Salad Fingers
Salad Fingers is a British flash animation web series created by David Firth in July 2005. In 2005, the San Francisco Chronicle ranked it among the "Top 10" pop culture phenomena.
As of March 2020, eleven episodes have been published on YouTube and Newgrounds.
The cartoon revolves around the eponymous "Salad Fingers", a thin, green, mentally troubled mutated man who inhabits a mostly desolate world. Most of the talking in the animations comes from Salad Fingers as he interacts with his surroundings, sometimes talking to inanimate objects or engaging in dialogue with himself. The first seven episodes of Salad Fingers were shown back-to-back in Australia at the 2007 Sydney Underground Film Festival at the Factory Theatre, along with a variety of other animated short films, during the "Re-Animation" session.
Concept
Salad Fingers was first conceived as an in-joke when Firth was playing the guitar one day and his friend and frequent collaborator Christian Webb commented that he had "salad fingers," referring to the way Firth was playing the C chord.Firth has cited the works of David Lynch, South Park, Tim Burton, The League of Gentlemen and Chris Morris as sources of inspiration. There are similarities between the novel Tideland by Mitch Cullin and the film Tideland by Terry Gilliam and Salad Fingers.
Music
The eerie music featured in the background is the tune "Beware the Friendly Stranger" from the Boards of Canada album Geogaddi. The dark music in the soundtrack that appears when Salad Fingers is scared is actually Firth playing the guitar, but slowed down and reversed.Other music included in Salad Fingers episodes includes work credited to Brian Eno, Sigur Rós, Aphex Twin and Lustmord. David Firth frequently inserts references to Aphex Twin in his flash cartoons; for example, the Aphex Twin logo can be found on the telephone in Salad Fingers [|episode five], and mentions the song Audax Powder in [|episode 11], which was released under the alias Polygon Window.
Characters
;Salad Fingers: The main character is a bald hunchbacked humanoid figure with light green skin and no visible nose or ears, who speaks with a distorted Northern English accent. His long, strangely-shaped fingers are his most notable feature, hence the name "Salad Fingers". They were the focus of the first episode of the series, where Salad Fingers is shown getting pleasure from rubbing various objects, particularly rusty metallic items such as spoons, a doorbell panel and a kettle. Salad Fingers is unable or unwilling to distinguish between living beings and inanimate objects, and is frequently found talking to various inert articles. Furthermore, he often assigns such objects proper names and appears to believe that they can communicate with him directly, sometimes voicing their perceived thoughts himself.;Hubert Jason Cumberdale, Marjory Stewart-Baxter, and Jeremy Fisher: Finger puppets who, after their introduction in episode 2, have only been missing in [|episode four] of the series. They often appear in Salad Fingers' fantasies as life-sized beings. Jeremy Fisher is thought to be named after the Beatrix Potter book The Tale of Mr. Jeremy Fisher. In episode 2, Salad Fingers tastes these puppets, claiming Hubert Cumberdale tastes like "soot and poo" and Marjory Stewart-Baxter tastes like "sunshine dust". Jeremy Fisher is not tasted, which is revisited in a later episode. Salad Fingers has also referred to Jeremy Fisher as having been out fighting "The Great War". In episode five, Hubert Cumberdale is temporarily renamed Barbara Logan-Price. In episode six, Salad Fingers eats Jeremy Fisher in a moment of forgetfulness after accusing him of "tailgating his daughter", and the puppet has not appeared or been mentioned since, indicating that he was killed off. In episode eight, Salad Fingers calls Cumberdale a "dirty immigrant" after dropping him in a chamber pot. In [|episode nine], Salad Fingers talks to Stewart-Baxter as if she is his partner and the mother of their "child", Yvonne. In episode eleven, Salad Fingers makes Hubert Cumberdale "grow up" by sewing pieces of human flesh to him, after which he can walk and speak on his own. Salad Fingers calls him his "flesh boy".
