The Comic Reader was a comics news-fanzine published from 1961 to 1984. Debuting in the pre-direct market era, TCR was the first regularly published comics industry news fanzine, and was able to secure many contacts from within the ranks of the larger publishers. As TCR increased in popularity and influence, it was able to attract professional artist to illustrate the covers. TCR also proved to be a launching pad for aspiring comic book creators, many of whom published work in the fanzine as amateurs. Contributors from the world of fandom included founding editor Jerry Bails, key editor Paul Levitz, Paul Kupperberg, Tony Isabella, Byron Preiss, Neal Pozner, Don Rosa, Carl Gafford, and Doug Hazlewood. The fanzine was founded in 1961 as On the Drawing Board by Jerry Bails, the "Father of Comics Fandom;" changing its name to The Comic Reader in 1962 and being named the official bulletin of the Academy of Comic-Book Fans and Collectors. During its run, TCR won a number of industry awards, including the Alley Award and the Goethe Award/Comic Fan Art Award. In its last incarnation, published by Street Enterprises, it was more professional magazine than fanzine, and was known colloquially as "the TV Guide of the comics industry."
Publication history
''On the Drawing Board''
founded and published On the Drawing Board In October 1961, to showcase the latest comic news. Spinning-off from Bails' other zine, Alter Ego, On the Drawing Board "was devoted to blurbs and news items pertaining to upcoming events in pro comics." Released in stand-alone form as "a single-page news-sheet," On the Drawing Board #4 debuted on October 7, 1961. Comics fandom historian Bill Schelly described its impact:
Birth of ''The Comic Reader'' and a succession of editors
In March 1962, issue #8 of On the Drawing Board was retitled The Comic Reader. The "On the Drawing Board" name was retained for the periodical's news section. The monthly title became "a mainstay of fandom," winning a 1963 Alley Award. In January 1964, Bails announced the merger of The Comic Reader with another of his fanzines, The Comicollector, under the editorship of Bill White. However, a death in White's family prevented the merger from happening, at which point Florida-based published G. B. Love merged The Comicollector into his own fanzine Rocket's Blast, as well as offering to absorb The Comic Reader. The ACBFC board, however, voted to maintain TCR as a standalone publication, and in mid-1964 New Mexico-based comics enthusiast Glen Johnson stepped forward to take over editorial duties. Johnson was followed a succession of editors, including Derrill Rothermich, who switched the fanzine to offset printing in late 1965. Mark Hanerfeld took over TCR in 1968 with issue #65, but by mid-1969 was having trouble maintaining a consistent publication schedule. Hanerfeld was doing double-duty as executive secretary of the ACBFC, and apparently this workload was too much for him. The ACBFC went defunct in mid-1969; and despite winning a 1969 Alley Award, by early 1970TCR was no longer being published.
Levitz era
In early 1971, New York teenager Paul Levitz bought the property and took over The Comic Reader with issue #78, merging it with Etcetera, a zine he had previously co-published with Paul Kupperberg. From issues #78–#89, the merged zine was called Etcetera & The Comic Reader; after issue #90 the zines split up again. Under Levitz's editorship, TCR increased circulation and changed format, usually featuring an illustrated cover and typically 16 pages in length. As the zine gained in popularity and influence, it was able to attract industry professionals, such as Jack Kirby, Rich Buckler, Walt Simonson, and Howard Chaykin, to illustrate the covers. During this period, TCR won two Best Fanzine Comic Fan Art Awards. TCR published ballots for the 1973 Goethe Awards ; TCR staff also produced the program booklet for the 1973 Comic Art Convention. Issue #99 featured TCR's first color cover.
Street Enterprises
In November 1973, with issue #101, Wisconsin-based publisher Street Enterprises took over TCR, and Mike Tiefenbacher took over as editor. Under Street Enterprises' oversight, TCR changed format to digest size, giving it even more the impression of being "the TV Guide of the comics industry." In early 1979, due to the cancellation of another Street Enterprises title, The Menomonee Falls Gazette, the publisher moved many of the strips featured in The Gazette over to The Comic Reader. The emergence of Amazing Heroes in 1981, published by Fantagraphics Books, ate into TCR's readership. As long-time Fantagraphics co-publisher Kim Thompson put it, "If you want to look at it cynically, we set out to steal The Comic Reader's cheese. Which we did." The Comic Reader published its final issue, #219, in September 1984.
Features
In addition to news about creators, publishers, conventions, and the like, TCR ran recurring comic strips and features such as:
