In the early 1863 Aleksey Tolstoy informed Yakov Polonsky in a letter from Dresden that he was working upon "a large poem in verse The Death of Ioann Grozny… Two acts of it are being finished and, as people tell me, are good", he added. The deterioration of health hindered the creative process, but Act 3 has been completed by the summer of that year and in the end of 1863 the play was virtually ready. Some details as to the original draft of it have been traced through Tolstoy's correspondence with Karolina Pavlova who was translating the text into German, and was being asked to make changes according to those Tolstoy was making to his original text. Some of the scenes that have been excluded by the author from the final version of the play looked significant, one being Boris Godunov's conversation with tsarinaAnastasia Romanovna about her granting him trusteeship right over Dmitry after Ioann and Fyodor's respective deaths. Also cut has been the scene of Godunov's talk with Dmitry's nanny. Both, according to Tolstoy, precipitated Tsar Fiodor Ioannovich, the second play of the trilogy and both have made their way into it later, although, as critics noticed, some fragments of which exactly the same could be said, have been kept in the original text. Making preparations for the first separate edition of the play, which came in November, 1866, Tolstoy again made changes. In the magazine version in both scenes of Act 1 there's been no mention of any negotiations with the British ambassador. The final Zakharyin's words also appeared for the first time in the book version, summing up what was obviously the drama’s main idea. Tolstoy was taking into account other people’s opinions he was becoming aware of. In the Act 5 he dropped some archaisms and also several of the skomorokhs’ couplets, so as to avoid the unwanted comic effect.
Inaccuracies and inventions
According to Tolstoy, the action of drama takes place in 1584, the year of Ioann's death. Yet, Ivan's murdering his son, the abdication, the siege ofPskov, the fire in Aleksandrovskaya sloboda all relate to the second half of 1581. Tolstoy was improvising a lot when it came to motives and undercurrents, occasionally creating links between things historians thought were unrelated. Having greatly increased the historical role of Boris Godunov, he's made him take part in several events had no bearing to. According to I.Yampolsky, Boris' speech in Duma, the clash with Sitsky, addressing Tsar Ivan on behalf of Duma asking for his return to the throne, his opposition to the monarch's marrying Princess of Hastings and unwilling support for tsarina Maria, Ivan's advise for Fyodor to always listen to what Boris would say, - were all author's artistic inventions. The idea of expanding it into a trilogy came to Tolstoy while he was working on Tsar Fyodor Ioannovich, but, as I.Yampolsky notes, The Death of Ioann the Terrible gives the impression some future development of Godunov's character already having been on author’s mind. The appearance of Mikhail Bityagovsky in the play, the figure which according to historical sources would come upon the scene many years later, could be seen as pointing to this, too. Besides, Tolstoy created new logical threads between Bityagovsky's taking part in the conflict between Boris and boyars, his agitation of people against Shuisky and Belsky - to the murder of Dmitry.