;Harry/Milford Cubicle: Appearing in [|episode three], Cubicle is an aggressive, armless human mutant who wears an apron identifying him as being employed at a "BBQ". Though his name tag reads "Harry" and indicates that he is "Happy to help", Salad Fingers calls him Milford Cubicle. He bleeds to death after repeatedly banging his head on Salad Fingers' door. Salad Fingers then finds him, drags him inside his house and hangs him on a meat hook, believing him to be alive and conscious. He is seen to have the flesh torn from his body in Episode 10 and finally ends that episode as a skeleton, his flesh turned into a hat which was given as a gift to Salad Fingers.
;Bordois: Appearing in episode four, Bordois is a woodlouse which Salad Fingers accidentally kills by attempting to pet her. Although he refers to her as "little sister", Salad Fingers makes sexual remarks to Bordois, saying "Your body is so much fun." Once he squishes her, he says "You've gone flat, little sister. And you're all gooey. I shan't play with you again until you've had a wash."
;Aunty Bainbridge: Appearing in [|episode one] and episode nine, is a yellow bug-eyed person with a green shirt who owns many rusty objects and a small house. While Salad Fingers calls it Aunty Bainbridge in the ninth episode, he also calls it a "young child" in the first, indicating that he does not, in fact, know it at all. This is further evidenced when it backs away from Salad Fingers when he tries to hug it in the ninth episode. The only sound it makes is a sharp scream, so it is difficult to tell whether this is a person and what its gender is.
;Mable: Appearing in episode five, Mable is a scuffed, grubby, scarred young girl who goes to a picnic with Salad Fingers. She is the first character other than Salad Fingers who can communicate in English, and she is the first person other than Salad Fingers to actually speak— something that seems to shock and dismay Salad Fingers. When she sees Salad Fingers looking at her in shock, she asks "What's wrong?", and subsequently Salad Fingers is shown hallucinating her with her eyes gouged out asking him, "What's wrong, Mr. Fingers? Do you not like my mouth-words?"
;Tony: A big-eyed, grotesque, small mutant creature who falls in love with Salad Fingers in episode four. It has a large stitch across its forehead, and as such, many refer to it as "Stitch-head". This character was originally created by Jimi Hollis, who refers to it as the "bug-eyed kid". It uses a bear trap and a grubby tap to capture Salad Fingers, then cages him and proposes with a ring topped with a human molar.
;Kenneth: Kenneth is a bisected rotting human corpse which Salad Fingers addresses as his younger brother. Salad Fingers finds him in a ditch.
;Roger: Appearing in episode eight, Roger is a broken radio that speaks in a robotic, aggressive manner and scares Salad Fingers into the cupboard twice. Roger, according to Salad Fingers, must be given 'sustenance'. This distress caused by his radio has him eating his hair collection.
;Horace Horsecollar: A toy horse with which Salad Fingers indulges his senses. Possibly the inspiration of the horse that gets savaged in Episode 10.
;Penny Pigtails: A character Salad Fingers' imagination created while hiding from Roger in the safety cupboard. She is nothing but Salad Fingers' hand "walking" across the ledge. Salad Fingers imagines that she is denied raspberry jam by a market trader, who bases his actions on the grounds that her legs are "too long" and "made of cotton", which upsets him greatly.
;Mr. Branches: A tree 21 yards from the house. Salad Fingers measures this distance, and then comments to the tree that it's "barely shuffled an inch all week" — implying that it moves and that he regularly keeps track of this measurement. In episode nine, Salad Fingers bites one of its branches, causing it to cry in pain. It begs Salad Fingers to be let inside in the voice of a young child, but is told that it has to "grow out of branches" first. Mr. Branches then proceeds to tightly wrap its branch around Salad Fingers' stomach — although, it is implied that this entire scene was a fantasy, and not reality.
;Yvonne:A black slimy object that Salad Fingers "gives birth to" out of the front of his stomach in episode nine. The object may be a tumour that has caused Salad Fingers' sickness as he feels better after 'giving birth' to her. She is implied that she is his long-awaited child, saying that he "yearned for day" she would arrive. He cradles her and reads her a poem, during which he names it "Baby Yvonne" and tells it that it has its mother's eyes, when in fact it has no human features at all. Unhappy with it, Salad Fingers decides to give it to Aunty Bainbridge, but ends up forgetting that it's his daughter. He then proceeds to clean Aunty Bainbridge's window with it, believing it to be a sponge. After "washing" the window, Salad Fingers takes a "lunch break" and is seen eating a large submarine sandwich with a coffee cup nearby.
