The Count of Luxembourg is an operetta in two acts with English lyrics and libretto by Basil Hood and Adrian Ross, music by Franz Lehár, based on Lehár's three-act German operetta Der Graf von Luxemburg which had premiered in Vienna in 1909. Lehár made amendments to his Viennese score to accommodate the two-act adaptation. He also interpolated into the score three new pieces: a waltz that he had written for a commemorative performance of Der Graf in Vienna; a song from his first operetta, Wiener Frauen; and a Russian dance from the opera Tatjana. The original production opened at Daly's Theatre in London in 1911 and ran for 345 performances, starring Lily Elsie, Huntley Wright, W. H. Berry and Bertram Wallis. It was followed by a UK tour and also had a good run at the New Amsterdam Theatre in New York in 1912 with the libretto further adapted by Glen MacDonaugh. It played in Australia in 1913. Adaptations included a 1967 BBC television production and an American silent film version made in 1926. A new English language adaptation of Der Graf von Luxemburg, more closely following the original score and libretto, was produced under the name The Count of Luxembourg and recorded by New Sadler's Wells Opera in 1983 and toured by the D'Oyly Carte Opera Company in 1997.
Synopsis
The Grand Duke Rutzinov may not marry Angèle, an opera singer with whom he is infatuated, unless she bears a title. He therefore arranges for the penniless bohemian spendthrift, Count René, to marry a lady whose face he is not to see, and to agree to a divorce in three months. For this the Count receives the sum of £20,000. As she will then bear a title, Rutzinov can then marry her. At the wedding ceremony, at the studio of Rutzinov's artist friend Brissard, the Count and his mystery bride are separated by a canvas – but when they touch hands to exchange the rings, they fall in love. Months later, Angèle gives a party at which the Count attends. They are immediately attracted to each other, but not knowing that they are already husband and wife, they believe their romance is hopeless. To prevent things from going further, Rutzinov announces his engagement to Angèle. But Brissard notes that the Count has not yet divorced and reveals that the two are still married. Secretly delighted, Angèle denounces the Count's act in marrying for money. The Count storms off angrily. Meanwhile, Rutzinov decides to marry a Russian countess instead, and the Count comes into some money, which he uses to pay Rutzinov back the £20,000. But he is miserable without Angèle and eventually tells her that he loves her. All ends happily. Hood wrote about rewriting the libretto of the operetta for British audiences:
No. 19 – "Are you going to dance?" – Angèle and René
No. 20 – "Boys" – Juliette, Mimi, Grand Duke, Brissard and Girls
No. 21 – Finale – Angèle and René – "Say not love is a dream"
Productions and adaptations
The Count of Luxembourg opened at Daly's Theatre in London on 20 May 1911 and ran for a successful 345 performances, starring Lily Elsie, Huntley Wright, W. H. Berry and Bertram Wallis. The opening night was conducted by Lehár and attended by King George V and Queen Mary. The Times particularly praised the singing and dancing of Elsie and Wallis, as well as Lehár's music, though the paper judged the story to be thin and improbable. It was followed by a UK tour starring Eric Thorne, Robert Michaelis, Lauri de Frece and Daisy Burrell, and it also had a good run at the New Amsterdam Theatre in New York in 1912 with the libretto further adapted by Glen MacDonaugh. It played in Australia in 1913. There was a Broadway revival in 1930. In 1967, the BBC broadcast their own television production, conducted by David Lloyd-Jones. An American silent film version was made in 1926. A new English language adaptation of Der Graf von Luxemburg, more closely following the original score and libretto, was produced under the name The Count of Luxembourg and recorded by New Sadler's Wells Opera in 1983. This version was revived on tour by the D'Oyly Carte Opera Company in 1997.
