathaniel Shilkret's son estimated his father sold 50 million records. Joel Whitburn lists recordings by Austin, Bing Crosby, Ted Lewis, and Shilkret as being "charted" at Numbers 10, 12, 3 and 10, respectively. There are no reliable sales figures that can be used to verify or dispute any of the estimates above.
The composition was notably used as a substitute for Ol' Man River in the finale of the part-talkie 1929 film version of Edna Ferber's novel Show Boat. It was performed onscreen by Stepin Fetchit as the deckhand Joe. Fetchit's singing voice was supplied by bass-baritone Jules Bledsoe, who had played Joe in the original stage version of the musical. The Shilkret autobiography contains a brief account of the motivation for using the song in the film. The song was also used in the motion picturesSubmarine Command, Cha-Cha-Cha Boom! , California Split, Wild Man Blues and Crazy . It was featured on two soundies, one with the Lucky Millinder orchestra, with vocal by Sister Rosetta Tharpe, and another with the Al Donahue Orchestra. Both soundies could be viewed on YouTube at the time of this writing. It was used in the television seriesThe Andy Griffith Show, Peter Gunn, Gomer Pyle, U.S.M.C., Matlock, and The Odd Couple. "Lonesome Road" was included in the television productions Vintage Sinatra, Now, and Smuckers Presents Kurt Browning's Gotta Skate, and in the Radio City Music Hall production Frank Sinatra: His Voice, His World, His Way.
"Lonesome Road" has been recorded in the jazz, gospel, blues, big band and dance music genres. There is a hint of humor in the Louis Armstrong and Hoyt Axton recordings, and the Dean Elliot recording is notable for its unusual sound effects, provided by Phil Kaye. The Keith Textor album was made by RCA to demonstrate sound effects using stereo; the "Lonesome Road" track demonstrates someone snapping their fingers and whistling, going from left to right and then back. The Wilbur Bradley recording contains a short passage identifiable as "Lonesome Road" at the beginning, with the remainder of the recording being a drum solo by Bradley's co-leader Ray McKinley. The Ivory and Gold recording features a flute solo. In some jazz recordings, such as the one by Morris Grants, which credits Austin—Shilkret, the jazz improvisation is so dominant that the relation to the Austin—Shilkret Lonesome Road, if any, is obscure. The Montenegro recording is licensed, but here also the relation to the Austin—Shilkret song is obscure. Many of the recordings are usable for dancing. The Sid Phillips recording is excellent for foxtrot, and the Madeleine Peyroux recording is also suitable for foxtrot. The recording by The Fashions is a quickstep. The Hoyt Axton recording is a good jive. Quite a few of the recordings are usable for East Coast Swing, and the Floyd Cramer recording is suitable for West Coast Swing. The twist could be danced to the recordings by Lyndstadt and the Collins Kids. The Chantays' recording has a cha cha beat.