;Dr. Papanak: A puppet Salad Fingers finds in some rubbish in Episode 10, over which he has considerably less control than any other puppet. He is seen to sprout knives and slaughter a horse.
;Glass Mother: An haggard old woman who lives in Salad Fingers' mirror. She is shown to be abusive towards Salad Fingers, frequently verbally assaulting him, as well as forcing him to eat some sort of concoction that makes him sick. It is unclear as to whether she exists in reality or is simply another of Salad Fingers' hallucinations.
;Unnamed characters:
- A young, relatively normal-looking child, wearing a varsity-type jacket whom Salad Fingers appears to have cooked in an oven in [|episode two].
- Salad Fingers has a crow "visit" for his picnic. Salad Fingers also ramblingly mentions he has an "old pal" named "Charlie" as well as a daughter, though neither of them are seen. It could be that neither of these characters are real or may have died in the supposed "Great War".
- Many humanoids resembling Salad Fingers, but with a unique face deformity. They all appear in [|episode ten] where they attend Hubert Cumberdale's Birthday.
Episodes
Episode 1 – Spoons
- Release date: 9 May 2004
- Credits: Drawn, animated and voiced by David Firth. Written by David Firth and Christian "Crust" Pickup. Music by Boards of Canada
Episode 2 – Friends
- Release date: 15 July 2004
- Credits: Drawn, animated and voiced by David Firth. Written by David Firth and Christian "Crust" Pickup. Music by Boards of Canada and David Firth.
In the next scene, a frightened child responds to Salad Fingers's call for help. Salad Fingers cannot reach the fish cooking in his oven and asks the child to get it for him. As the child reaches into the oven, Salad Fingers sees a rusty nail jutting out of the wall and reaches to caress it, causing the oven door to close with the child still inside. Salad Fingers then impales his finger on the spike and begins bleeding, blissfully saying "I like it when the red water comes out."
Salad Fingers turns pale and passes out. Apparently dreaming, Salad Fingers walks through a large meat locker singing "Somewhere Over the Rainbow" to himself. While inside, he meets a full-size Hubert Cumberdale, who screams a distorted electronic noise at him. When Salad Fingers awakens he sits in a pool of his own blood. The oven smokes as Salad Fingers states, "That fish smells about done," presumably forgetting the fact that it was the smoke from the child trapped in the oven that he'd forgotten about when 'dozing off'.
Episode 3 – Nettles
- Release date: 1 August 2004
- Credits: Drawn, animated and voiced by David Firth. Written by David Firth and Christian "Crust" Pickup. Music by Boards of Canada, Brian Eno and a yoga flute.
Episode 4 – Cage
- Release date: 20 August 2004
- Credits: Drawn, animated and voiced by David Firth. Written by David Firth, Christian "Crust" Pickup, and Jimi Mwng. Additional character design by Jimi Mwng. Music by Boards of Canada, Aphex Twin and David Firth.
Inside his house, Salad Fingers sees a grey woodlouse coming out from a hole in the wall. He addresses the bug as "Bordois" and his "little sister". After asking what "she" has been collecting, he acts as though the bug gives him a response. Salad Fingers announces his enjoyment in the bug's body and goes to touch it, accidentally crushing it and looking at it in curiosity which turns to disgust. He then says to Bordois that she's "gone flat" and become "all gooey", and that he "shalln't play with again, until had a wash." Salad Fingers then hears a knock on the door, which he opens to find a "grubby tap" attached to a string on the ground. Salad Fingers becomes excited about this "gift" and begins to fantasize about taps. He attempts to fetch it, but it is drawn away on the string as bait. He is caught in a bear trap which causes him to lose blood and consciousness while savouring the desanguination blissfully. He wakes up in a cage, and enjoys rubbing the rusted bars. The grotesque boy approaches the cage and holds out a ring as if proposing marriage. Salad Fingers becomes distraught, states "I don't like this game" and announces that he is "going home now". This angers the boy, who makes an unintelligible noise that sounds like "You're my wife now." A rope appears, hanging down from the ceiling, which Salad Fingers pulls to draw down a curtain. When the curtain lifts, the boy, seeing that Salad Fingers has disappeared, begins to cry. The episode closes with Salad Fingers, wearing his beret, flying away gleefully on a giant tap, presumably to France.
