The Knack ...and How to Get It
The Knack …and How to Get It is a 1965 British comedy film directed by Richard Lester and based on the play by Ann Jellicoe. It won the Palme d'Or at the 1965 Cannes Film Festival and the Grand Prix of the Belgian Film Critics Association. It was also in competition for the Golden Bear at the 15th Berlin International Film Festival.
The Knack
The "knack" is the skill, and particularly the special skill to do a certain task i.e. "he's got the knack". The phrase was particularly popular in the 1960s. It does not pertain exclusively to sexual skills.Plot
Colin is a nervous schoolteacher working in London, observing rather than participating in the sexual revolution of the 1960s. He has little personal sexual experience and wishes to gain "the knack": in this case meaning a way to seduce women. He turns to a friend, a confident, womanizing drummer known only by his surname, Tolen. Tolen gives him unhelpful advice to consume more protein and use intuition, acknowledging intuition is not something that can be completely learned, and advocates the importance of domination of women. He then suggests that Colin should move into his home, where he and another friend "share" women.Colin boards the front door shut. The third flatmate, Tom, is obsessed with painting everything white... including the windowpanes. Due to the blocked door Tolen brings his girls in through the window. Colin swaps his single bed for a fancy old double wrought iron bed which he finds in a scrapyard with Tom. Nancy meets Colin at the scrapyard. Nancy is an inexperienced and shy young woman who has arrived to London from out of town, and is searching for the YWCA. She stops by a clothing store and is won over by the flattery of the clerk, until she overhears him repeating the same words to every female customer.
From the scrapyard the three take the bed on a complex and zany journey back to the house. This includes parking it at a parking meter, moving it on a car transporter and carrying it down the steps of the Royal Albert Hall.
In a public space, Tolen sexually assaults Nancy, who at first is silent, then faints. When she wakes up, she begins claiming she was raped, though this was not the case. Tolen, Colin and their friends find themselves unable to restrain her from loudly repeating the allegations, or puncturinging the tyres of Tolen's motorcycle, and she runs back to the residence, where she throws Tolen's records out of the window and strips naked. The men become convinced her rape allegations reflect rape fantasy and urge Tolen to have sex with her. When Nancy emerges from the room wearing only a robe, she instead expresses more attraction to Colin, and he returns the interest.
The film ends with Nancy and Colin walking along hand in hand.
Cast
Production
After seeing Ann Jellicoe's play The Knack, the producers envisioned a film adaptation. They offered the position of director to Lindsay Anderson, who refused.Having worked with The Beatles on A Hard Day's Night, Lester was another candidate for director, and agreed to take the position. Lester made major changes to the play, adding his own touch through direct address, unexpected oddly-edited sequences, humorous subtitles, and a Greek chorus of disapproving members of "the older generation." Filming took place in a few weeks, and Lester employed television advertising techniques. Talking about the film in the 1980s, actor Ray Brooks said:
Lester himself makes a brief cameo as an annoyed bystander. John Barry contributed the jazzy score, which features a memorable organ solo by Alan Haven. Jane Birkin, Charlotte Rampling, and Jacqueline Bisset all made their first cinematic appearances in the film as extras, together with Top of the Pops disc girl Samantha Juste.
Reception
In The New York Times, Bosley Crowther positively reviewed it as "delightfully mobile" and a "frenziedly running, jumping picture". Variety staff praised the performances, citing Rita Tushingham as perfect in her role.In 2016, The Hollywood Reporter ranked it the 49th best film to win the Palme d'Or, saying it "hasn't aged well" but the setting was a great asset. In 2001, the Wallflower Critical Guide noted the creativity in cinematography and editing, but said it disrupted the storytelling.
Accolades
The film was entered into competition at the 1965 Cannes Film Festival, where it won the Palme d'Or.Award | Date of ceremony | Category | Recipient | Result | |
Belgian Film Critics Association | 1966 | Grand Prix | Richard Lester | ||
British Academy Film Awards | 1966 | Best British Film | Richard Lester | ||
British Academy Film Awards | 1966 | Best Film from Any Source | Richard Lester | ||
British Academy Film Awards | 1966 | Best Screenplay | Charles Wood | ||
British Academy Film Awards | 1966 | Best Actress | Rita Tushingham | ||
British Academy Film Awards | 1966 | Best Cinematography, Black and White | David Watkin | ||
British Academy Film Awards | 1966 | Most Promising Newcomer | Michael Crawford | ||
Cannes Film Festival | 3 – 16 May 1965 | Palme d'Or | Richard Lester | ||
Golden Globe Awards | 28 February 1966 | Best Actress – Comedy or Musical | Rita Tushingham | ||
Golden Globe Awards | 28 February 1966 | Best Foreign Film, English Language | Richard Lester | ||
Writers' Guild of Great Britain | 10 March 1966 | Best British Documentary Film or Short Script | Charles Wood |