The Life of Riley


The Life of Riley is an American radio situation comedy series of the 1940s that was adapted into a 1949 feature film, a 1950s television series, and a 1958 comic book.

Radio

The radio program initially aired on the Blue Network from January 16, 1944, to July 8, 1945, it then moved to NBC, where it was broadcast from September 8, 1945, to June 29, 1951.
Irving Brecher pitched the radio series for friend Groucho Marx under the title The Flotsam Family, but the sponsor balked at what would have been essentially a straight head-of-household role for Marx. Brecher then saw William Bendix as taxicab company owner Tim McGuerin in Hal Roach's The McGuerins from Brooklyn. Radio historian Gerald Nachman quotes Brecher as stating, "He was a Brooklyn guy and there was something about him. I thought, This guy could play it. He'd made a few films, like Lifeboat, but he was not a name. So I took The Flotsam Family script, revised it, made it a Brooklyn Family, took out the flippancies and made it more meat-and-potatoes, and thought of a new title, The Life of Riley. Bendix's delivery and the spin he put on his lines made it work."
The reworked script cast Bendix as blundering Chester A. Riley, a wing riveter at the fictional Cunningham Aircraft plant in California. His frequent exclamation of indignation—"What a revoltin' development this is!"—became one of the most famous catchphrases of the 1940s. It was later reused by Benjamin J. Grimm of the Fantastic Four. The radio series also benefited from the immense popularity of a supporting character, Digby "Digger" O'Dell, "the friendly undertaker." Brecher told Brown, "I want a very sepulchral voice, quavering, morbid," and he got it right away.
The supporting cast featured Paula Winslowe as Riley's wife, Peg, and as Riley's mother-in law; Brown as O'Dell and as Riley's co-worker Jim Gillis; Francis "Dink" Trout as Waldo Binny; Tommy Cook, Bobby Ellis and Scotty Beckett as Junior at various times during the show's run; Sharon Douglas as Riley's daughter, Babs; Shirley Mitchell as Honeybee Gillis; Hans Conried as Uncle Baxter; and, Alan Reed as multiple characters, including Riley's boss and Peg's father. Henry Morgan voiced Riley's father in one episode.
Mitchell's Gillis often gave Riley bad information that got him into trouble, whereas Brown's Digger gave him good information that "helped him out of a hole," as he might have put it. Brown's lines as the undertaker were often repetitive, including puns based on his profession; but thanks to Brown's delivery, the audience loved him. The program was broadcast live with a studio audience, most of whom were not aware Brown played both characters. As a result, when Digger delivered his first line, it was usually greeted with howls of laughter and applause from surprised audience members.
The series was co-developed by the nonperforming Marx Brother turned agent Gummo. The American Meat Institute, Procter & Gamble , and Pabst Blue Ribbon beer took turns as the radio program's sponsor.
An unrelated radio show with the title Life of Riley was a summer replacement show heard on CBS from April 12, 1941, to September 6, 1941. The CBS program starred Lionel Stander as J. Riley Farnsworth and had no real connection with the more famous series that followed a few years later.

Film

William Bendix also starred in the 1949 film version of The Life of Riley directed by Irving Brecher. It earned $1.6 million in the US and Canada, preventing him from starring in the TV series that began in the same year.

Television

In 1948, NBC broadcast "two live television test programs based on the radio series." The April 13 episode starred Herb Vigran as Riley, and the April 20 episode had Buddy Gray in the title role.

Jackie Gleason

The NBC adaptation, also created by Irving Brecher, was a single-season
series from October 4, 1949, to March 28, 1950. Originally, William Bendix was to have appeared on both radio and TV, but Bendix's RKO Radio Pictures movie contract prevented him from appearing on the TV version. Instead, Jackie Gleason starred, with Rosemary DeCamp replacing Paula Winslowe as wife Peg, Gloria Winters as daughter Barbara, Lanny Rees as son Chester Jr., and Sid Tomack as Jim Gillis, Riley's manipulative best buddy and next-door neighbor. John Brown returned as the morbid, counseling undertaker Digby O'Dell.
It was during this period that Gleason played Riley on one episode of the radio series. At the beginning of the November 11, 1949 radio episode the announcer explained that William Bendix had strained his voice while performing the role of an umpire for an upcoming movie and Gleason substituted for him that one night.
Life of Riley won the first Emmy Award with Groucho Marx receiving a credit for the story. However, it came to an end after 26 episodes because Irving Brecher and sponsor Pabst Brewing Company reached an impasse on extending the series for a full 39-week season.
Episode List:
NºTitleAir date

William Bendix

The second TV series ran for six seasons, from January 2, 1953, to May 23, 1958. It was produced by Tom McKnight for NBC and featured William Bendix. He was supported by Marjorie Reynolds, replacing both Paula Winslowe and Rosemary DeCamp, as wife Peg; Tom D'Andrea as schemer buddy Jim Gillis; Gloria Blondell as Gillis' wife, Honeybee; Lugene Sanders as daughter Babs; and Wesley Morgan as son Junior. This Life of Riley series with Bendix was a ratings hit, ranking at #16 in its first season, with four of its six seasons in the top 30, and ran for a total of 217 episodes. It then went into syndicated reruns. The latter portion of the fifth season, broadcast between April and June 1957, was filmed and originally broadcast in color, although only black-and-white film prints of those episodes were syndicated. For the final season, filming reverted to black-and-white. Sponsors of the TV show included Pabst Blue Ribbon Beer, Gulf Oil and Lever Brothers.
In all of the show's incarnations, the comedic plotlines centered around Riley himself, a gullible and occasionally clumsy man, and the doings and undoings of his family. Riley's penchant for turning mere trouble into near-disaster through his well-intentioned bumbling was often aided or instigated by his arch best friend/next-door neighbor, Gillis.
Bendix and Rosemary DeCamp reprised the roles in an hour-long radio adaptation of the feature film that was presented on Lux Radio Theater on May 8, 1950.
A comic book adaptation of the show was produced by Dell Comics in 1958 as part of their Four Color series of one-shots.