By the mid 1960s, The Sunset Strip had become a place dominated by young members of the hippie and rock and rollcounterculture. While this brought many artistic initiatives to the neighborhood, problems simultaneously arose in the form of alcohol and drug abuse and the disturbance of traffic. In 1966, the city's administration implemented a handful of measures to curtail the growing nuisance. They targeted the Strip's most prominent rock club, the Whisky a Go Go, forcing its managers to change its name to the Whisk . Furthermore, annoyed residents and business owners in the district had encouraged the passage of strict curfew and loitering laws to reduce the traffic congestion resulting from crowds of young club patrons. This was perceived by young, local rock music fans as an infringement on their civil rights, and for weeks tensions and protests swelled. On Saturday, November 12, 1966, fliers were distributed along the Strip inviting people to demonstrate later that day. Hours before the protest one of L.A.'s rock 'n' rollradio stations announced there would be a rally at Pandora's Box, a club facing forced closure and demolition at the corner of Sunset Boulevard and Crescent Heights, and cautioned people to tread carefully. That evening, as many as a 1,000 youthful demonstrators, including such celebrities as Jack Nicholson and Peter Fonda, erupted in protest against the perceived repressive enforcement of these recently invoked curfew laws. The unrest continued the next night and off and on throughout November and December. Meanwhile, the local administration had decided to get tough, and rescinded the "youth permits" of twelve of the Strip's clubs, thereby making them off-limits to anybody under 21. In November 1966, the Los Angeles City Council voted to acquire and demolish the Pandora's Box. The club was eventually demolished in early August 1967. According to Timeline's Matt Reimann, the riots anticipated a cultural rift that only grew in the coming years. In this light, Bob Gibson, manager of the Byrds and the Mamas and the Papas reflected: "If you had to put your finger on an event that was a barometer of the tide turning, it would probably be the Sunset Strip riots."
Cultural impact
Regarding the importance of the Sunset Strip riots, The Guardian journalist Woody Haut argues that "it was, if nothing else, an early salvo in the "culture wars", a battle which continues to this day." He furthermore argues that the riot's most lasting effect had to do with the music that came out of the event. The incident provided the basis for the 1967 low-budget teen exploitation filmRiot on Sunset Strip, and inspired multiple songs:
"For What It's Worth" written by Stephen Stills and performed by Buffalo Springfield. The song is often used as an antiwarprotest song despite not being originally intended as one. Regarding the events, Stills has said: "Riot is a ridiculous name, it was a funeral for Pandora's Box. But it looked like a revolution."
"Daily Nightly" performed by The Monkees. The Monkees also reference the riots in one of their interviews at the end of the season 1 episode "Find the Monkees".