Episode 5 – Picnic
- Release date: 25 November 2004
- Credits: Designed, animated, voiced and written by David Firth. Additional writing and the voice of Mable by Christian "Crust" Pickup. Music by Boards of Canada, Aphex Twin and David Firth.
In the next scene, Salad Fingers wears a bridal train and talks to himself in a mirror, declaring "You look so beautiful" with Rhubarb by Aphex Twin playing in the background. He then goes outside for his picnic, which is attended by a strange crow that makes garbled noises and a little girl with scars on her face, a filthy, stained pink dress and orange hair. Salad Fingers asks the orange-haired girl a question and answers it for her, ending with "replied Mable". Salad Fingers calls her his new playmate and compliments her on her dress, and as he does this, Marjory Stewart-Baxter is seen in the window, jealous. Salad Fingers offers "Mable" some "Pease Pudding", which he feeds to her with a dirty, rusty spoon. The crow then swoops down and steals Salad Fingers's spoon.
Salad Fingers and the little girl giggle and she says that the crow must like spoons too. The shock of the girl speaking to him, thus meaning the girl is indeed real, not a figment of his imagination, drives Salad Fingers to temporary insanity, hallucinating, hearing screeching, distorted noises, and seeing the girl saying, "What's wrong, Mr. Fingers? Do you not like my mouth-words? Naughty mouth".
Episode 6 – Present
- Release date: 24 July 2005
- Credits: Drawn, animated and voiced by David Firth. Written by David Firth and Christian "Crust" Pickup. Music by Boards of Canada, Chris Gladwin and David Firth.
Another perspective shot shows Jeremy Fisher handing Salad Fingers a toy horse. Salad Fingers is pleased with the present, and remarks on the pleasing texture. He then eats Jeremy Fisher and immediately forgets, wondering "Where have you gotten to?" He begins to play with the toy horse while making "neigh" sounds, walks outside with it, and goes to an abandoned toilet with which he initiates a conversation. Suddenly, the mood changes and the music becomes sinister; he grows concerned and he begins defending himself, saying "You've got the wrong bloke, squire." He then flushes the toilet to "wash those bad thoughts away".
Upon arriving home, Salad Fingers gasps and sees himself sitting inside. The Salad Fingers inside appears to be hallucinating, seeing the "outside" Salad Fingers as a life-size Jeremy Fisher. The "inside" Salad Fingers speaks in a slightly different voice and also has rougher text showing what he is saying. The conversation starts off just like the earlier one with Jeremy Fisher, but goes on to include accusations that Jeremy Fisher has been "tailgating daughter with aspirations of deflowering her rose". This appears to be the other "side" of the conversation Salad Fingers had into the toilet.
The inside Salad Fingers is now seen with the Jeremy Fisher finger puppet. Fisher never responds verbally, but at one point unfastens a clasp over his mouth from which green ooze bubbles and drips to the floor. Salad Fingers caresses Fisher's hair and remarks that he never did "sample the delights of your flavor", a reference to when he tasted his other two "friends" Hubert Cumberdale and Marjory Stewart-Baxter in episode two. He begins putting the finger puppet in his mouth, but the scene quickly changes to a bloody scene of the "inside" Salad Fingers eating the "outside" Salad Fingers' head/brains, suggesting that Salad Fingers is actually experiencing the personalities he invents. The episode ends with an external shot of the house panning back to reveal the toilet, possibly implying a sinister connection, or past trauma involving the fixture.
Episode 7 – Shore Leave
- Release date: 28 January 2006
- Credits: Drawn, animated and voiced by David Firth. Written by David Firth, Christian Pickup and Jimi Mwng. Music by Boards of Canada, Chris Gladwin and Brian Eno.
The next scene shows Salad Fingers turning a cog which pulls a clothesline, drawing Kenneth out of a wardrobe, now dressed in a white dinner jacket. He starts to talk about life with the women of the great war. Salad Fingers has prepared a dinner of sand for his guest, saying "I—hope you like... SAND". At one point Kenneth slumps forward, prompting Salad Fingers to suppose that he's sleepy and props Kenneth up by inserting a "wooden dent-rail" into his empty socket. He also spills some tea, which resembles the black caustic goo from the previous episode, on Kenneth's hand. Salad Fingers tells Kenneth of his life, keeping busy with "every shift I can... sing at all the functions". There is a flashback in which Salad Fingers measures the distance from his door to a tree named "Mr. Branches" with a clickwheel and subsequently teases it for its slow movement.
It is now evening, and Salad Fingers is with Kenneth outside near the same hole he found him in. He cries over the fact that Kenneth has to go "back to the ghastly trenches". He salutes Kenneth and sings "We'll Meet Again" for him, after exclaiming, somewhat futilely, "I only ask that our creator return you unspoilt from the cruel hand of war". He then kicks Kenneth back into the hole. A dreamlike sequence follows in which Salad Fingers sings the same song, in a white dress, on a stage in front of an audience of a theatre. After singing a few strains, he complains to the pianist – who is shown as the silhouette of a marionette, with strings attached – that the key is wrong, walks off the stage, and the screen fades to black.
In this episode Salad Fingers mentions the Scottish town of Cowdenbeath, indicating he is aware of real-life places.
Episode 8 – Cupboard
- Release date: 22 September 2007
- Credits: Drawn, animated and voiced by David Firth. Written by David Firth and Christian "Crust" Pickup. Music by Boards of Canada, Lustmord and dyzv0r
When in the cupboard, Salad Fingers begins to converse with his hands. One hand enacts "Penny Pigtails," the other a market vendor. The "market vendor" refuses to sell raspberry jam to "Penny Pigtails" on the grounds that her legs are "made of cotton" and "far too long". After Salad Fingers cries for a bit, "Penny Pigtails" discovers a long strand of hair, which Salad Fingers rubs over his eyeball, apparently causing him great pleasure although it makes his eye red and inflamed. After emerging from the cupboard, he tapes the hair to a wall with four other hairs of assorted colours that he has collected. Salad Fingers speaks to the hairs, calling them "beautiple" and "a gay little quintette". Next, he goes to bed with the Hubert Cumberdale puppet. Before going to sleep, Salad Fingers sings "Three in the Bed," and instructs Hubert Cumberdale to "roll over"; as a result, the finger puppet is sent off the bed into a bowl of a filthy, brown substance. Salad Fingers orders Hubert Cumberdale to "scrub that muck off at once!" as he doesn't want any "dirty immigrants" in his house.
Later that night, the radio begins to emit strange sounds again and wakes up Salad Fingers. Salad Fingers approaches it warily and threatens Roger with expulsion from the house. The radio replies it was rude of Salad to take his hair. The radio speaks in a static voice, instructing Salad Fingers to return its hair, as well as to tidy the house. Salad Fingers declares that he "shan't, can't and won't", on the grounds that it isn't "his turn" and that it is an extremely unpleasant job. The radio continues to torment him, causing him to eat all of the hairs from his quintet, tape and all, and return to his cupboard in tears.
Episode 9 – Letter
- Release date: 26 May 2011
- Credits: Directed, drawn, animated and voiced by David Firth. Written by David Firth and Christian "Crust" Pickup. Music by Markus Fjellström.
Salad Fingers wakes up in his room, very pale and his stomach growling. Salad Fingers worries that he may be dying and taps out an S.O.S. on the metal fire grate beside him. Suddenly a strange gooey black mass bursts out of his stomach, causing him to pass out. This mass, and the goo that surrounds Salad Fingers on a puddle on his bed, bears a strong resemblance to the 'tea' in 'Shore Leave', and the goo that Hubert Cumberdale turns into in 'Present'.
