Reviewing for AllMusic critic, Ned Raggett wrote of the album "When Jerry Hall, front-cover model on Roxy's Siren, left Ferry for Mick Jagger, his response was this interesting album, not a full success but by no means a washout." And the critic, Robert Christgau wrote of the album "Maybe the smoke in Bryan's eyes has finally reached his heart; the apparent sincerity of some of the singing here makes those five-minute moments when he lingers ponderously over a key lyric easier to take." and he added that "The Los Angeles musicians don't hurt either – the conjunction of his style of stylization makes for interesting expressive tension." Greil Marcus listed it as his number one record in The Pazz and Jop Critics Poll of 1978. Marcus commented about the album, and is quoted saying, "Already a certified commercial stiff after only a couple of months in the racks, this stunningly personal album—comparable in its way to Van Morrison’sAstral Weeks, Jesse Winchester, John Cale’s Vintage Violence or Bob Dylan’sBlood on the Tracks—continues to deepen the Don-Juan-in-Hell persona this English eccentric has explored throughout the decade. Backed by American session men, Ferry acts outThe Revenge of Lust, a tale that leaves all parties free to indulge their cruelest, most self-pitying instincts, and then pay for them. From “Can’t Let Go,” an extraordinarily dramatic account of a lover in exile, to “Hold On I’m Coming,” the latest in Ferry’s string of unlikely and successful covers, the record is glamorous, bitter, effete and passionate. As always, Ferry sings in the voice of Dracula risen from the grave—risen to tell us how much he cares. Dave Marsh gave the record three stars and wrote "The Bride Stripped Bare balances Ferry's approaches much more effectively, allowing him to cover such romantic soul standards as "That's How Strong My Love Is" alongside his despondently modern "When She Walks in the Room." The result might have been a triumph if it weren't for the misconceived production, largely the product of this quintessentially British singer working with such Los Angeles session musicians as Rick Marotta and Waddy Wachtel, who also coproduced. Still, Bride suggests that Ferry's solo work still has much-underdeveloped potential; it's unfortunate that he has devoted all his time since then to the re-formed version of Roxy Music." Mark Coleman in his three and half star review stated "The Bride Stripped Bare is more adventurous; many listeners thought it was foolhardy. Bryan Ferry recording in L.A. with session veterans? Well, guitarist Waddy Wachtel pulls out some surprisingly ripe riffs, while Ferry croons both Al Green's "Take Me to the River" and the Velvet Underground's "What Goes On" without showing signs of strains. Recent Roxy Music converts might begin their Ferry appreciation course with this undervalued and very accessible item." Rob Sheffield in another three and half star review wrote "The Bride Stripped Bare was a real puzzle, slicking over some potentially great songs with a hack L.A. studio band. There's the glorious seven-minute "When She Walks in the Room" and a great version of the Irish folk song "Carrickfergus," but Ferry's "Take Me to the River" has about one-eighth of the Big Muddy juice of Al Green's original, and it had the misfortune to come out the same year as Talking Heads' version."
Track listing
Personnel
Bryan Ferry – lead vocals, piano, keyboards
Waddy Wachtel – lead guitar, slide guitar, backing vocals
