This electronic keyboard is an 8-voice polyphonic, bi-timbral analogue synthesizer with the ability to split or layer two sounds. It has 64 memory locations for sounds. Patches may be "linked" in memory so that calling up one automatically calls up the second for a split or layer. A monophonic mode, with all eight oscillators producing the same sound at once, is also possible. Polyphonic portamento is also available. The instrument features MIDI, including the capability to save and restore patches with system-exclusive data.
Front Panel
The front panel has two volume knobs, a master tuning knob, a data entry knob for programming patches, modulation and pitch wheels, various buttons for mode and program selection, and a four by eight grid for programming. Some other functions are also listed on the panel as a reminder of which buttons to press. The case is metal with light blue graphics and lettering, red LED indicators, and black painted wooden end pieces.
Back Panel
The back panel has quarter-inch jacks for recording data to cassette tape, MIDI in and out DIN connectors, separate quarter-inch audio outputs for each of the two sounds and a mix audio out, a power switch, and a fuse socket.
Keyboard
The keyboard is five octaves and is unweighted. It has no velocity or aftertouch sensitivity.
Voice Architecture and Sound Programming
Voice Architecture
The synthesizer voices are based on the Curtis Electronics CEM 3394 chip. This allows for one voltage-controlled oscillator per voice, with on/off toggles for any combination of sawtooth, triangle and variable pulse waveforms. There are coarse and fine tuning parameters. A "poly mod" parameter allows the audio output of one voice to feed another's voltage-controlled filter when they are layered in "double" mode. This results in a sound with 4-voice polyphony with no audio from the second voice's oscillators, processed through two filters in series. The single low-frequency oscillator is free-running, with programmable rate, and has programmable depth and waveform. This can modulate any combination of filter cutoff frequency, pitch, or oscillator pulse-width. There is a chorus with fixed rate and frequency. Filter cutoff frequency, resonance, keyboard tracking and envelope amount can be programmed, but the envelope cannot be inverted. The two ADSR envelopes modulate the VCA and the 24 dB/octave VCF. The rate for the polyphonic portamento is programmable. "Unison" can be programmed for each patch. In this mode, the envelopes are re-triggered only after all keys are released, and a delay of four oscillators relative to the other four can be programmed. A program can be "linked" to another so that both are called up and assigned correctly in a split or layer. There is also a programmable output level for each patch to help balance loud and soft sounds.
Performance Controls
There are separate volume knobs for channels A and B. The footswitch can be programmed to momentarily change patches, or change one of several patch parameters: filter cutoff frequency, ADSR envelope amount or attack; VCA decay or release; voice volume ; chorus on/off, or portamento on/off. The parameter value knob can be used to alter one parameter in real-time, although the value will "jump" to the knob's current setting as soon as it is moved and some parameters stairstep badly when treated this way. The pitch-bend wheel is not spring-loaded and is centre-detented. Oscillator tuning can be initiated from the front panel, with this process taking about twenty seconds. During tuning, the instrument is silenced.
MIDI Implementation
The Split-8 has quite advanced MIDI implementation for an instrument of this vintage. OMNI mode, wheel controller reception/transmission and program change can be toggled on or off. All MIDI operation can be disabled, and there is the capability for saving and loading patches. The MIDI receive channel can be set for each patch. Four voices can be assigned to one patch that is controlled only via MIDI, with the other four playing a patch controlled only from the keyboard. In this case, wheel effects can be disabled for the MIDI-controlled patch. The Split-8 also recognizes incoming pitch-bend and modulation wheel data as well as note number, note on and off, program change, and tuning request. Some MIDI functions are accessed through a special "MIDI Expand" mode. This is entered by holding down the RECORD button and pressing PROGRAM SELECT 5. All of the LEDs for the PROGRAM SELECT buttons blink, and pressing one of these PROGRAM SELECT buttons now performs one of the following:
Selects MIDI mode 1. If the instrument is in SPLIT mode, data from the MIDI in port will be passed to both programs. This is the reverse of using button 3, below.
Initiates a 2,240 byte system exclusive dump consisting of patch data. The LED for PROGRAM SELECT 2 remains lit during the few seconds that this takes.
Selects MIDI mode 3. This is the reverse of using button 1, above.
Not used.
Toggles between enable and disable of program changes. Transmission and reception of program changes via MIDI is disabled by default when the synthesizer is switched on.
Toggles between enable and disable of both the pitch-bend and modulation wheels. On power-up, MIDI transmission and reception for both is disabled by default.
When sending MIDI program information to the Split-8, the 64 patches are sent as a string of single-patch packets, so loading single patches at a time is possible. When sending all 64, the synthesizer will sporadically "lose" some patches, presumably because it cannot handle MIDI data transmitted at the speed that modern computers can send it. Most music software allows the user to insert a short delay between packets of sysex information, circumventing this problem. A 50 millisecond delay is adequate. According to the manual, it is possible to have the Split-8 respond to a system-exclusive dump-request, but the manual does not indicate what the request bytes are, nor is there a byte-map of the sysex data. The Split-8 does not respond to the MIDI "all notes off" message, and pitch-bend depth is fixed at +/- a major third.
An audio sampling CD entitled “Astral Ambience”, produced by Martin Newcomb of the Museum of Synthesizer Technology, features a large list of vintage synthesizers, including the Split-8. The CD was very favourably reviewed in the June 1996 issue of Keyboard magazine, although no explicit mention is made of the Split-8 sounds.
Spare Parts and Manuals
A source of spare parts and manuals for the Split-8 is . They also have Split-8 owner’s manuals and cassette tapes of the original preset sounds.
Literature
Advertisements of about a third of a page in size can be found in contemporary issues of Keyboard Magazine. The owner's manual and service schematics are available from . The Split-8 appears in the price lists at the end of both editions of Mark Vail’s Vintage Synthesizers, although it is not mentioned elsewhere. There is also a capsule summary of the Split-8 in The A-Z of Analogue Synthesizers that contains numerous inaccuracies. The more recent edition of this book may be more accurate.
Software and Sounds
The Split-8 was supported by Opcode's Galaxy universal librarian software, which is no longer available. Original factory presets were written by sound designerJohn Bowen and are available on cassette from .
