The Crimson Idol is the fifth studio album by heavy metal band W.A.S.P., released internationally in 1992 through Parlophone and on May 24, 1993 in the United States through Capitol Records. A remastered edition was reissued in 1998, containing a bonus disc of B-sides and live material from 1992. The album charted within the top 40 in five countries. It is a rock opera, telling the story of the rise and fall of a fictional rockstar named Jonathan Steel. In 2018, Napalm Records released a re-recording of the album, along with a DVD of the film that was originally to accompany the album, under the title of ReIdolized .
Overview
Taking nearly three years to complete, The Crimson Idol was originally recorded as a Blackie Lawless solo album, but bandleader Lawless bowed to fan pressure and released it under the W.A.S.P. name. Unusually, the album's tour, named The Crimson Idol Tour, took place fifteen years after its release to mark its fifteenth anniversary, commencing on October 26, 2007 at the Principal Club Theater in Thessaloniki, Greece. A film recorded for the album was also shown in public for the first time, which was played along with the band as they performed their tracks to it in synch. The shows marked the first time that the album has been played from start to finish by the band since its recording. "Mephisto Waltz", the seventh track from The Headless Children, served as the show's opener, followed by "The Titanic Overture", the first track from The Crimson Idol. All shows had a long encore section ranging from 2–6 songs, containing W.A.S.P. classics as well as "Take Me Up" from their 2007 album Dominator. A re-recorded version of the entire The Crimson Idol album was announced on January 23, 2017. Details and the cover art of ReIdolized were released on November 17, 2017. In 2017, W.A.S.P. played the whole album again on tour to mark the 25th anniversary of its release. The tour, dubbed Re-Idolized: The 25th Anniversary of the Crimson Idol, took place from September through November 2017 in Europe. All shows had a short encore, usually about four or five songs, as well as a few of their classics and the title track from their 2015 album Golgotha.
Concept
The story of The Crimson Idol revolves around a teenager named Jonathan. He is the son of William and Elizabeth Steel, and brother of Michael Steel. Michael is the favored son of his parents, and Jonathan is a complete failure in their eyes. After Michael is killed in a car accident by a drunk driver, Jonathan runs away from home and starts to wander the streets, becoming addicted to drugs and alcohol. While walking past a music store, he sees a guitar and desires to become a rock star. He breaks the display window with a bottle of booze, thus beginning his journey into acclaimed excess. Jonathan plays the stolen crimson-colored guitar as often as he can in order to obtain money to record an album. He then meets a man named "Chainsaw" Charlie, the president of a major record label. Charlie promises to make Jonathan a star, and introduces him to Alex Rodman, who will become his manager. Jonathan goes on to achieve his ambition of becoming a rock star, but finds out that life is not as glamorous as it seems. Despite now having fame and fortune, he still longs for the one thing he always wanted, that being the love and acceptance of his parents. One night before a concert, Jonathan calls his parents in an attempt to reconcile their differences and heal the emotional wounds between them. According to the story, "less than fifty words were spoken"; the last four were "we have no son". Realizing that he will never be accepted by his parents, Jonathan decides to commit suicide. During the aforementioned concert, he removes the strings from his guitar, shapes them into a noose and hangs himself. The overall concept is explained in the 1998 bonus track, "The Story of Jonathan ".
The German magazine Rock Hard declared The Crimson Idol Album of the Month in June 1992 and the reviewer wrote that it maintained the same "power, roughness, melodic fullness and epic breadth" of its predecessors, with songs "not always at the world-class level, but damn close." In a modern review for AllMusic Greg Prato described The Crimson Idol as "essentially a Blackie Lawless solo album" and indicated "The Invisible Boy", "Chainsaw Charlie " and "I Am One" as highlights. In his review for The Collector's Guide to Heavy Metal, Martin Popoff called The Crimson Idol an "unenjoyable, even hurtful failure in the concept album department", lacking "the creative resonance the painstaking process" of making it "should have nurtured".
Track listings
''Reidolized (The Soundtrack to The Crimson Idol)''
