Song poems are songs with lyrics by usually non-professional writers that have been set to music by commercial companies for a fee. This practice, which has long been disparaged in the established music industry, was also known as song sharking and was conducted by several businesses throughout the 20th century in North America.
Production and promotion
From the early 20th century, the business of recording song poems was promoted through small display ads in popular magazines, comic books, tabloids, men's adventure journals and similar publications with a headline reading Send in Your Poems - Songwriters Make Thousands of Dollars - Free Evaluation. The term lyrics was avoided because it was assumed potential customers would not understand what the term meant. Those who sent their poetry to one of the production companies usually received notice by mail that their work was worthy of recording by professional musicians, along with a proposal to do so in exchange for a fee. The early 20th century versions of this business involved setting the words to music and printing up sheet music from inexpensively engraved plates. In producing the recordings, musicians often recorded dozens of songs per recording session using minimal resources, often in one take. Some of the companies recorded new vocals over pre-recorded music backing tracks, using the same music tracks hundreds of times. The recordings were then duplicated on 45 RPM vinyl singles or on individual cassette tapes, or they were released on compilation LPs with dozens of other songs by amateur lyric writers. Copies were sent to the customer. Promises that they would also be sent to radio stations or music industry executives were rarely if ever kept, partly because the recordings would not have been taken seriously by professionals. Many of the lyrics involve subject matter relating to the passing fads of the day, and thus provide a window into a past pop culture.
Examples
Noted examples of those who have used the song poem approach include:
Rodd Keith, who has been described as the "Mozart" of the song poem genre. Several compilations of his made-for-hire song poem recordings have been released on CD with comments by his son, avant-garde saxophonist Ellery Eskelin. Eskelin never really knew his father, but was often told that his father was some kind of musical genius.
Caglar Juan Singletary, who featured in the 2003 documentaryOff The Charts: The Song-Poem Story. His most famous composition is "Annie Oakley", music written by artist David Fox.
Norridge Mayhams, also known as Norris the Troubadour, who issued a succession of records between the 1930s and 1980s, many produced by song-poem professionals.
Thomas J. Guygax Sr., of Springfield, Missouri, a lyricist noted for his unconventional approach to word order and syntax.
John Trubee, whose song "Peace & Love ", recorded by country singer Ramsey Kearney, has been described as "the most famous song-poem recording of all time".
In media
In 2003, a documentary about the industry, Off The Charts: The Song-Poem Story, was aired on the Public Broadcasting Service in the United States. It has since been released on DVD, and the soundtrack was released on CD. The 2007 Craig Zobel drama Great World of Sound depicts a modern-day version of "song sharking," and featured scenes where real unsigned musicians audition for the actors portraying the ersatz music producers; these artists ultimately had their songs properly licensed and featured in the finished film. Tom Ardolino, former drummer for the bandNRBQ, curated an LP and several compilation CDs of the material taken from his personal collection. His work, along with the efforts of others such as Phil Milstein, musicologist Irwin Chusid of WFMU radio, Mark Mothersbaugh of Devo, Bob Purse, James Lindbloom, and magician Penn Jillette has allowed these scraps to reach a level of notoriety unthinkable in their own time.
