She started her career in the film industry as an unpaid intern on Titanic before becoming an assistant at Jerry Bruckheimer Films where she worked on Armageddon, Con Air and Enemy of the State. From there, she moved to MGM where she became Director of Creative Affairs. In this position, she supervised the acquisition, development, and production of feature films. Some of her projects included 21, Legally Blonde, Be Cool, The Brothers Grimm, Agent Cody Banks, , A Guy Thing and Good Boy!. The Hollywood Reporter named her one of the top 35 executives under 35.
Good in a Room
Consulting
In 2005, she left MGM and launched Good in a Room, a consulting company where she helps professionals inside and outside the film industry learn to pitch and advance their projects. She leads workshops and gives presentations for companies and organizations such as Google, William Morris Endeavor, Merrill Lynch, Disney, UCLA, University of Southern California, Warner Bros., National Speakers AssociationGraduate School, and the Great American Pitchfest. She also is the moderator for the American Film Market's Annual Pitch Conference. Topics covered in her workshops have included: mastering the five stages of the face-to-face meeting; avoiding the secret dealbreakers of the first ninety seconds of a meeting; being confident in high-pressure situations; and presenting yourself more effectively. In 2013, she began offering an online webinar called "Pitching Essentials" which is aimed at helping TV writers, screenwriters, and filmmakers develop their pitching skills.
Good in a Room (book)
In 2008, she authored the book Good in a Room, published by Random House. The book features several techniques for anyone who has to pitch and sell anything, whether it be business plans, movie scripts or themselves. These techniques break down the pitch into parts and explain how to progress through a meeting and avoid dealbreakers.
Good in a Room (blog)
In 2012, she launched the blog "Good in a Room." In her blog, she showcases effective pitches from the film, TV, advertising, and venture capital industries. Stephanie also provides tips to help creative professionals learn to pitch more successfully.