This example is the first stanza from Spenser's Faerie Queene. The formatting, wherein all lines but the first and last are indented, is the same as in contemporary printed editions.
Lo I the man, whose Muse whilome did maske, As time her taught, in lowly Shepheards weeds, Am now enforst a far unfitter taske, For trumpets sterne to chaunge mine Oaten reeds, And sing of Knights and Ladies gentle deeds; Whose prayses having slept in silence long, Me, all too meane, the sacred Muse areeds To blazon broad emongst her learned throng: Fierce warres and faithfull loues shall moralize my song.
Possible influences
Spenser's invention may have been influenced by the Italian form ottava rima, which consists of eight lines of iambic pentameter with the rhyme scheme ABABABCC. This form was used by Spenser's Italian role models Ludovico Ariosto and Torquato Tasso. Another possible influence is rhyme royal, a traditional medieval form used by Geoffrey Chaucer and others, which has seven lines of iambic pentameter that rhyme ABABBCC. More likely, however, is the eight-line ballad stanza with the rhyme scheme ABABBCBC, which Chaucer used in his Monk's Tale. Spenser would have been familiar with this rhyme scheme and simply added a line to the stanza, forming ABABBCBCC.
Use by others
Spenser's verse form fell into disuse in the period immediately following his death. However, it was revived in the nineteenth century by several notable poets, including:
In Eastern Europe, English stanzaic forms were not very popular, these countries being too far from England's literary influence. Neither rhyme royal nor the Spenserian stanza occurred frequently. English rhyme schemes remained unknown until the beginning of the 19th century, when Lord Byron's poems gained enormous popularity. In Poland the Spenserian stanza was used by Juliusz Słowacki and Jan Kasprowicz. In Czech literatureJaroslav Vrchlický wrote some poems in the Spenserian stanza, among others Stvoření světa :
Similar forms
In the long poem The Forest Sanctuary, Felicia Hemans employs a similar nine-line stanza, rhyming ABABCCBDD, with the first eight lines in iambic pentameter and the ninth an alexandrine.