Stefan Wolpe was a German composer. He escaped to Vienna separating from his wife and daughter. He married in Vienna in 1927 and again in 1934. Wolpe went to Palestine and moved in 1938 to the USA where he married for a third time.
Life
Wolpe was born in Berlin. He attended the Klindworth-Scharwenka Conservatory from the age of fourteen, and the Berlin Hochschule für Musik in 1920–21. He studied composition under Franz Schreker and was also a pupil of Ferruccio Busoni. He also studied at the Bauhaus circa 1923, and met some of the dadaists, setting Kurt Schwitters's poem An Anna Blume to music. 's parents in 1927 In 1928, Wolpe's first opera, Zeus und Elida, premiered in Berlin. This soon was followed by two more operas in 1929, Schöne Geschichten and Anna Blume. In 1927, he married the artist Ola Okuniewska from Czechoslavakia and their daughter, Katharina Wolpe was born in 1931 but the couple had separated. His wife escaped to London in 1938, but his daughter was a de facto orphan in Berne during the war. The music Wolpe was writing between 1929 and 1933 was dissonant, using Arnold Schoenberg's twelve-tone technique. However, possibly influenced by Paul Hindemith's concept of Gebrauchsmusik, and as an avid socialist, he wrote a number of pieces for workers' unions and communist theatre groups. For these, he made his style more accessible, incorporating elements of jazz and popular music. When the Nazis came to power in Germany, Wolpe, a Jew and a communist, fled the country, passing through Romania and Russia en route to Austria in 1933–34, where he met and studied with Anton Webern. He had left Germany with a Romanian pianist and he married Irma Schoenberg in Vienna. He later moved to Palestine in 1934–38, where he wrote simple songs for the kibbutzim. The music he was writing for concert performance, however, remained complex and atonal. Partly because of this, his teaching contract with the Palestine Conservatoire was not renewed for the 1938–39 school year. In 1938, Wolpe moved to New York City. He briefly met his daughter in London in 1946. There, during the fifties, he associated with the abstract expressionist painters. He was introduced to them by his third wife, the poet Hilda Morley. From 1952 to 1956 he was director of music at Black Mountain College. On January 24, 1956, he was appointed to the faculty at the C.W. Post College of Long Island University in Brookville, New York. He also lectured at the summer schools in Darmstadt in Germany. His pupils included Jack Behrens, Herbert Brün, Morton Feldman, David Tudor, Matthew Greenbaum, John Carisi, M. William Karlins, Gil Evans, George Russell, Robert D. Levin, Boyd McDonald, Ralph Shapey and Netty Simons. His works from this time sometimes used the twelve-tone technique, were sometimes diatonic, were sometimes based on the Arabic scales he had heard in Palestine and sometimes employed some other method of tonal organisation. Wolpe developed Parkinson's disease in 1964, and died in New York City in 1972.
Music
Elliott Carter has said of Wolpe's music that, "he does everything wrong and it comes out right." For a complete list of works, see .
Chamber works
Blues, large mixed ensemble
Chamber Piece No. 1, chamber orchestra
Chamber Piece No. 2, chamber orchestra
Duo fur Zwei Geigen, violin duo
From Here On Farther, mixed quartet
Musik zu Hamlet, flute, clarinet and violoncello
Piece For Oboe, Cello, Percussion, and Piano
Piece for Two Instrumental Units, large mixed ensemble
Piece in Three Parts for piano and sixteen instruments