Susan Marie Beschta, who performed as Susan Springfield, was the founder and lead singer of Erasers, a band that headlined at CBGB in the 1970s. She became a solo artist in the 1980s and then trained as a lawyer to start a new career. After graduating from the CUNY School of Law, she fought human rights cases for Catholic Charities.
Early life and education
She was born Susan Marie Beschta on April 21, 1952 in Appleton, Wisconsin – one of five children of a Catholic couple, Gerald and Jean Beschta. The culture was traditional and her father was keen on sports but, while she was fond of the place, she chose a different path. After college at University of Wisconsin–Whitewater, she went to the hippy scene of California and then hitch-hiked across the country to study fine arts at the Pratt Institute in Brooklyn where she hoped to become a painter.
Art and music
Beschta was able to stay rent-free at the Fine Arts Building at 232 East 59th Streetin return for looking after its photo gallery. She shared a loft with Jane Fire and they formed Erasers, a punk-rock band, in 1974, with Fire on drums and Beschta as the singer/songwriter and guitarist. Several musicians such as Richie Lure and Anton Fig tried out with the band and the most lasting were Jody Beach on bass guitar and David Ebony, a classically-trained musician. The band practised in the basement of a deli near the Fine Arts Building and they played some impromptu gigs in the street there. They performed at venues including The Great Gildersleeve's and, most especially, CBGB, which was a famous proving ground for punk rock bands. Their style was enthusiastic, feminist and non-commercial. They attracted some favourable reviews but did not sign with a record label. Beschta was influential in the social scene of punk rock, entertaining stars like Johnny Rotten and Iggy Pop and dating Richard Hell. In 1978, she starred with Debbie Harry in Amos Poe's movie The Foreigner. After the Erasers, she performed in other bands and artistic projects including the Susan Springfield Band, Desire and Civilization and the Landscape of Discontent.
