took place primarily in Australia, with some scenes shot in Moorea, an island close to Tahiti. Several new scenes, such as Nellie and Emile's first meeting at the officer's club, were added, and a new character was created to serve as Nellie's best friend and confidante. The sex scenes between Liat and Cable are also dealt with more frankly in the film than in the original 1949 musical.
Music
Sixteen songs from the musical are featured in the film, although "Happy Talk" was omitted and "Bali Ha'i" was cut in half. A soundtrack was released on March 20, 2001.
"Overture"
"There Is Nothing Like a Dame"
"A Cock-Eyed Optimist" - Close
"Bloody Mary"
"Bali Ha'i"
"Twin Soliloquies" - Close
"Some Enchanted Evening" - Šerbedžija
"Dites-moi"
"Younger Than Springtime" - Connick Jr.
"I'm Gonna Wash That Man Right Outa My Hair" - Close and Graff
"I'm in Love with a Wonderful Guy" - Close and Graff
"You've Got to Be Carefully Taught" – Connick Jr.
"This Nearly Was Mine"
"Honey Bun" - Close and Graff
"Finale Ultimo" - Close
"My Girl Back Home" - Close and Connick Jr.
Release
Critical reception
Julie Salamon of The New York Times praised the film and, particularly, Close's performance, writing, "Ms. Close, lean and more mature, hints that a touch of desperation lies in Nellie's cockeyed optimism. 'I'm stuck like a dope with a thing like hope' means one thing when you are in your 20's, something else when you are not." He also noted that the movie "is beautifully produced, better than the stagy 1958 film.... The other cast members, including Ms. Close, also sing well." The New York Post wrote that "Notions of racism toward the islanders were glossed over in the 1958 movie, but in tonight's remake, the racial themes are brought to the surface, to the production's advantage... there's a heightened sense of drama and tension in the remake because the war is closer at hand... the rewards are great." The Washington Post noted: There was criticism by some, for example, theatre critic and historian John Kenrick because the order of the songs was changed, and because Rade Sherbedgia, unlike previous Emiles, did not have an operatic singing voice. Playbill reported that "Internet chat room visitors have grumbled that Close is too old for the role of Nellie Forbush, who, in the song, 'A Cock-Eyed Optimist', is described as 'immature and incurably green'", but also that " Cohen said the 'May–December' romance plot point... has less resonance with audiences today and it was cut. Nellie is ageless, in effect." In the 2008 Oxford Companion to the American Musical, Thomas Hischak wrote: