Television crew positions are derived from those of film crew, but with several differences.
Pre-production
Casting director
Costume designer
Director
Associate director
Location manager
Make-up artist
Production designer
Researcher
Set designer
The scenic designer collaborates with the theatre director and other members of the production design team to create an environment for the production, and then communicates details of this environment to the technical director, production manager, charge artist, and property master. Scenic designers create scale models of the scenery, artistic renderings, paint elevations, and scale construction drawings to communicate with other production staff.
Television producer
Associate producer
Assistant Producer
Co-producer
Coordinating producer
Executive producer
Line producer
Segment producer
Supervising producer
Additionally, more senior members of a television show's writing staff are credited as producers, with the specific title dependent upon the seniority and rate of pay for the writer. For example, a writer credited as a "co-executive producer" will typically receive a higher salary and be considered more senior than a writer credited as a "producer", who will in turn be higher "ranking" than a writer credited as "co-producer."
Writer
Head writer
Screenwriter
Screenwriters or scenarists or scriptwriters create short or feature-length screenplays for films and television programs.
Story editor
Production
A1
In television and live event production, the A1 is the primary audio engineer responsible for the technical design and operation of associated sound systems. Generally speaking, the A1 supervises all audio crew members during build, rehearsal, and show phases of any production. Ultimately, the A1 will have routed, recorded, and mixed all sound sources heard during the program broadcast.
A2
The A2 helps get microphones or other audio devices to the right place or to the right person
Repetition: Some advertisers concentrate on making sure their product is widely recognized. To that end, they simply attempt to make the name remembered through repetition.
Bandwagon: By implying that the product is widely viewed, advertisers hope to convince potential buyers to "get on the bandwagon."
Testimonials: Advertisers often attempt to promote the superior worth of their product through the testimony of ordinary users, experts, or both. For example, using film critics or media personalities. This approach often involves an appeal to authority such as a doctor of media science.
Pressure: By attempting to make people choose quickly and without long consideration, some advertisers hope to make rapid sales, and a sense of urgency to watch or buy a product.
Association: Advertisers often attempt to associate their product with desirable things, in order to make it seem equally desirable. The use of attractive models, picturesque landscapes, and other similar imagery is common. "Buzzwords" with desired associations are also used.
Imagery: Using advertising slogans, logos, or a common image increases familiarity, trust, personality of a production, and the ability for the show to be remembered.
The publicist ensures the media are well aware of a project by distributing the show as a trial run or sneak preview. They issue press releases and arrange interviews with cast and crew members. They may arrange public visits to the set, or distribute media kits that contain pictures, posters, clips, shorts, trailers, and descriptions of the show.