When he wakes up, he is overjoyed, and believes he has given birth to a daughter whom he names Yvonne. Sitting in a wheelchair and appearing to feel better despite his wound, he pulls back the skin of one finger revealing a strange solid tip and dips it in ink to write a "letter," or at least what he thinks is one, since he reads it aloud, consisting only of scribbles. It says he cannot attend the Great War as he is still feeling "under the weather". He keeps Yvonne down in a pit and tells her off for not doing her exercises. When Yvonne refuses to respond to Salad Fingers' coaching, he addresses Marjory Stewart-Baxter, expressing his disappointment in 'their' child.
The scene then switches back to Salad Fingers lying on the floor, pale, with his stomach still wounded, and seems to be pumping air into his chest, suggesting that he's relapsed into illness. He tells Yvonne he may be too ill to care for her and speaks for her as he usually does for his other inanimate characters, saying "That's a shame; you were doing a first-rate job". He then taps another message on the fire grate, requesting a home for "a meddlesome child".
Salad Fingers is then outside in his wheelchair with Yvonne in a bucket, looking healthier once again, telling her that "good old Aunty Bainbridge" has agreed to look after her. He arrives at the house from [|episode 1], where the small, yellow-skinned humanlike creature with big eyes lives. Salad Fingers refers to the creature as "Aunty Bainbridge" and asks for a hug, but the creature takes a step back and makes an odd wailing noise, as it did in 'spoons'. Salad Fingers recalls some memories of Aunty Bainbridge "all in faded days".
Salad Fingers then appears to forget his reason for visiting, and, noticing the bucket of black ooze on his lap, claims he has come to clean the windows, apparently forgetting who/what Yvonne is. Using the bundle/Yvonne, he smears the windows with black ooze as the yellow creature looks on. Job done, Salad Fingers begins to eat a sandwich, while Aunty Bainbridge returns to the house.
Episode 10 – Birthday
- Release date: 24 November 2013
- Credits: Written, drawn, animated and voiced by David Firth with additional attribution to Christian Webb and Jimlad Hollis
The scene cuts to Salad Fingers walking through a misty forest full of leafless trees, revealing the search for a doctor as his motive to Hubert Cumberdale. He finds a vessel, perhaps a skip or broken pram, full of rubbish and starts rummaging around inside it. He finds a grotesque doctor puppet, which is self-animated and growling with gnashing teeth, that has bent hooks and springs for hands. He refers to the puppet as "Dr. Papanak", and lies down on a large slab resembling a tombstone for an examination. Salad Fingers initially seems to relish the examination, until Dr. Papanak bites into the side of his head. He throws the puppet away in fear, only for it to sprout knives and latch onto a nearby horse closely resembling "Horace Horsecollar". Dr. Papanak tears away savagely at the horse's side. Salad Fingers's fear fades away on seeing this; he tries to comfort the horse, acknowledging that the doctor is hurting it, but tells it to try and be still whilst the doctor eats its blood. The horse is shown weeping a tear down its face but makes no movement or resistance.
The scene fades out, and returns to Salad Fingers, awake and still lying on the tombstone. The forest is now leafy, and an entire new tree has sprouted up through a crack in the slab between Salad Finger's legs. Salad Fingers looks older, is unshaven, and his clothes are partially torn and muddied. He speculates that he has been asleep "for six Mondays". There is no sign of the horse or of Dr. Papanak, although Hubert Cumberdale is seen lying on the ground, also peculiarly aged, and surrounded by twigs. Salad Fingers returns home to find multiple horses in his house, including one that resembles the horse attacked by Dr. Papanak and which has had its wound patched shut. Accusing his toy horse Horace of inviting too many guests, he searches through his cupboards and drawers to find many horses improbably crammed in, and is distressed to discover Milford Cubicle as a skeleton. He drives the horses out, imagining them to have eaten him, only to encounter the mysterious pole he had seen earlier outside his house has returned.
