Athens and her allies are at war with king Philip II of Macedonia. Luciano, captain of the Macedonian Army, gets wounded in action and is rescued by Iride, a model of extraordinary beauty who poses for the sculptor Prassitele. Iride takes Luciano to the sculptor's home where he falls in love with her. Until that point, Prassitele had only considered Iride a model who he used for inspiration to create the statue of Aphrodite, but now he too feels passionately about the young woman. Iride decides to run away with Luciano and to try to return to the Athenian camp. Prassitele then decides to take revenge on the couple by telling the Athenian soldiers about the two escapees. The soldiers chase them and shoot Luciano with an arrow. He is believed to be dead so Iride is sent back to Prassitele's studio. She tries to forget about Luciano by seeing other men. Meanwhile, the Macedonians continue advancing and Prassitele is killed by the soldiers. After some time, Iride returns to Prassitele's house and while contemplating the unfinished statue of Aphrodite, an alive and well Luciano shows up. Iride confesses to him that she has been with other men and then tries to kill herself, but Luciano forgives her and affirms his love for her.
Cast
Production
Belinda Lee was borrowed from Rank Studios, who had her under contract. She arrived in Italy in early August 1957. The film was going to be called Aphrodite but in October 1957 this was changed to The Virgin of Cheronea in order to avoid confusion with a rival Aphrodite film that was going to be made by Ben Hecht and Robert Haggiag. During filming Lee began an affair with Prince Orsini which caused much publicity.
Release
In August 1959 the film was picked up for distribution in the US by Embassy Films. Rights eventually transferred to 20th Century Fox. In December 1960, a heavily cut dubbed version of the film was released in the United States by 20th Century Fox. A different and more faithful dubbed version, with Belinda Lee self-dubbing herself, was released in UK and Eire in 1961.
Reception
Variety, reviewing it under the title The Venus of Cheronea, said it "might make a good exploitation item" adding "the camera remains focused on" Lee's "attributes, displayed in various forms of garb. The censor obviously had been at work at the local copy... The actress plays the role with abandon and considerable ability." Kine Weekly said "The opening sequences impress, but early promise of mighty spectacle is not fulfilled, and it peters out on a noveletish note. Mainly a talking piece, “ Aphrodite, Goddess of Love ” will send most fans to sleep." Harrison's Report called it "Poor... horribly dubbed... badly enacted programmer for the undemanding...too slowmoving to hold the patron's interest."
