Australian pub rockers Hunters & Collectors released "Say Goodbye" on 17 February 1986 ahead of their fourth studio album, Human Frailty which appeared in April. The track was co-written by band members John Archer on bass guitar, Doug Falconer on drums, Jack Howard on trumpet, Robert Miles on live sound, Mark Seymour on lead vocals and guitar, Jeremy Smith on French horn, and Michael Waters on keyboards and trombone. Seymour explained writing the lyrics: "Say Goodbye" was released in both 7" and 12" formats on White Label/Mushroom Records and, as with the album, was co-produced by Gavin MacKillop with the band. Each version had its own front cover art, while the back cover art includes variations of their logo, a H & C symbol, where the "&" is stylised with twin snakes entwined around a hunting knife, a variation of a caduceus. The single peaked at No. 24 on the Australian Kent Music Report Singles Chart and No. 20 on the New Zealand Singles Chart. The B-side, "Follow Me", was a re-recorded version of an earlier B-side, "Follow Me No More", which had appeared on "Carry Me" a United Kingdom-only single from 1984. "Follow Me No More" had been co-written by Archer, Falconer, Howard, Miles, Seymour, and Waters with then-keyboardist, Geoff Crosby. "Say Goodbye" appeared at No. 97 on the first Hottest 100 list for national youth radio broadcaster, Triple J, in 1989. "Say Goodbye" and ""Is There Anybody in There?" were both featured on the soundtrack to the 1987 science fiction film, The Hidden, directed by Jack Sholder and starring Kyle MacLachlan, Michael Nouri and Claudia Christian. It was also included on the 2007 TV movie, , based on the real life disappearance of Peter Falconio. In 2013 a cover version of "Say Goodbye" by The Living End appeared on the tribute album, Crucible – The Songs of Hunters & Collectors.
Reception
In May 1986 Pollyanna Sutton of The Canberra Times reviewed Human Frailty and on "Say Goodbye" she found that it "hinges on the powerful line 'You don't make me feel like I'm a woman anymore'". Sutton declared that Seymour had written "a line which he could sing in a pub with a lot of vulgarity that would get both guys and girls singing". Fellow music journalist, Ed Nimmervoll, praised the album and the band which had "discovered how to tap the unique vein they had unearthed; where, in a sweat-dripping venue packed to the rafters with a beer swilling macho rock fans the audience would and could at the top of their voices unselfconsciously sing along to" the line cited by Sutton. Contemporary singer-songwriter, Paul Kelly, recalled being at a gig "at The Venue... where fifteen hundred blokes in the audience bellowed the song's punchline in unison... What was going on in Australian pubs in the late eighties?" In October 2010, it was described in the book, 100 Best Australian Albums, by the three authors, John O'Donnell, Toby Creswell, and Craig Mathieson: " starts with a smash on the high hat and a quick drum pattern followed by a relentless, deep-throated riff on just the bass. The power trio push it into overdrive... Seymour's vocal charges in with a story about a man and a woman fighting".