While accusing the pole of being involved in the previous events, Salad Fingers loses focus when he spots, a little way away from him, a group of people gathered around a table. Referring to them as "the whole platoon", he approaches to reveal that each of the five guests is a deformed version of himself, each eating brains and bodily organs while groaning or performing repetitive and deranged actions. At this point, he appears to forget that the party was for Hubert, and nervously assumes the birthday seat for himself. Suddenly, the pole lowers itself into the ground to reveal a wrapped up present on the top of it, which he excitedly unwraps; only one of the clone-guests looks at him while he does this. He opens the present and finds a hat made from what is clearly Milford Cubicle. His BBQ apron, face, and skin can be clearly seen on it. He says "I shall wear it from here to the grave. What a truly special day." He puts it on while atmospheric music plays. The camera then begins to zoom back, until the screen slowly fades to black.
Notes: On 28 June 2013 Firth posted on his site Fat-Pie that a "brand new episode of Salad Fingers" would become available upon listening to the latest episode of his audio sketch Waller FM. The name of the episode was revealed by Firth himself in a YouTube interview.
Episode 11 – Glass Brother
- Release date: 30 January 2019
- Credits: Written, directed, drawn, animated and voiced by David Firth.
Salad Fingers then goes to his home, taking Hubert Cumbertale to his desk. Salad Fingers starts nettling human flesh onto Hubert Cumberdale's body. Once finished, Salad Fingers announced that he created a new and improved Hubert Cumberdale. Hubert ended up becoming alive, standing on its feet saying it is ready for life. Salad Fingers falls in love with the improved Hubert and holds it in its hands, as the improved Hubert says he's a big boy now. Salad Fingers then puts the improved Hubert into bed. Salad Fingers goes to a mirror to speak with his brother again, as their mother appears sitting in the chair behind them. Salad Fingers then gets ordered to bring the mother a bowl of food, as Salad Fingers is unable to give her the food though the mirror, while the brother claims that Salad Fingers wants the mother to starve.
Salad Fingers goes outside with Improved Hubert, where he spoke with his brother again though water on the ground. Later on, Salad Fingers is seen cooking, while his mother is ordering him how to cook though a mirror. Once finished, Salad Fingers was forced by the mother to eat the disgusting food he created. After eating the food, Salad Fingers ends up throwing up all the food he ate, laying on the ground barely awake. Improved Hubert also comes around, implementing that he will clean the barf up. While Salad Fingers has his mirror speaking to his brother, the brother finds out about the Improved Hubert, which Salad Fingers describe as his own "Flesh Boy, the most beautiful boy in the world". The brother ended up pushing his hand though the mirror, grabbing the Flesh Boy and stealing it from Salad Fingers, which shocks and saddens Salad Fingers.
In the middle of the night, Salad Fingers goes outside and enters another dimension, through a substance. Salad Fingers is greeted in an upside down dark world. Salad Fingers ends up getting inside the upside down house. Finding his brother asleep, and his Flesh Boy inside of a jar. Salad Fingers was about to grab the jar, but the brother wakes up. Salad Fingers grabs the jar, looking at his brother, which opened his mouth, revealing his teeth to be made out of rusty nails. As the mother appears, breaking the mirror and laughing. Salad Fingers sees a black substance on the ground, to which he throws the jar inside, as Salad Fingers followed the jar, getting inside too.
The brother pushed his hand inside too, but Salad Fingers blocked it with his hand. As the mother starts shouting at Salad Fingers though the little mirror. Salad Fingers starts breaking it into pieces, which did not stop the mother from shouting and calling Salad Fingers names. Salad Fingers started punching the glass until it was silent. Flesh Boy appears next to Salad Fingers, and Salad Fingers takes the Flesh Boy and rubs its head against the broken glass. Salad Fingers grabs the Flesh Boy, and licks the glass off from Flesh Boy's head.
In the end, Salad Fingers takes a little piece of the glass, in which the mother is still speaking. Salad Fingers rubs his blood against the glass, and places the glass with the blood into a little box.